The road ends, but the journey continues...

Category: Home Sweet Homeless People (Page 2 of 4)

Ramblings in the manner of a NaNoWriMo word war

Been back from CO since Saturday the 4th
My folks’ house got listed Thursday the 2nd, then officially on the market on Friday the 3rd  with a Saturday the 4th Open House which yielded lots of foot traffic and 2 possible offers leading to an all cash offer on its 8th day on the market!
On the phone with my cousin a few days before returning to SC, I mentioned I was looking forward to sleeping in my own bed…and then when we finally rolled into town a little after midnight, we discovered mice had been at play while we were away – leaving calling cards in that very bed…AIEEEEE!
All this after admitting to my baby cousin that ‘Home is where your bed is!’ (a major positive affirmation to where we are currently sojourning)…talk about a humbling re-entry into life back in the swamplands.

MamaCass & Naomi on our front porch

MamaCass & Naomi on our front porch


Previously, leaving our little rental house in SC for any length of time, MamaCass stood guard on the porch; grabbing the critters, both rodent and insect, for snacks before they could saunter inside. Now that our beloved porch cat has a permanent home on the other side of town with a proper cat lady, we came home to an empty porch ‘non-greeting’.
And, with our little rental’s insides newly discovered by resident rodents.
Since our return, we’ve been busy de-mousing the premises and trying hard to not skimp on those necessary procedures even if we’re tired, sleepy and needing to clean and dry clothes/bedding/rags with a non-functioning dryer no less. Read: wash at the house then take it all to the laundromat to dry (new dryer installed Wednesday the 8th).
Really things are okay, just that this place that never ever felt like home is even less so without MamaCass on so many levels.
And on so many levels her life reflects our own since moving here:

  • Up and out after our 3 years between homes; her life of producing litters of kitties after kitties – rescued and put on a more healthy life path.
  • Trusting that where we are is where the Lord wants us regardless of it not being the best fit for our true needs/desires/way of life; her trusting us to give her a place of refuge on our porch, even though she wanted to come inside – a time of healing and reconnection, regrouping for what is next.
  • Giving support and caring for each other as a ‘purpose’ during the interim – our commitment to moving on only when our newest responsibility had a real home (our landlord forbids pets, so we could never formally adopt MamaCass, even though we captured her and got her snipped after her second litter appeared on our porch). She is a true South Carolina MamaCat and would not have done well moving with us across country when the opportunities for us opened up.

The fact that she’s finally got a forever home and moved on in her life gives me hope we are close to moving on with our own lives, too.
God’s speed, MamaCass – wish us luck!

“The righteous care for the needs of their animals, but the kindest acts of the wicked are cruel.” Proverbs 12:10 NIV

All in a Lady's Life

My cousin Dennis taking us for a boat ride on Lake Waco, TX

My cousin Dennis taking us for a boat ride on Lake Waco, TX


 
As hubby alluded to in the last post, we went to Colorado via the ‘long way’ earlier this May. First driving for 17 hours straight through to Waco, TX to visit my baby cousin and his family (and to do some business with a colleague in Houston).
Then off to Las Cruces, NM (a breezy 10 hour drive) – land of hubby’s adolescence, our newlywed life and ‘the compound’.
 
A favorite spot to wander the desert in Las Cruces, NM

A favorite spot to wander the desert in Las Cruces, NM

LCNM revisited (thoughts)

Sometimes ya gotta be away before ya can come back…or at the very least appreciate what ya left (for whatever reason).

I’ve always had a love/hate relationship with this place known as Las Cruces, New Mexico.  Town where we moved for hubby to finish his degree at NMSU after we first got married; place filled with his side of the family or in other words: my in-laws.  Not inherently a bad thing, just harder to make one’s mark on a new marriage when there are lots of others hovering overhead.  Plus life in married student housing was fun except for the crash course in the myriad varieties of roaches and ants harbored and lurking within the requisite 300 square foot cinderblock walls…

Our first-born was indeed born there, in fact, she was the first baby born for the New Year that year (1982). Cool. We couldn’t wait for all the diapers and other baby items everyone said the city would be bestowing upon us because of that incident of nature; we really needed the help with that kind of stuff being poor students and all…except the year before, the city made such a big deal over Baby New Year that it backfired on them since there were some shady relatives, legal circumstances and secrets now publicly revealed surrounding the family that innocent baby was born into.

So, no freebies for us, though we did get a great write up in the local newspaper and enthusiastic announcements on several of the local radio stations.

Oh well, didn’t matter much since we left for the Bay area soon after hubby graduated – within the first month of our Havilah’s life – to pursue his new job at HP (Hewlett/Packard) as a little family without either side of our families too near. And that’s when we grew the most as a three-some; and when our hearts yearned to be closer to both our families…go figure!

After a few days we were back on the road. The familiar I-25 trail took us to Colorado in the usual 9-10 hour time frame. Also, since we know that route by heart, it is less stressful in terms of placement of rest stops and timing on the one gas fill-up necessary to complete the journey.

Bruno's Purple Giants - Irises in the family and transplanted in our various gardens for almost 50 years

Bruno’s Purple Giants – Irises in the family and transplanted in our various gardens for almost 50 years (last vestiges shown here in a corner of Ma&Dad’s neglected garden)


Once at Ma & Dad’s place, the dominoes aligned into classic form, readying for that one touch to start the tumbling of items needed to get their estate settled.
For good.
Now that most of the sorting and sifting of the stuff of lives has been completed, I still have much to do to get the house ready for listing, but as a professional real estate agent told me: “You’re on the right path…almost there.”
After a mere 10 days back here in SC for already-on-the-calendar doctor’s appointments/tests and other commitments, we’ll be heading out again to Colorado, land of my (he)art, gearing up and plowing through to the finish line to ‘git ‘er done*’ with all things related to selling the house.
The housing market is rich with possibilities, wish us luck.
* thank you Anna for lending me this phrase
On the day before this year’s Summer Solstice, I’m leaving you with a bit of Manc Music in honor of the turning of seasons. Here are Mancunian native sons, the Courteeners, with Summer.

40 years and counting

Terry’s take on these 40 years…

June 17, 1978 – June 17, 2018

Many months ago I was rooting around on the internet looking into some music. I happened to come across a young jazz saxophonist named Grace Kelly and was watching her Livestream studio session. I started watching the video and really enjoyed her enthusiasm and music. I thought of our son Joe who is a jazz saxophonist also, but I decided not to send him a link to it as he was off touring New Zealand/Fiji/Australia at that time and wasn’t sure how good his internet was. I also thought of my late father-in-law who had died less than a year and a half before. He also was a jazz saxophonist who played with Benny Goodman and other greats in Chicago and who up to nearly the time that he died was always looking for new trends/music.
On the third song of the Livestream, Grace started explaining how she had come to write the song she was about to play. What she said, and more importantly what she played and sang touched a chord in me. I knew then that the song she wrote was a song that described how I felt about Laura and that that song was going to be our 40th anniversary theme song (not just our 40th but our lifelong song). Our anniversary was still many months away, so I tucked this song away so I could share it with Laura during our anniversary.
I started researching Grace Kelly a little more and it turned out that she was going to be playing in Las Cruces, New Mexico on May 27th. It just so happened that I lived in Las Cruces during high school, went off to serve in the Navy and after the Navy came back to Las Cruces to go to college.  While in college on a co-op assignment for NOAA in Boulder, Colorado I met and married Laura and we moved back to Cruces to finish my college education before moving on.
We were planning a trip to Colorado to take care of business in early May and I wanted to go to New Mexico to both see Grace Kelly and to visit my parents’ graves. The timing seemed to be aligning to be able to spring on Laura this song at a Grace Kelly concert. Las Cruces is not a tremendously large town so I even hoped to run into Grace somewhere around town so that I could request that she play the song for Laura (not like trying to find Mr. T on Mulholland Drive or in Bel-Air or Hollywood – inside family story).
Unfortunately, our plans changed and we needed to go to Texas for business purposes before we went to Colorado which meant that we would end up in Las Cruces weeks before Grace Kelly was going to play. Knowing this I sat down with Laura before we left, told her that what she was going to see was the way I felt about her and that it was our anniversary song. I put the Livestream on our TV and jumped to 19:03 for the beginning of the story and the song.  We sat there and watched the song (multiple times) trying to hold back the tears of our love for each other.
There are some songs that have a special meaning to me about Laura, like Leon Russell’s “A Song For You” and now Grace Kelly’s “Feels Like Home”.
Our anniversary this year falls on Father’s day and I can’t think of a better Father’s day gift than sharing this song which beautifully expresses the way I feel about Laura.
Laura shortly after found the song (sans Grace’s explanation) which is shown below. The full video is here, start at 19:03 for story before song.
Thank you Grace for this beautiful song and thank you Laura for a lifetime of “Feels Like Home”.

Virtual Brownie Sharing Circle #3

Taste and see that the Lord is good; blessed is the one who takes refuge in Him
Psalms 34:8

Inside view of my 'loaded brownies minus one ingredient'

Inside view of my ‘loaded brownies minus one ingredient’


This edition of the Virtual Brownie Sharing Circle answers the question presented in the first VBSC post: What exactly is the missing ingredient in my ‘loaded brownies minus one ingredient’?
In a word: Lavender. In a story?

—Ooo-La-La Lavender Brownies—

was the number one fav vignette of my little list* for 2012. Since then, I figured out the proportions to be 1/8 cup crushed dried lavender buds added to the Ghiradelli Double Chocolate Brownie mix, using a large egg in the prep. (see recipe here)
Personally, if I eat more than two, I’ve found that they don’t settle so well on my tummy…kind of reminiscent of their alluded to ‘cousin’ edible. Continue reading

Giving Voice: It Was Children – and – It Was Intentional

Andrew James MurrayMy blogger-poet-friend, Andy, is a native Mancunian. These are excerpts taken from his account of and reactions to this attack of the innocents.
Quote symbolAround the time I went to bed the bomb went off.
I was totally unaware of what had happened until around 3.00am, when my wife woke me. Friends from around the country, indeed the world, had messaged us. Then, bleary eyed, we tried to process just what had happened.
There was footage of the panic; people searching for lost children; a distressed woman rang our local radio station with a horrific account of what she had witnessed; friends of ours announced that they were safe.
The friend of my little girl was at the concert with her family. There were other people attending that we know. My daughter herself was at a concert in that same venue just a couple of weeks ago. The arena can be accessed through the train station which I have been commuting from. Not so long ago I attended the Young Voices competition as a staff member with my children’s school choir. 8,000 children were present that day. Suddenly the horror that regularly unfolds throughout the world was on our doorstep…
…Manchester is no stranger to such atrocities. There was the IRA bomb of 1996 which utterly devastated the town centre. The Manchester we know today rose from the ashes of that day. But back then everybody had been evacuated, miraculously nobody was killed. Last night it was people targeted.

It was children. Continue reading

Giving Voice: "Das eigene Haus"

Sarah from Art Expedition

Sarah from Art Expedition

Sarah of Art Expedition graciously gave me permission to post her photo and essay on my Giving Voice series.  We both stand united against the indifference towards those displaced populations within our respective countries (in addition to the wider world scenario) – and do what we can within our (he)art to Give Voice…

Sarah is a German artist and art historian whose creations delight my senses. As a guest artist for The Strix collective, the following is her interpretation of the given theme: ‘authentic’.

“Das eigene Haus” – “Your own Home”
by Sarah

~ Das eigene Haus – Your Own Home; photo by Sarah, street photography Berlin, 2016 ~

~ Das eigene Haus – Your Own Home; photo by Sarah, street photography Berlin, 2016 ~


The meaning of art is slightly different in art than for instance what it means in philosophy. Everything I do is authentic, because it was me who did it. Therefore, all I create is authentic. The photograph I choose for this topic reflects what is, to me, authentic in society nowadays.
I took this photo last summer and it has disturbed me ever since. Continue reading

Peace Post: Max Richter, Herbie Hancock and Today’s World

Like many others, I feel at a loss to shape words into coherent phrases expressing outrage, sorrow, compassion and balanced thinking in the midst of our current flood of events in today’s world.
In light of this, as always, my medium of choice is music…and music as protest/social statement has a long history. Yes indeed I, myself, did the singer-songwriter scene in my early adulthood.  Coming of age in the midst of another time of social unrest – I still embrace that genre.
Life goes on and in today’s world, my own current brand of compositional expression tends towards instrumental music. Personally, I feel it allows for individual interpretation, un-dictated by lyrical suggestion.
Which leads me to Max Richter, a favorite contemporary composer of mine.
Some time ago I stumbled upon an interview-article with Max published on Fifteen Questions. This on-line journal engages “production experts, performers, journalists, scientists and composers to discuss what music means, how it’s made, where its limits lie, and why it affects us all so differently and yet remains universal” rather than discussing the private lives of artists or their latest releases.
Here are a few of his thoughts to which I relate and are relevant to the subject of this blog post. I encourage those of you interested in musical composition and the driving forces behind it to read the full interview.

Max Richter – interview excerpts and short musical clip

Recomposed: Vivaldi’s Four Seasons (Spring)

What do you usually start with when composing?
Music for me is storytelling, so I usually start with an intention or something I want to say. From there I kind of struggle around in the dark, trying to find ways to say that. Sometimes it’s a linear thing where I have an idea and then go about trying to find ways to express it. Other times I will discover things along the way and the idea ends up turning into something else altogether. It’s a mixture between intention and chance.

I think the reason I write music is because I’m trying to say things that I find difficult to encapsulate verbally. Music is its own kind of language and it’s very good at saying things that words struggle with, so that’s often the impulse for me.

The role of the composer has always been subject to change. What’s your view on the (e.g. political/social/creative) tasks of composers today and how do you try to meet these goals in your work?
Music is a social art, kind of like talking, but in a way, music as a vehicle for political critique has evaporated in the last 20 years and that’s disappointing.
I think if we’re talking about something in music, we should be talking about the big things that are worth talking about and those things are: the state of the world; how we live and how we spend our time. That’s something that really drives me. For example, the track The Shadow Journal on Blue Notebooks, for me, is a protest song. It was composed and recorded the week after the first big anti-Iraq war march in London. And even though Czeslaw Milosz’s words are actually describing the Second World War, the imagery he used resonated with me at that particular moment in time and so social comment was most definitely the primary motivation behind this piece of music.
Generally speaking though, people are not thinking about music in those terms anymore, not if you compare it to the counter-culture movement of the sixties, when social commentary was one the absolute driving forces of music. It’s a shame and a lost opportunity in many ways.

Herbie (and the Headhunters) Hancock – interview excerpts and musical clip

And then there’s Herbie. Rummaging through some of my paper files a few weeks ago, I came across a Music and Musicians (June 2010) article I kept on hand entitled, “Herbie Hancock: Imagining the future with a plan, a piano and a vision of peace.”
I first heard of him as Herbie and the Headhunters in 1973 during my second year of college (University of Colorado at Boulder, 1972-1977). I fell in love with his ‘new’ funk sound while listening to his Chameleon on the then ‘underground’ Denver radio station KLZ FM.
Give the piece a listen as you continue reading excerpts from that article.

What did you set out to do with this (The Imagine Project) record?
I wanted to make a global record. Although I’ve recorded with artists from other countries at various times, this truly was about emphasizing global collaboration as a path toward peace. I started thinking about America basically being an immigrant country.

Most of us have ancestors who were not from these shores. So we have these issues that are happening now about immigration and closing the borders and locking things down. I understand the motivation – the fear from 9/11 and terrorists. If you couple that with the insecurity that has come about because of the economic downturn, it’s drawing people into a state of chaos.

They’re trying to find ways to blame something, to put it on somebody. I think it’s time to stop looking outside for who to blame…now is the time to proactively begin the process of creating the kind of future we want for our children and for our children’s children.
How did you translate those ideals into music?
The first thing you have to do is be willing to be open and to embrace cultures outside of our own. The second thing is respecting the cultures and the people of those cultures. What other ways can we show our respect for other cultures? One of them is through language. It’s why I decided that if I truly wanted a global record, the record couldn’t just be in English…

Today’s World – in conclusion

Max and Herbie’s comments reveal the motivation behind much of an (he)artist’s work.
Communication – whether of a personal social statement or expression of some inner emotional response to life’s experiences – is often the result of a composer’s work; intentional or not.
For most musicians, even if performing non-original pieces, interpretational nuances shape one’s own message to be received by the audience as a gift from the heart.
For myself, my Swimming with Swans project is one such work…to give voice to the fact that those of us who have experienced or are currently in the midst of a period of displacement in a living situation or even state of mind, are not defined by that but live day-by-day and create works of beauty regardless.  And share it with all who will listen.
That’s just who we are and what we do – we count, we matter and we make a difference.

“I have told you these things so that in me you may have peace. In this world you will have trouble. But take heart! I have overcome the world.”
John 16:33 NIV

Giving Voice: JANE'S STORY

note: still visiting with Dad and Up a Creek, but wanted to send this on in the interim.

It’s just not going away, people. Joblessness & Homelessness is still an on-going reality.
Jane is a blogger-buddy of mine. She is an Everyday (American) Canadian*.
Like you. Like me.
This lady speaks candidly and with more courage than I ever could during our own between homes journey. Her journey-details differ from our own, but the pattern is rote: no job – no home. The experiences and feelings felt are similar if not the same in some instances.
I stand with you, Jane. Continue reading

Giving Voice: Wealth Inequality in America

I found this article/youtube last year during my researching of my Giving Voice Series. It was a bit info heavy, so I waited to post it.  It objectively details what ‘everyday Americans’ have been experiencing for years, but are unable to articulate.  The video is worth the 6 minute view.

Quote symbolPoverty is a major cause of homelessness, that in itself is not a major revelation. What has been surprising to me is the people who I have met in the homeless community who could be any number of people I know today. A cruel twist of fate could happen to most anyone; I have met people who have been overwhelmed by medical bills or who have lost their job and have ended up on the street. There are some people who have chosen this lifestyle and they are in the minority. This 6 minute video explained to me a trend that is growing and should be a cause for concern for all of us. The growing inequality and wealth divide is a problem that is undermining our society and community, and forcing an increasing number of families below the poverty line. By increasing awareness of this, I believe we can and must change this trend. Andy Robbins Photography

http://www.youtube.com/watch?v=vttbhl_kDoo
 

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