The road ends, but the journey continues...

Tag: Quotes (Page 8 of 9)

My NaNoWriMo Signature Quotes

One of the fun things about doing NaNoWriMo (besides being a month devoted to writing and a great excuse to down gallons of coffee) is all the geeky stuff that’s available for use during the event.  There are word count widgets (yep, got that!), banners and badge buttons (done those, too) to install on one’s website/blog.  On-site, there’s even push-button access to upload images for use as one’s novel cover (pretty cool, but haven’t done that yet; maybe this year) … just to name a few techie toys.
Then there’s the personalization of one’s NaNo presence.  Along with the usual profile set up, there are numerous ways one can do this.  Over these three years of participating in this creative endeavor, I’ve pretty much kept my moniker (desertmountain) and gravatar (a photo of me and Leggy Lady on the compound, sized-down real teeny tiny) the same.  Mostly just to maintain a sense of continuity within and between each year’s NaNoWriMo.
However, each year’s signature quote has been different.
Interestingly, they reveal something about that year’s novel/project while not specifically chosen as such…a sort of foreshadowing of whatever wanted to be written/worked on during that year’s NaNo.
For NaNo 2012 I pulled a favorite quote from a snippet of Carl Sandburg’s poem, Lesson. peaches in tree 
“Come clean with a child heart.  Laugh as peaches in the summer wind.  Let rain on a house roof be a song.  Let the writing on your face be a smell of apple orchards in late June.”  – Carl Sandburg
Little did I realize my novel for that premier year would revolve around the lessons and seasons of life within The Peach Orchard Project or My Life as a Peach.
My second NaNoWriMo,  I found a quote revealing the effectiveness of fiction as a form of literary social commentary from a favorite author.

“A book, too, can be a star, ‘explosive material, capable of stirring up fresh life endlessly,’ a living fire to lighten the darkness, leading out into the expanding universe.” – Madeleine L’Engle

I plunged deep into the realm of my characters.  They cried out for justice in an unjust world while I grieved the passing of the ugliest and hardest of my street people characters who died a hero, defending The Woman Who Didn’t Belong.
This year’s signature quote jumped out at me while reading, When Women Were Birds by Terry Tempest Williams.  It gives me hope that the creation of (he)art as truth is an important endeavor; one which compels me to soldier-on in doing.

“To withhold words is power.  But to share our words with others openly and honestly is also power.” – Terry Tempest Williams

Me & Leggy Lady on the compound ~November 2010

Me & Leggy Lady on the compound ~November 2010


Honesty is an undeniable foil, it flashes whether bidden or not.  In order to be true to myself, I have to speak.  I must share my words, my music, my (he)art, my Musical Non-Fiction, regardless of whether or not it is seen, heard or read.
 

Dawning of a New Day

Each day is new; we all know this.

The feeling of promise kisses each of us upon first awakening; however fleeting.

Before the Realities of Life sift back into our consciousness, this is how it all begins.

Dawning of a New Day

Dawning of a new day in central Florida

Thou dost make the dawn and the sunset shout for joy.
Psalms 65: 86

The Dance of the Didgeridoo


Traditional Eucalyptus Didgeridoo (Ilario Vannucchi)

From: Blue Shoe by Anne Lamott*

Quote symbolThe voice of the didgeridoo was a call from far away, from centuries back.  If you pressed your ear to the ground, Mattie thought, this was the tone the earth would make.  The music resonated like an ancient god, or what desert winds must have sounded like to the first ears on earth.  She closed her eyes again.  She felt doomed, and lumpy, fat and old.  She tried to recall the women from church, their triumphant wideness, centered and vigorous, and this helped.  Ella clung to her like a baby Koala.  Mattie nuzzled her, snorfled her neck.  The didgeridoo sounded like an enormous animal panting at the end of its life.  Mattie looked up and found Daniel standing before her, lifting her daughter into his arms.  He held her in front of his chest, his long hands knitted together effortlessly to make a seat in which round, rosy Ella perched, somewhat worried but curious.
‘Want to dance?’ he asked her. ‘I’m probably the only person you know who can dance to the didgeridoo.’  dancer dadElla thought this over, tugging on her chin like an alchemist.
Mattie opened her fingers slowly to she could peek in at the little rubber shoe, as if examining a poker hand.  Harry and Al were talking, and Daniel still held Ella in his arms, turning in slow circles.  Mattie watched, listened, breathed in deep and slow: if the sound of the didgeridoo was a color, it would be rich and earthy, plant purple, like eggplant with light behind it.

*really didn’t like the book, but this quote was worth the read.

Celebrations & Inspirations

Note: In keeping with the theme of this previously written Swimming with Swans vignette (2012), we celebrate in spirit with our daughter Hava as she receives her J.D. degree this weekend (2014).

Celebrations and Inspirations

from-Swimming with Swans: vignettes of our three journey between homes
May 2012 (Westminster, CO)

In honor of this time of year: a time of graduations, weddings and new beginnings.  It is a time of celebrations and inspirations.

  • Bobby is graduating College with a BFA in Studio Art this weekend.
  • Our daughter Michelle is getting married in September.
  • Our son Joe is in a few new bands and learning to balance work, play and school as a bachelor guy.
  • My husband and I are faithfully walking the life-path before us regardless of its many mysteries.
  • A colleague and friend Bill, has survived two years of intense cancer treatment and is entering into a new cancer-free life.

And there’s more, oh so much more to be thankful for and to celebrate… Continue reading

quiltgift2001

Dedicated to those who are in need of a quiltgift and those who provide these works of (he)art.

from-Swimming with Swans: vignettes of our three year journey between homes
July 2011 (the desert outside Las Cruces, NM)

One Christmas, I made and gave a quilt to a special person who was experiencing a period of extreme grief, hoping my creative handiwork would provide some solace. I found it easy to part with my artistic endeavor, trusting the new owner would enjoy it. I feel the same way when performing as a musician.

Recently, the quilt unexpectedly came back into my possession. This turn of events has offered me a unique opportunity to see my quilt in a different light. It has yielded unexpected insights into the person I was then, who I am now, and what I’ve learned in between times.

When it was returned, I first viewed it as an artistic piece. I was surprised to discern that I did not like it as my quilting style has changed significantly, more than I thought. It clearly showed a point in my life from which I have evolved, similar to what I and other musicians experience when we hear a recording made some time past. It surprised me to see this tangible evidence of where I had once been as a quilter.

Then, I began to remember the circumstances that prompted me to offer this person a comfort gift. Foremost, I recalled the deep need that drove me to give of myself in a nonverbal way, pouring out my heart-love during the process of making it. The quilt brought back the memory of offering prayers, crying tears with each stitch, and knowing it was not only cathartic for me in its making, but a symbolic gesture in the giving of it.

Also, I remember trying to tame my “crazy-scrap-quilt” style, shaping it into something more “palatable” to this person’s tastes and trying to tone down my own bolder color palette for their more subdued powder baby blues preferences. In so doing, I think it diminished the quilt’s artistic value, but not its worth as a gift of love and compassion.

What I think I’ve learned in the interim is an ability to incorporate others preferences more easily into a piece, presentation, or gift of which I can be proud.  I do so when, as a musician, I gear programs, concerts, or performances towards a particular audience. It’s a smart thing to do. The trick is to give ’em what they want with a twist….an appropriate twist, but a twist just the same. Examples of what I’ve done is to include one of my own arrangements of a Celtic piece for solo classical guitar into an otherwise traditional setting or by playing a wildly exciting 20th century classical guitar piece in a program filled with standard fare, fluff.

The following seems to sum up the above while giving it greater credence given its famous and honored author. It also reminds me of the conversations we often have with each other as colleagues.

The Two Poems*
by Kahlil Gibran

 Many centuries ago, on a road to Athens, two poets met, and they were glad to see one another.
And one poet asked the other saying, “What have you composed of late, and how goes it with your lyre?”
And the other poet answered and said with pride, “I have but now finished the greatest of my poems, perchance the greatest poem yet written in Greek.  It is an invocation to Zeus the Supreme.”
Then he took from beneath his cloak a parchment, saying, “Here, behold, I have it with me, and I would fain read it to you.  Come, let us sit in the shade of that white cypress.”
And the poet read his poem.  And it was a long poem.
And the other poet said in kindliness, “This is a great poem.  It will live through the ages, and in it you shall be glorified.”
And the first poet said calmly, “And what have you been writing these late days?”
And the other answered, “I have written but little.  Only eight lines in remembrance of a child playing in the garden.”  And he recited the lines.
The first poet said, “Not so bad; not so bad.”
And they parted.
And now after two thousand years the eight lines of the one poet are read in every tongue, and are loved and cherished.
And though the other poem has indeed come down through the ages in libraries and in the cells of scholars, and though it is remembered, it is neither loved nor read.
*from “The Wanderer-His Parables and His Sayings”

Quote: Triage by Lisel Mueller

Triage by Lisel Mueller
from: Alive Together (new and selected poems)

“Bertolt Brecht lamented that he lived in an age when it was almost a crime to talk about trees, because that meant being silent about so much evil.  Walking past a stand of tall, still healthy elms along Chicago’s lakefront, I think of what Brecht said.  I want to celebrate these elms which have been spared by the plague, these survivors of a once flourishing tribe commemorated by all the Elm Streets in America.  Under the Elm treesBut to celebrate them is to be silent about the people who sit and sleep underneath them, the homeless poor who are hauled away by the city like trash, except it has no place to dump them.  To speak of one thing is to suppress another.  When I talk about myself, I cannot talk about you.  You know this as you listen to me, disappointment settling in your face.”

 

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