The road ends, but the journey continues...

Category: Musical Musings (Page 5 of 12)

Giving Voice: Shelter

Quote symbol
Shelter. That’s maybe all man has ever wanted. Shelter; warmth; food.
from: Andrew James Murray
 

Lately the term, “desperately displaced” has been bandied about. As if living ‘between homes – displaced’ is not desperate in and of itself…

Giving Voice to those seeking safe places to live and hunker down; where surviving IS thriving. God Bless and have Mercy on us all.


from: Playing for Change

Insights into the creative life…Quotes

Couldn’t have said it  better myself…the following quotes by J. Michael Dolan

Uptight, Worked Up & Edgy!

Every single day, a plan, a plot, a project, a scheme or a great idea screams to be on the front burner: A song that needs to be recorded. A video that needs to be shot. A business deal that needs a push. A website that needs to be built or updated. A relationship that needs to be dealt with.

Important because sometimes our best-laid plans work out, far beyond our expectations. Other times they fall apart and fade away. That’s the nature of a creative, independent lifestyle. However, truth be told, it’s all those big plans, worthy projects and bright ideas that we’re NOT doing that continue to keep us uptight, worked up and edgy.

Two Fisted Advantage
(italics mine)

If you’re a regular reader of my blogs & stories you already know that I’m a huge advocate for artists & entrepreneurs. That’s because I’ve been both all my life and in my world there’s no difference between the two. They both dwell in the land of uncertainty and risk and they both have to use creativity and innovation to negotiate their way through it. That’s not all…

A songwriter (composer) composes the music he hears in his head.
An entrepreneur creates a vision for the future that she sees in her mind’s eye.

A painter prepares a canvas for her next artistic expression.
An entrepreneur prepares a Powerpoint presentation for his next keynote.

A writer processes words that stimulate and entertain.
An entrepreneur processes words that motivate and inspire.

A singer (instrumentalist) nervously stands in front of his audience and shares his soul.
An entrepreneur nervously stands in front of her shareholders and shares her vision.

Neither one would last long in a regular 9-5 job because both have a relentless muse and an untamable creative spirit which they simply MUST follow. And unlike others, A&E’s have an advantage: the unique ability to devise, create, invent, fabricate, formulate, manifest and cook-up ways to make a buck.

Important because if our world ever crashes, it will be the crazy, genius artists and risk-taking entrepreneurs who will survive to inspire us and point the way out of the rubble and into the light.

ToDoTuesdayTwo

Even though I feel like there’s not much to report, I’m chiming in on this week’s linky-party for the sake of continuity. And, remember, Roseanne at Home Sewn by Us who sponsors this says it’s okay however I decide to participate!

~~~

My creativity trinity* is as follows: fiber art – MUSIC – writing. Each is intertwined with the other, offering needful respites between projects which in turn aid in the completion of various Works-In-Progress as new perspectives appear from such respites. Ultimately, it’s all about the music but tracking fiber art Works-In-Progress is lots easier to communicate in such a setting as this and hence the linky-party connection.

My goals for the week from August 20th through August 26th:

  • Continue edits on various NOTION scores  – “Christmas Medley” almost finished and soon to move onto another score-edit
  • Finish PFWHK Ø – decidedly not finished!
  • Maybe have something to post on next week’s ToDo Tuesday linky party  – today’s posting is evidence of this!

Yes, I worked on NOTION score edits for the “Christmas Medley” piece and realized I needed to de-clutter the score by 80% of previously inserted information. There is a delicate balance in music scoring between suggested fingerings and performance directions and OCD control of the performers every interpretation of the musical score. The fact that I de-cluttered a slew of fingerings shows I am closer to completion than before. In fact, with this particular piece, I have only to recheck for notation mistakes (think of this as being like ‘spell-checking’ the score) and add the fun stuff like title, arranger/name, date, copyright and dedication (if so choose to do). Then it is done and onto another piece to score-edit.
The PFWHK is not finished. Duh. In fact, as I continued with the vertical machine quilting, I found myself making dumb mistakes. So, I wisely decided to quit while I was ahead. Meaning: I did a few lines of reverse-sewing and set the PFWHK aside for another day/week. The interesting thing of note here is that the reverse-sewing (okay, seam-stitch ripping out!) went smoothly and left absolutely no small holes in the fabric top or back. I think that is due to two things: 1- the quality of the fabric itself and 2- the use of fine 60 wt thread in the bobbin.

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ToDo for the week of August 27th through September 3rd:

  • Finish “Christmas Medley” and start another NOTION score-edit piece
  • Finish PFWHK vertical quilting, start 3-D portion of project, figure out something special to add to PF’s eye (button, sequins?)
  • Enjoy a time to snuggle down and read newest novel(s)
  • If it’s cool enough (big IF), share some porch-time with hubby and a glass of Chardonnay (me), Beaujolais (him)
’Home

 
* a term I invented recently

Keeping you in my heart for awhile…

Note: Something triggered this nostalgic moment and while more on the rough draft side, I thought I’d use it for day three of my “6 years on WP.org” posts.

Denver Mandolin Orchestra Laura Bruno Lilly, Paul Drury, others

Detail of Denver Mandolin Orchestra group photo (circa 1999?) Laura Bruno Lilly (me) – kneeling in front, Paul Drury – tall one in the back


One of the joys of being a performing member of the Denver Mandolin Orchestra was the sense of generational genesis. The turn of the 20th to the 21st century marked my introduction and induction into this motley crew of musicians. A group ranging from violin virtuoso Thereza Stephan doubling on mando; mando greats Eli Karasek, Charlie Provenza, Drew Horton; to mother-daughter and father-son mandolinists sharing music stands during rehearsals and consequent performances. And then there were us guitarists headed by Ron Grosswiler whose collection of historical American classical guitar scores along with Mandolin Orchestra Repertoire from then till now was legendary and not fully revealed until after his death in 2010.
Peppered throughout the DMO’s 23+ musicians, amateurs and professionals alike, we all contributed to the awareness of this largely unknown type of accessible American music. Plus, those like myself who just wanted to play in an ‘orchestra’ with instruments not normally associated with conventional orchestras.
But what I remember most vividly is the memorial service Swallow Hill hosted for one of its own volunteers, and for one of our very own DMO members, Paul Drury, sometime in 2004 (?).
Living within modest means, and one who knew hardship as well as gritty challenges, Paul cared for others. He made sure everyday people got to enjoy simple pleasures – like music. Often, he’d pass on Swallow Hill concert tickets he purchased himself to people he knew marginally (often a little lost in life) – just so they could bask in the healing that is music.
One evening, he died suddenly due to an unperceived advancement in symptoms of diabetic shock…
I hadn’t been a part of the DMO for several years, but was contacted about the jam-session memorial to be held in his honor…an invite to bring my instrument and pluck some of the corny rep we played as a group. And yes, he had a proper musical tribute played by a smaller version of the DMO.
However, it wasn’t until the first strums of Warren Zevon’s Keep Me In Your Heart drifted through the auditorium sound system that the crowd got silent…Paul’s wish for all, sung for the one we had all come to honor that night.

Giving Voice: Gaelynn Lea, Violinist

Friday, July 26th was the 29th anniversary of the signing of the ADA, the Americans with Disabilities Act. It was also the day I first learned of a remarkable musician on the PBS Newshour – Gaelynn Lea, Violinist.

Notable quotes from her interview:

“Adaptive music is not as common (as adaptive sports) but I hope that it becomes more common.”

on playing the violin:

“I realize that you probably don’t know unless you have a disability that you spend every day modifying everything. I’m not concerned with doing it the way everyone does it, because I can’t really do anything the way other people do it. So, for me, finding a way to play violin was just a matter of time.”

The final set of lyrics to her newest release, “I Wait” written in defense of the Affordable Care Act, protecting those with preexisting conditions:

“We need a seat now at the table, so please invite us.
Or
Don’t pretend to care.”

Yeah, it's a hot summer…

"Luscious Lavender," poem by Annika Perry

“Luscious Lavender,” poem by Annika Perry


A sight for sore eyes, no? Thank you, Annika for giving me permission to share this as part of my little oasis offering to my readers – not that any of it will actually cool us down or offer any solutions to the state of our Global Warming Reality…but, well, we’re all entitled to a break.
While my forays into the medicinal properties of lavender are legendary, pushing the boundaries of application (remember my ‘loaded brownie’ recipe confession?), there is also the purple presence of this flowering herb to consider.
Mary Lou Mawicke Bruno headstone, Ft. Logan

A shortened stem leaning against Ma’s headstone before Dad passed away.


I love purple, it’s refreshing and mysterious all at the same time. It’s also a shared favorite color with my late Ma…
This color has a history with my family, interwoven into the fabric of our lives. Some of those threads include what I named early on as being Bruno’s Purple Giants – irises that were originally planted in our Boulder garden the first spring after we moved there (Fall 1969) and have been in the family ever since. Transplanted clumps bought from the local farm down the road, Long’s Gardens, they took to the earth and exploded into tall stems loaded with hugely fragrant, deeply lavender-purple gems.
As me and my bro grew up, married and moved into homes of our own, tubers were dug, shared and planted with each successive garden.
my flower child michelle

My flower child Michelle (notice unflattened iris stem to right of hat)


One such bed lined the front walk to our first home during our kids’ growing up years where specimens routinely grew taller than a kindergartener. Notice Michelle’s purple slicker? It rained that day back in 1992.
When she came home from school (kindergarten), the normally taller Bruno’s Purple Giants irises were slightly flattened by the intense spring storm…except one battered stem.
My flower child, Michelle, surrounded by a walkway of towering purple delights – yummy memories – and an image oasis for this mom to savor.
Last summer, while finishing the distribution of Dad’s estate and getting Ma & Dad’s house ready to sell, I angsted over a nagging reluctance to give up the remnants of the family tubers which had been growing in a corner of their neglected garden. Because hubby and I have not owned property since selling our home in 2009, it wasn’t in the best interest of those tubers to be dug up and then not transplanted. As much as I wanted to keep with tradition, it just wasn’t feasible.
Wouldn’t you know, my flower child Michelle, now all grown up, came up with a plan. At the end of her trip to meet with us to celebrate Joe’s b-day and help with the cleaning of the house and such, we dug a few up, packed them dry in brown paper bags and buried ‘em in her suitcase. Her thinking being, she could at least plant them at her (and her husband David’s) place in MI to get established there. Given the fact that those poor tubers were disrupted from their normal growth cycle, it was dicey, but worth a try. Imagine, those Bruno’s Purple Giants replanted in yet another family garden and available for us to dig a few for whenever hubby and I do settle into a home of our own with a place to garden.
Someday.
And that’s another oasis for me to think on – hope is as refreshing as a drink of cool lemonade on a hot summer’s day.

~~

On another note – yes a little pun – please enjoy this classic and appropriate to the theme of this post video, Summer in the City by one of my fav groups* back in the day. It brings back memories of summers in Chicago as a kid growing up before we moved to Boulder…
https://www.youtube.com/watch?time_continue=158&v=U5bUmx-hk-c

*for a cool – pun intended – interview with John Sebastian, click here

(He)art at its best

Just finished a fantastic time on the practice stool with the Prisloe.

Again.

(He)art at its best.

I’ve had a long string of days blissfully playing and practicing, composing and creating, with a focus on deep working through pieces yet to be recorded.
And all profoundly satisfying with more in store tomorrow and the next day and the next…

(He)art at its best.

Jude, their polydactyl cat

Jude, their polydactyl cat


Mon Ami #? (family name handed down throughout the budgies)

Mon Ami #? (family name handed down throughout the budgies)


Since settling in our daughter Michelle and son-in-law David’s home – house and pet sitting during their reunion vacation in Cote d’Ivoire* – my music has been asserting itself from deep within, taking center stage.

(He)art at its best.

Before leaving FloTown, I worked through fingerings, adding dynamics and interpretive notation to my scores for use in the Swimming with Swans Music Folio part of the total SwS project. I focused entirely on the task of getting those scores closer to publishing perfection. Often with the Prisloe in one hand and the other on the computer keyboard entering it all on the NOTION score program. Then taking that needed info and tweaking it on the page so it looks nice and uncluttered**.
This is the grunt work that occurs after the ‘fun’ part of creation. Kind of like the next-to-final, another next-to-final and yet another next-to-final edit before the truly-final edit of an author’s WIP***.

(He)art at its best.

I promised myself I’d get back into the delights of daily practice focusing on technique, exercises, etudes, sight reading, exploratory composition and learning new repertoire once we left FloTown and arrived at our destination.
I promised my music (and the Prisloe) this same reward for waiting patiently even though her cries for attention were persistent and enticing.

(He)art at its best.

And you know what? The music is rewarding me! Unleashing continuous waves of inspiration, direction and ‘living water****’ spilling forth from my (he)art through my fingers and into being.

Shelby their whippet-mutt, a WIP by Michelle

Shelby their whippet-mutt, a WIP by Michelle

~~~~~

END NOTES:

* Michelle has been gathering her last batch of data/research for her PhD thesis these past months in Cote d’Ivoire and David is joining her for a final week vacation before their return to the States.
** click here for a great article on how much notation is enough notation, if you’re a composer/musician this will be interesting for sure.

*** click here for a similar process as applied towards visual artists
**** “(S)He who believes in Me, as the Scripture said, ‘From his/her innermost being will flow rivers of living water.’” John 7:38
Yes, He is my source…

Giving Voice: The Eagle Cried

The Eagle Cried, written and recorded by US Army Major J Billington (Iraqi & Afghanistan vet)

This song was written in honor of the sacrifices of Vietnam veterans, who did not receive the hero’s welcome that they deserved when they came home from the fight. This song was written for and performed at the 13th Combat Aviation Battalion Reunion at Fort Rucker, Alabama, held on May 15, 2010. To the Vietnam veterans that may find and watch this video, please accept my humble:
“Thank you for your service, and welcome home!” J Billington May 19, 2010

Reaching the Finish Line and Zeno’s Paradox

I have always been intrigued with Zeno’s paradoxes. Specifically, his Dichotomy paradox. As a mathematical concept it offers a glimpse into the world of infinity – an abstract concept of boundlessness – and by way of my own extrapolation: eternity – a reality outside of time, with no beginning and no end.

Yep, math is very cool*. People just don’t give it a chance.
We (I) tend to think of infinity as uncontained largeness, which it is, but Zeno’s paradox reveals another slice of that same infinity. Infinity as uncontained minuteness.
Mr. Zeno’s Dichotomy paradox simply stated says, Before an object can travel a given distance, it must travel half that distance then in order to travel that half distance, it must travel a quarter of that distance, etc. Since this sequence goes on forever, it therefore appears that the given distance cannot be traveled.
The way it was demonstrated to me back in the day was to stand a set distance from a wall, then take a step halfway towards that wall, then from that halfway point take another step halfway, and again until your nose is against that wall, but still some half of a half of an infinite half distance from that wall!
In this 21st century, I am a living example of Zeno’s paradox.
It seems I’m in a constant state of being ‘almost finished’ with various projects.
To be clear, I am not talking about confusing perfectionism with professionalism in the (he)artistic creation process. There is a time when something is truly done and learning to know when to stop ‘futzing’ with a project is part of that process.
What I am talking about is how my projects get ‘done, except for…’. Which then get ‘done except for’ something else then on and on until my nose is up against that wall and I’m staring down an infinite number of ‘except fors’.
Oh, I know that’s not truly a real-life application of Zeno’s paradox, but it sure feels like it. The infinity aspect of it certainly, but the frustration of projects never getting to the finish line – achingly acute.
Most of the time the ‘except fors’ are dependent upon some other factors that I cannot control which only adds discouragement to frustration.
Case in point, Mr. Zeno came to remembrance a couple months ago while I was ‘futzing’ with the liner notes for my upcoming Swimming with Swans: Goat Suite (Saga) cd (who knows anymore when it will be released :-().
I had all my ducks in a row – the artwork, layout, format chosen, and wav. files ready for replication, but there were just too many other obstacles asserting themselves, blocking the finish line. All ‘done, except for’ factors beyond my control – thus, hindering completion of the actual cd packaging and its release anytime soon.
But those liner notes, hey man, let me nit-pick/futz with those because I can control all of that.
In general, once I realize I’m in a Zeno’s infinite loop of frustration, I search for some other unfinished bits that can be readily completed if I take the time to focus on them. In my small multipurpose studio, such projects are easily seen and found.

Three different blocks

l-r: experiment in color & design limited to neutrals found in on-sale jellyroll pack; my take using the tiny flying geese border on ‘Red Rocks’ block; study in yellows using scraps in my usual free form piecing style


In this instance, my eyes strayed away from the practice stool and computer screen to the three quilt blocks laid out on my flannel design wall. They are each from three different projects and have been on the periphery of my quilting focus. I decided long ago to sew them the way they were arranged, but just wasn’t motivated to finish them.
In the name of surviving yet another cycle of Zeno’s dichotomy, I took to completing them and packing them away for later use in their respective projects.
That felt good.
And then that positive completion experience refueled my determination to work on a different slice of the overall SwS project while the aforementioned slice(s) are on hold. I opened my NOTION score files of related Swimming with Swans music and resumed editing several of those music scores in preparation for future inclusion in the project’s accompanying Music Folio.
That feels even better! 🙂

~~~~~~~~~

*Just for fun:

The dichotomy paradox leads to the following mathematical joke. A mathematician, a physicist and an engineer were asked to answer the following question. A group of boys are lined up on one wall of a dance hall, and an equal number of girls are lined up on the opposite wall. Both groups are then instructed to advance toward each other by one quarter the distance separating them every ten seconds. When do they meet at the center of the dance hall? The mathematician said they would never actually meet because the series is infinite. The physicist said they would meet when time equals infinity. The engineer said that within one minute they would be close enough for all practical purposes.

things I like inspired by harry

Harry’s Guest Post ref: here

https://www.youtube.com/watch?v=HzTlB-TjAzM

How’s that for an intro to a text-light post?

Already I’m feeling happy…for those of us who derive ‘happy’ vibes from quotes, this one’s for you:

Quote symbolIf chocolate was a sound, it would’ve been Constantine’s voice singing. If singing was a color, it would’ve been the color of that chocolate.

from: ‘The Help’ by Kathryn Stockett

 
So Laura, you may point out, that’s not exactly a list of what you actually like. Well, maybe not, but it leads into liking things that make me happy…right? But for those purists, here’s what I commented on Harry’s Guest Post:

  • I like little boy smells, my baby boy turned daring young man…
  • fun times with my daughter and son-in-law, and
  • a house filled with music.
  • Oh and it goes without saying, ‘the perfect dark roast brew’ and the darkest & smoothest chocolate available to nibble on from time to time.

In these unending tragic times, thanks for prompting us to think on these things, too, L.Marie and Henry.

What are the things you like and/or make you happy? 

PS- can you guess purple makes me happy?!

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