on a winter’s eve
~ laura bruno lilly 2018 ~
Dimmed screen in a darkened room
Outside bright of snow
in the midst of unlikely places
Silenced city-cycles still the moment
Outside bright of snow
on a winter’s eve
The road ends, but the journey continues...
~ laura bruno lilly 2018 ~
Dimmed screen in a darkened room
Outside bright of snow
in the midst of unlikely places
Silenced city-cycles still the moment
Outside bright of snow
on a winter’s eve
Note: Gonna be off-line for a while, so responses to comments might be delayed.
Will see ya in 2018!
* sent to me by my Manc buddy…for basic info on the Manchester Worker Bee as symbolic of the city and as honoring those killed go here
“And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, ‘Glory to God in the highest, and on earth peace, good will toward men.’ And it came to pass, as the angels were gone away from them into heaven, the shepherds said to one another, ‘Let us now go even unto Bethlehem, and see this thing which is come to pass, which the Lord hath made known unto us.’ And they came with haste, and found Mary, and Joseph, and the babe, lying in a manger.”
Luke 2: 13-16
Photo seen on my Manc* buddy Andy’s blog
(oh, yes, he’s a published poet, check out his books here – perfect for gift-giving, IMHO)
“Whoa, what are those odd round-y tilted buildings?” I asked him in the comment section.
To which he responded with a link to something called NOMA Earth Tubes.
NOMA? What the heck is that?
He further elaborated,
“The atrium is fundamental to the building’s ventilation strategy. Each of its three corners houses one of the building’s vertical service cores. Some 50m3/s of fresh air is sucked into the building from its landscaped forecourt through three giant earth tubes buried beneath the building; this helps temper the air, cooling it in summer and warming it in winter. Air is heated or cooled in a huge basement plant room before giant fans push it up the service cores to the floor plates.”
Huh?
Sufficiently curious, I clicked on his link reference thus beginning a fun google research journey for this lady on a pleasantly cozy, rainy Saturday afternoon. Continue reading
Silly me.
I thought the final drafts and final rewrites of pieces critiqued by two different writers groups in two different states, edited, reworked and rewritten over a time span of close to four years would be the easy part of finishing my Goat Suite Saga set of 7 vignettes. Never mind the larger project of Swimming with Swans: vignettes of our three year journey between homes set of at least 2xs that amount.
Silly me.
While I’ve stamped four of the seven vignettes as final, it’s this fifth one that’s got me up against the wall as mentioned in a previous post. It’s a good thing I took that quilt break as it helped refresh my writerly juices to get back in the game.
However, it seemed like I just wasn’t making any progress. So, the other day I decided to passively gather data on how long it’s taking to actually do specific rewrites. The numbers were kind of scary.
Let me explain.
There’s this one musically technical paragraph that I was told was confusing to non-musicians. However, I insist upon it staying as it’s important to the totality of that particular vignette. One paragraph, out of one vignette with an approximate word count of 2000 words took me over 12 hours to rework, reword, rewrite and stamp as final.
One paragraph.
Waiting on the final studio mix of my lone recorded piece (out of four total) left to be mixed before sending all to the mastering lab has been frustrating. Yet, it gives me an excuse to focus on the written part of the GSS of which an abbreviated form will be featured in the cd insert booklet.
Never did I ever figure on spending so much time on one paragraph.
Silly me.
I tend to let loose with my color splashes in the fabric realm. Grabbing scraps and stitching them together with a rough nod to the log cabin process of construction is my usual modus operandi when in need of a creative break.
Every good and perfect gift is from above, coming down from the Father of heavenly lights, who does not change like shifting shadows. James 1:17
Last week hubby and I drove up to MI to celebrate my b-day watching the big screen 30th anniversary presentation of The Princess Bride with our middle daughter and son-in-law. Because it was showing on my real birthday date, it was like having a mini-family feast of words (we all know this movie by heart), laughter as well as food and table-talk.
The audience was an eclectic mix of elders (us), current parents of young children, 30-somethings (our kids gen), and college students…along with smatterings of other categorical diversity.
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