Category Archives: Giving Voice

an ongoing series

Peace Post: Max Richter, Herbie Hancock and Today’s World

Like many others, I feel at a loss to shape words into coherent phrases expressing outrage, sorrow, compassion and balanced thinking in the midst of our current flood of events in today’s world.

In light of this, as always, my medium of choice is music…and music as protest/social statement has a long history. Yes indeed I, myself, did the singer-songwriter scene in my early adulthood.  Coming of age in the midst of another time of social unrest – I still embrace that genre.

Life goes on and in today’s world, my own current brand of compositional expression tends towards instrumental music. Personally, I feel it allows for individual interpretation, un-dictated by lyrical suggestion.

Which leads me to Max Richter, a favorite contemporary composer of mine.

Some time ago I stumbled upon an interview-article with Max published on Fifteen Questions. This on-line journal engages “production experts, performers, journalists, scientists and composers to discuss what music means, how it’s made, where its limits lie, and why it affects us all so differently and yet remains universal” rather than discussing the private lives of artists or their latest releases.

Here are a few of his thoughts to which I relate and are relevant to the subject of this blog post. I encourage those of you interested in musical composition and the driving forces behind it to read the full interview.

Max Richter – interview excerpts and short musical clip

Recomposed: Vivaldi’s Four Seasons (Spring)

What do you usually start with when composing?

Music for me is storytelling, so I usually start with an intention or something I want to say. From there I kind of struggle around in the dark, trying to find ways to say that. Sometimes it’s a linear thing where I have an idea and then go about trying to find ways to express it. Other times I will discover things along the way and the idea ends up turning into something else altogether. It’s a mixture between intention and chance.

I think the reason I write music is because I’m trying to say things that I find difficult to encapsulate verbally. Music is its own kind of language and it’s very good at saying things that words struggle with, so that’s often the impulse for me.

The role of the composer has always been subject to change. What’s your view on the (e.g. political/social/creative) tasks of composers today and how do you try to meet these goals in your work?

Music is a social art, kind of like talking, but in a way, music as a vehicle for political critique has evaporated in the last 20 years and that’s disappointing.

I think if we’re talking about something in music, we should be talking about the big things that are worth talking about and those things are: the state of the world; how we live and how we spend our time. That’s something that really drives me. For example, the track The Shadow Journal on Blue Notebooks, for me, is a protest song. It was composed and recorded the week after the first big anti-Iraq war march in London. And even though Czeslaw Milosz’s words are actually describing the Second World War, the imagery he used resonated with me at that particular moment in time and so social comment was most definitely the primary motivation behind this piece of music.

Generally speaking though, people are not thinking about music in those terms anymore, not if you compare it to the counter-culture movement of the sixties, when social commentary was one the absolute driving forces of music. It’s a shame and a lost opportunity in many ways.

Herbie (and the Headhunters) Hancock – interview excerpts and musical clip

And then there’s Herbie. Rummaging through some of my paper files a few weeks ago, I came across a Music and Musicians (June 2010) article I kept on hand entitled, “Herbie Hancock: Imagining the future with a plan, a piano and a vision of peace.”

I first heard of him as Herbie and the Headhunters in 1973 during my second year of college (University of Colorado at Boulder, 1972-1977). I fell in love with his ‘new’ funk sound while listening to his Chameleon on the then ‘underground’ Denver radio station KLZ FM.

Give the piece a listen as you continue reading excerpts from that article.

What did you set out to do with this (The Imagine Project) record?

I wanted to make a global record. Although I’ve recorded with artists from other countries at various times, this truly was about emphasizing global collaboration as a path toward peace. I started thinking about America basically being an immigrant country.

Most of us have ancestors who were not from these shores. So we have these issues that are happening now about immigration and closing the borders and locking things down. I understand the motivation – the fear from 9/11 and terrorists. If you couple that with the insecurity that has come about because of the economic downturn, it’s drawing people into a state of chaos.

They’re trying to find ways to blame something, to put it on somebody. I think it’s time to stop looking outside for who to blame…now is the time to proactively begin the process of creating the kind of future we want for our children and for our children’s children.

How did you translate those ideals into music?

The first thing you have to do is be willing to be open and to embrace cultures outside of our own. The second thing is respecting the cultures and the people of those cultures. What other ways can we show our respect for other cultures? One of them is through language. It’s why I decided that if I truly wanted a global record, the record couldn’t just be in English…

Today’s World – in conclusion

Max and Herbie’s comments reveal the motivation behind much of an (he)artist’s work.

Communication – whether of a personal social statement or expression of some inner emotional response to life’s experiences – is often the result of a composer’s work; intentional or not.

For most musicians, even if performing non-original pieces, interpretational nuances shape one’s own message to be received by the audience as a gift from the heart.

For myself, my Swimming with Swans project is one such work…to give voice to the fact that those of us who have experienced or are currently in the midst of a period of displacement in a living situation or even state of mind, are not defined by that but live day-by-day and create works of beauty regardless.  And share it with all who will listen.

That’s just who we are and what we do – we count, we matter and we make a difference.

“I have told you these things so that in me you may have peace. In this world you will have trouble. But take heart! I have overcome the world.”
John 16:33 NIV

Giving Voice: Cancer, Survival and the New Year

note: I came across this post and felt it needed to be passed on as ‘giving voice’ to someone who needs to know that their voice counts.

Survival

There is nothing funny about cancer. Continue reading

Hurting for Home

in honor of all those displaced due to all manner of circumstances

“Roots are best planted in the hearts of people rather than in a place.”
Mary Lou Mawicke Bruno (Ma)

(Andrew York, ‘Home’)

3rd year Blogiversary: 3 quotes, 3 categories, 3 past posts

Thank-you readers, from newest to first-to-follow, for marking this milestone with me. This year, I’m commemorating my third year blogiversary by offering the following quotes and links to past posts for you to peruse. Enjoy!

Quotes: 3 Very Different Men, All on the Same Page

original score - Goats in the Garden at Midnight by the Light of the Full Moon

my original hand-scored “Goats in the Garden at Midnight by the Light of the Full Moon”

 

I am in the world only for the purpose of composing. Franz Schubert


 

 

 

 

 

Al Bruno - promo photo circa 1940 - 1950

Dad (Al Bruno) ~circa 1945 (?)

 

 

Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out your horn. Charlie Parker

 

 

 

 

Cesar Chavez in Community Garden-photo by Cathy Murphy

Cesar Chavez in Community Garden-photo by Cathy Murphy

 

When we are really honest with ourselves we must admit our lives are all that really belong to us. So it is how we use our lives that determines the kind of [wo]men we are. Cesar Chavez

 

 

Continue reading

Giving Voice: JANE’S STORY

note: still visiting with Dad and Up a Creek, but wanted to send this on in the interim.

It’s just not going away, people. Joblessness & Homelessness is still an on-going reality.

Jane is a blogger-buddy of mine. She is an Everyday (American) Canadian*.

Like you. Like me.

This lady speaks candidly and with more courage than I ever could during our own between homes journey. Her journey-details differ from our own, but the pattern is rote: no job – no home. The experiences and feelings felt are similar if not the same in some instances.

I stand with you, Jane. Continue reading

Dear Rep. King: Suicide is no laughing matter

Something from my husband for your thoughtful consideration –

Tuesday’s edition* of MSNBC’s Morning Joe highlighted comments made by Rep. King of NY concerning his party’s candidate selections.

It matters not to me if one is Republican, Democrat, Independent, or even Green…my issue is with the flagrant tossing out of a suicide threat if his preferred candidate is not nominated as the Republican nominee.

His statement, as told to the Morning Joe panel:

“Well, first of all in case anybody gets confused, I am not endorsing Ted Cruz. I hate Ted Cruz and I think I’ll take cyanide if he ever got the nomination.”

This was my response which I sent to him Wednesday evening via his website’s comment section: Continue reading

Giving Voice: Wealth Inequality in America

I found this article/youtube last year during my researching of my Giving Voice Series. It was a bit info heavy, so I waited to post it.  It objectively details what ‘everyday Americans’ have been experiencing for years, but are unable to articulate.  The video is worth the 6 minute view.

Quote symbolPoverty is a major cause of homelessness, that in itself is not a major revelation. What has been surprising to me is the people who I have met in the homeless community who could be any number of people I know today. A cruel twist of fate could happen to most anyone; I have met people who have been overwhelmed by medical bills or who have lost their job and have ended up on the street. There are some people who have chosen this lifestyle and they are in the minority. This 6 minute video explained to me a trend that is growing and should be a cause for concern for all of us. The growing inequality and wealth divide is a problem that is undermining our society and community, and forcing an increasing number of families below the poverty line. By increasing awareness of this, I believe we can and must change this trend. Andy Robbins Photography

 

Giving Voice: Woman In A Café (poem)

While reading through Andrew James Murray’s newly published collection of poetry Heading North I was particularly struck by his poem, Woman in a Café.

Inspired by the memory of a woman who used to come into the café he frequented during his lunch break while working in Manchester, her fingerless mittened hands clutch bunched plastic bags while two worlds converge if only briefly but forever remembered.

woman in a cafe two

Re-printed with permission.

Trying out a re-blog

As a WP.org user, re-blogging an article from another WP site is not an easy task.  I decided to try my hand at it this time around just because…

According to the WP stats on my Jetpack, the article Veteran Homelessness Hits Zero In Las Cruces  has been successfully re-blogged on my site.

If this experiment does not work, please take a look at the article directly by clicking on the above link. Or here

As most of you know, this is something near and dear to my heart.  It is even more meaningful as Las Cruces, NM is hubby’s hometown and where The Goat Suite Saga was born.