The road ends, but the journey continues...

Tag: fiber art (Page 1 of 4)

Goals, ToDos & TryOuts – part 1

From January’s first attempts at tackling the freshness of the New Year,

“While many have detailed their goals in a manner worthy of the New Year, I have been floundering in my own Sea of Lists.”

Me

to finding a starting point in the beginning stages within a poem,

“Let us step outside for a moment
As the sun breaks through clouds
And shines on wet newfallen snow,
And breathe the new air.
So much has died that had to die this year.”

From, New Year Poem by May Sarton

to “feeling the freedom of moving forward” with release, lightness & joy...

Goals began forming naturally, without limits. Dropping into loose categories of definition and prioritization.

Included in the mix are what I call ‘quick ToDos & TryOuts’. They surfaced as important periphery components orbiting the developing picture of individual goal categories.

An example of a ‘quick ToDo’ would be a Scrap Wrap-Up. In this case, a swift and decisive finish on a project lingering over the past ten years. This specific Scrap Wrap-Up involved the saved scraps from the original scraps used in creating my “Coffee Beans Means Love to Me” quilt (2014). This was a wall hanging quilt created with irregular shaped scrap strips gathered (dumpster dived*) & kept during our 3-year journey between homes**.

Coffee Beans Means Love to Me (2014)
“Coffee Beans Means Love to Me” (2014) – No matter how tough things got for us during our between homes time, my hubby did his best to provide a bag of beans for me to grind up for my daily brew.

Once this quilt was finished, I had in mind at the time to stitch the scraps of the scraps into mini mats. The thinking being to use them as a bonus marketing item once the recorded/published portions of my Swimming with Swans: the music and vignettes of our three-year journey between homes project*** were released.

In time, I realized that idea embodied more of a lingering emotional need rather than an actual creative or marketing need which in fact the actual quilt already fulfilled. So after a few rounds of fabric purges, I stashed a few select scraps of the scraps into an already existing bin marked, Coffee Related Fabrics. 🙂

Scroll up to 2024 and my coffee mat with accompanying mug rug is a ‘quick ToDo’ finish.

My Mini Coffee Station – Coffee is my fuel of choice. Leaded of course!

more to come featuring a few musical ‘quick TryOuts’ in part 2


*the story, feelings & circumstances behind the quilt as it was being constructed can be found here.

**our between homes dates: 6/2009-6/2012

***a portion of this project, my Swimming with Swans: Goat Suite (Saga) – The Music and Scores was released March 2022, with its accompanying set of vignettes in the cue for another stab at publishing. Several non-Goat Suite SwS compositions are recorded & fully scored, awaiting the recording of the remaining pieces to complete a final album & score set. Obviously, this has become a long-term project! 🙂


The Meaning We Make with Our Hands (Poem)

In reading about the stories we as creatives tell through our (he)art, I came across this phrase from a Quiltfolk blog article.

It resonated. I ruminated. I wrote a poem.



Weekend Notes 3/2-3/2024

“Mounted over canvas”

As per recent quilt-blogger discussions about how to mount certain fiber art pieces: Mary over at Zippy Quilts posted a callout for suggestions on how best to display a ‘map’ quilt she recently completed. The overriding consensus suggested mounting it over canvas.

About two years ago, I experimented with this technique.

During the Pandemic, while noodling around with the idea of floating a design utilizing negative space as part of the composition, my Homage à Ma’s Uncle Tran Mawicke came into being. Pleased with the result, I wanted an equally unique way of displaying it.

Ma’s Uncle Tran* was a prolific commercial & fine artist, illustrating numerous magazine articles, sci-fi books, fashion magazines & catalogues, calendars, advertisements, creating art by commission, for both private/personal and public purposes, etc.

My Homage features a common color palette used in many of his works, but does not reflect his style of art.

As a true ‘working artist’, I’ve no doubt he experimented with different modern techniques and emerging schools of art-thought during his lifelong career. I’d like to think he might have explored a sort of “abstract expressionism meets graphic art” approach to his own work. In that way, my Homage title makes sense.

That’s the cerebral narrative. Truth be told, at some point during my immersion in Homage, something about it ‘felt’ like the Great Uncle I never knew – connecting me to both him and my (he)artist Ma.

*Mini bio: Tran Mawicke was born in Chicago on September 20, 1911 and died November 28, 1988. He’s best known for his commercial illustration, landscapes, and portraits. A graduate of the American Academy of Fine Arts and Art Institute of Chicago, his work spanned from 1935-1988. A prolific storybook illustrator, he also has credits such as film posters, covers of magazines such as Collier’s, Reader’s Digest, Good Housekeeping, and BusinessWeek. Tran served as president of the Society of Illustrators from 1959-1961. He traveled extensively and  called Bronxville, NY home-base for most of his life.


“Bonus Day”

Last Thursday was February 29th. A whole day inserted into 2024’s leap year to correct time discrepancies in our calendar related to Earth’s orbit around the sun. Think of it as an expanded version of the ‘extra’ hour received when we in most states of the US set clocks back in the Fall thus ending Daylight Saving Time.  

This added date – an extra day tacked onto February – felt like a Bonus Day to me, hence the name.  In fact, I planned for this Bonus Day in advance in order to take full advantage of my perceived ‘extra’ time!

Right before lunchtime, after a morning of unabashed glee pursuing indulgent (he)artistic endeavors, I got a text notice that my shingles shot was available & waiting for me at the CVS. Since this prescription had been ‘out of stock’ since December** I decided the unscheduled task took priority, so I got jabbed ASAP.

I am thinking you know what comes next…Yes, you’re correct in thinking my extra hours were then consumed by an overpowering fatigue – which for myself is a normal reaction to any vaccine.

And yes, you’d think I’d remember that – but no.

Overall I felt okay about that interruption, and I did indeed make up for that ‘lost extra’ time in the days that followed – gaining traction (and new insights) on a few music projects and progressing on a surprise gift I’m making for that new Papa cousin’s baby girl I mentioned in an earlier post. All of which I hope to reveal in the near future!

**What can I say? We live in an underserved area and that’s part of how life is for us. Case in point: a regular rhythmic cycle of empty shelves at stores has been a fact of life since moving here in 2012 – way before the Pandemic put that Reality front and center for many formerly unaccustomed to those sorts of issues. 


How did you spend your Bonus Day this Leap Year?


MMXXiii – part two

I finally finished my Cookie Mats the other day.

Please allow me to use them as a simple means to illustrate a handful of the many personal revelations/reminders I gleaned during this past year. 

I started them the day after reading Laura’s post on making her own “Cookie Plate Crumb Catcher”.

Like her, I needed a fun diversion tucked between my holiday prep and regularly scheduled life commitments.

That was November 19, 2022.

This is December 31, 2023.

Personal revelation #1- I can and do finish projects!

Also, around that time, the overarching theme (for me) of the coming New Year 2023 began to emerge:

Mindfulness – doing things with intention, not just as a default ‘go-to’ action.

Interestingly, each time I journaled about working on my 3 CPCCs in my Morning Pages, the word ‘fun’ is mentioned.

  • “Yesterday, I started work on another CPCC. I’m finding it fun.”
  • “As fun, I’d like to work on sewing the first few squares for one of the CPCCs sometime today.”
  • “I’m re-learning traditional piecing with those CPCCs. I ‘winged it’ on certain parts of the first one – a normal process for me – and it came out fantastically well. The second, I decided to be more follow-the-rules with squaring up each block to a certain size before sewing them together and it came out awful. So, the third one I’m trying a combo of both methods and so far so good! HA! This has been a fun ‘hobby’ reliever thing to do during my spare moments. Plus, I just might get a CPCC out of it with two to gift to others!”
Cookie Mats #1 & #2 on design wall
CPCC #1 on top perfect, CPCC #2 on bottom, prior to ‘squaring up each block’. It didn’t sew up well at all so I deconstructed it and threw the fabric in the scrap bag.

While that final quote is a good example of mindfulness in the making of those 3 CPCCs, the consistent use of the word ‘fun’ caused me to realize I needed more of it in my life.

Personal revelation #2- I realized that having fun was more satisfying than seeking happiness. Something I used to know, but somehow forgot. (For the record, joy* is an entirely different gift and one I actively nurture deep within my soul.)

Fun is in the moment and feeds the need in the now before it withers. Happiness is a quest that requires vigilance and can become myopic – in some respects it is frustratingly elusive and not easily sustained.

Shortly before the end of 2022, CPCCs #1 & #3 were completely pieced and ready to be layered with the usual quilt sandwich fixins (batting & backing). I packed them away as I was poised with a mindfulness focus of ‘living life outloud’ in the coming New Year.

Fast forward to November 2023.

In need of my annual holiday prep diversion, I pulled out the 2 CPCC pieced tops and began the process of taking them to the finish line. Again, a fun thing to do, especially as I pieced scraps and leftover small half triangle scraps into blocks to further turn into mug rugs and/or table trivets. Truthfully, I was avoiding doing what really needed to be done in order to finish those 2 CPCCs.

About this time, Wendy posted about taking a fabric therapy break from her own holiday preps. The Tote she produced – and oh so quickly – called out to me. I emailed her about purchasing it and before I could step away from the computer, she responded.

Scrap triangles as future mug rugs & table trivet

“Could I just gift it to you? I’d love to do that. It’s the season of giving, and nothing would make me happier! So no need to pay anything. I’ve been smiling to myself all day, just knowing I can share this with you! I had no plans for this tote, but I just knew it would have a place to go. I’m just delighted! Send me your address, and I’ll get it on its way!”

(here it sits atop my folded cutting table underneath a few pieced scraps & leftover half square triangle scraps on my design wall – quickly put to use as my new project bag)

Personal revelation #3- I forget that while it’s fun & rewarding to give to others, it’s sometimes fun & rewarding for others to give to me!

As I dutifully cut the backing fabrics and lightweight batting, I had and AHA moment. Why not turn these into more versatile mats that offer both hot and cold protection to table surfaces? That’s when I grabbed the InsulBright used for hot pads and added it to the quilt sandwich fixins. As an unexpected bonus this addition offered a firm bottom layer which enhanced my modest walking foot outline quilting.

Personal revelation #4- I can function in a ‘color within the lines’ type of world, but I really am an outside the box type of gal.

I finally finished my Cookie Mats the other day.

Personal revelation #5- Take the time to sit back, relax and enjoy the fruits of my labor!


*    “I have told you these things so that My joy and delight may be in you, and that your joy may be made full and complete and overflowing.” John 15:11 amplified

18-inchers or…

…Cradle Quilts

When my quilter buddy Roseanne put out the call for quilt donations in her 9/18/23 post, I realized this was one I could do.

I am an admittedly sloooow quilter, so whenever a call for quilts is sounded, I pull myself away from the desire to make one UNLESS I see the requirements include a flexible timeline for completion.

Comfort Quilts Needed for Uvalde, Texas was the first call I was able to respond to in that respect. I was honored to be a part of it, but saddened beyond measure for the reason behind the need.

In this case, the 18 inch size and the October 31st deadline looked doable. In fact, I challenged myself to make not one, but two 18-inchers.

To be precise, these are called Cradle Quilts and the original call for donations came from Carole of From My Carolina Home.  

What makes these intriguing to me is not only the fact that they are used to give to children as holiday gifts, but that they are one third of a triune gift drive. Carole’s Quilt Guild partners each year with local teddy bear makers and the Woodcrafters Guild. The woodcrafters create all-wood toys such as cradles, wagons, rocking chairs and such in which to place the hand-crafted teddy bears and quilts.

Using 100% fabrics and scraps from my stash, here they are – ready to be popped into the snail mail.

  • 18-incher #1
  • Howard's sample square
  • 18-incher Taz
  • 18-incher Taz & backing

Thank you to Roseanne & Carole for the opportunity to give in this manner.

I Am A Slow…

…Stitcher.

Not as in the current trend of the Slow Stitching Movement but literally.

I Am A Slow Stitcher.

Skillful, yes. Speedy, not so much.

I am a turtle when it comes to making a quilt and/or creating fiber art of any sort. Quickening my pace often results in frustrating mishaps that require more effort and time to fix and undo than when I simply embrace my slow, steady tempo.

Mindful and contemplative sewing is a basic premise of the Slow Stitching Movement. One could say I come by that approach naturally, but truth to tell, nah. I do become completely absorbed with and extremely engaged in all steps within the process. And yes, I do breathe prayers, thoughts and love into the gifted pieces I create.

However – I Am A Slow Stitcher. Period.

In most areas of life, I am nothing if not steadfastly persistent and enthusiastic in the doing of anything – no matter how long it takes – but not necessarily slow or fast about it. Most who know me believe me to be quick witted, a fast learner and an efficient doer. Maybe.

This I do know: I am swift to laugh out loud in a huge guffaw just for the sheer joy in laughing!

Seriously, because I do ‘know thyself (myself)’, I take that time handicap into account whenever I decide to make something soft and comfy and/or display-worthy as a gift.

Which is why when the call for Comfort Quilts for Uvalde, Texas came within days of the senseless slaughter of innocent lives at Robb Elementary School, I knew I couldn’t participate. Even though I really, really wanted to and the desire and pull to participate only grew stronger as the days passed.

These types of reach outs usually have a short window of opportunity to contribute requested items/services to those intended recipients. Which I 100% get and respect.

In this case, my (he)art won out over my head. I decided to begin one small quilt regardless. Just in case.

At that time, I was just beginning to sort through some orphan blocks and excess fabric and realized they would make up into a rather nice 60 x 60 comfort quilt. As I worked on it and got closer to completing it, I reached out to a quilter blogging bud who was acquainted with the contact person and asked: Has the time come and gone for me to actually send this on to Uvalde?

She graciously went to bat for me (and others who had later quilts to donate) and found out my small contribution would be accepted long after the call went out for them. Her diligence enabled me to be a part of this effort. (You know who you are and I am forever grateful!)


Packed 1
August 2, 2022 – packed and ready to go!

Quite selfishly, this was a blessing for me to make on so many levels. I just wish the call to create a “Comfort Quilt” for such a reason wasn’t needed.


Catching Up part two

As per Banjo Guy’s suggestion in part one, I spent some time with my Hammered Dulcimer (HD).

Once hauled out from it’s resting spot under the skinny folding work table in my music ‘studio’, and set up in the living room, it was ready & waiting for me to play at my pleasure.

Our house is on the small side at ~1200 square feet. As you can tell, the HD does take up a lot of room. Once set up, there’s a certain feeling of commitment to sit down and really dig into the instrument. This musical outlet worked well for me as the strain to my wrists was almost nil while I worked through scales, hammering techniques and reading/playing HD tunes from HD playbooks and by ear.

Yep, I had fun!

My music ‘studio’ is nestled within a modestly sized bedroom, sharing space with a writing/computer area and a sewing/quilting area. If I have an unusually large project in the works or just need to spread out and ‘claim my space’ while creating (especially musically on several instruments at a time), my ‘studio’ overflows into the living room.

Luckily, Hubby understands the call & needs of the (he)artist. He actually encourages me to spread out  and encroach on our living room whenever I need more space to create.

Meanwhile, enjoy this more traditional HD cover of Here Comes the Sun to get a feel for this dreamy, jangly instrument. If nothing else, that classic Beatles Tune is sure to bring a smile to your face and lighten your mood.

Perhaps you noticed the wall hanging on the brick wall over the fireplace. It serves as a subject clue as to what ‘creative activity’ I’ll be discussing in part three! (I’m) stay(ing) tuned…and yes, I do mean that literally. 🙂

Floating 'L' wall hanging on brick wall above fireplace
‘floating L’ – LBL – MMXX

Don’t Overlook The Obvious

Once upon a time, in the early 1990s, I experimented with simultaneous double sided quilting and piecing of individual blocks. It seemed a promising way to make a scrap quilt in one easy swoop. Until it wasn’t.

I quickly realized the effort far outweighed the reward and set the project aside.

Scroll forward to the early 2020s:

Whilst (I love it whenever I can use this Brit-term) rummaging through various fabric scrap & abandoned project bins, I came across those four orphan blocks.

For more than three decades, they have survived numerous stash purges with no idea of what to do with them after each re-evaluation of their worth to keep!

Then, a few weeks ago, it came to me. The solution glaringly obvious. Finish them off as…

…Mug Rugs.


In terms of my creative development and output, these past few months have been strangely empowering. It’s as if the scales have dropped from my eyes as I re-examine projects that stalled out for whatever reason.

Seeing the now ‘obvious’ next steps which lead to ‘finishes’ is supremely delightful – from poetry writing to quilting UFOs to all things musical; from 3 measure fixes to going with the flow of an intuitive tempo to mug rug creations.

And more. So much more.


*for those interested

Binding Join Mini-Tutorial

Pandemic Potpourri V


Mariss' Kantha
October’s Kantha Piece by Mariss Stevens

First and foremost, I just had to show off this piece by my friend, Mariss. I’ve long admired her fiber art – and her curiosity about trying new techniques. After attending a course given at the South African National Quilt Festival in 2019 on Kantha stitching (pre-COVID – remember when?), she decided to experiment with the stitch form by making monthly samplers. As she says, “What has caught my imagination is how the simple running stitch can be used to produce such varied patterns and effects.”

Coincidentally, she began her samplers in January 2020 and they have since become a form of meditative creation for her as this year of the Pandemic has persisted & progressed. (click here and here for photos of each month’s sampler thus far)


Changing gears: How about a little help with my poem WIP? Below are two versions of Making Bread. If you feel so inclined, please read through both and then in the comments below let me know which word you prefer. I waffle between the two of them. Oh and, anybody notice the relationship between the Kantha piece above and something else on this blog post? If so, let me know about your discoveries in the comments.

Making Bread – poem WIP version #1:

                  Making Bread - poem WIP
                         (LBL - MMXX)

Making bread
I become a Builder.

                   Hands kneading.
                   Yeasty gases expanding.

Making bread.
I watch as it shapes a story.

Making Bread – poem WIP version #2:

                  Making Bread - poem WIP
                         (LBL - MMXX)

Making bread
I become a Builder.

                   Hands kneading.
                   Yeasty gases ballooning.

Making bread.
I watch as it shapes a story.

And last, but not least, just because this is how I’m feeling right now…

Working with Metallic Threads 2

As promised, what follows is part two in this set of blog posts featuring info I found on machine stitching with specialty threads as applied during the creation of “Bright Delight”.

Now that we’re armed with the knowledge of the characteristics of specialty threads and have rule #1* firmly in mind, we’re ready to get on with the business of sewing with metallics.


Regardless of how the specialty thread is wound on the spool (cross wound or stacked), both types feed best from the vertical spindle**.

Modifying the thread path from spindle to the first thread guide of the sewing machine is a key factor in controlling the natural curl of specialty threads.

Instead of purchasing a specialty thread stand attachment for my Bernina***, this is what I came up with after much consideration, research and trial & error. It works beautifully and didn’t cost me a cent.

With the specialty thread now safely and gently guided through the machine, here are a few more tips, tools and settings to further facilitate successful stitching:

  1. Reduce upper thread tension (lower number) and increase stitch length – sew on sample fabric and adjust as needed. (suggested settings – #2 tension and #3 stitch length)
  2. Suggested foot – wide toed embroidery foot as it will accommodate both straight and decorative stitches. (#20 Bernina foot)
  3. Use only a Metallic or Topstitch needle as both have larger eyes and accommodate the special needs of these threads. (I prefer a Schmetz 90/14 Metallic needle as it has a polished eye which prevents snags specific to metallic thread)
  4. Use a fine, light weight ‘bobbin’ thread or plain, smooth polyester thread (not cotton!), or even a metallic thread in the bobbin. (I used the ‘bad’ skinny spool metallic thread as mentioned in part 1 in the bobbin which added an extra sparkle to the back of the quilt)
  5. Practice settings on sample fabric, adjust as needed and Sew Slow! (I used the ‘half-speed’ setting for starters to get the hand of it)

Now, go forth and work with those metallic threads!


(for general reference: here and here)

*Rule #1 is to Sew Slow.

**Yes, this goes against the norm of pairing cross wound spools with the horizontal spindle and stacked spools with the vertical spindle.

*** While there are a variety of specialty thread stand attachments available for most sewing machines, I opted to forgo the investment of one for the time being. 

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