Tag: creative process (Page 3 of 7)

ToDoTuesdaySix

February 25, 2020 / laura bruno lilly

It’s been 19 weeks since my last ToDoTuesday post*.
Here’s my first in 2020!
~~~
On-going goals since October 15^th, 2019:

Work on Michelle’s lime green African Fabric wall hanging in progress
Sew up scraps have on hand in progress
Practice free motion quilting in progress
~~~

How to use my growing stash of glorious authentic African fabrics without compromising the scale of design? That question is always the number one concern whenever I pull out those lengths of fabrics for consideration of use in a ‘special’ quilt project. Stumped for a satisfactory solution, I usually end up draping them over armchairs, the couch and the living room floor admiring their textures, rich colorations, and design elements. Soaking in their exotic vibes, breathing in their subtle, yet specific cloth scents – all feeding my imagination, yet still coming up short on a way through my dilemma.
And then, Along Comes Mary** …from Zippy Quilts! A few months ago, she posted a quilt design that seemed to answer that question. For one set of fabrics at least.

Cote d’Ivoire/Woodin fabric selvages

The latest yardage given to me by our middle daughter acquired during her last PhD trip to Cote d’Ivoire included a deliciously vibrant patterned Woodin material paired with a complimentary solid lime green waxy-shiny chintz fabric. The solid fabric is not African, but commonly added as a free component in the sale. Interestingly, this is because all dresses are sewn with linings. Michelle told the vendor she wasn’t going to have the material made into a dress, but he insisted it was part of the deal, regardless.

Floating Block Lattice wall-hanging top

Using the two together, this is the completed wall-hanging top. At this stage I can safely roll it up and pack it away to be finished at a later date. Meanwhile, I have a roadmap figured out for the next steps needed to finish this project:

I’ll be using the 80/20 batting to help stabilize the two fabrics under the needle when I do the machine quilting (the lime green chintz is thinner than the more densely woven African fabric)
Quilting pattern inspired by the gold streaks in the African fabric – as an all over design on lime green fabric with lime green thread and gold metallic thread as accents on some of the gold streaks on the African fabric
Binding is still up for grabs as is an actual backing fabric

Scrappy sewing is my favorite type of piecing!

As most of you know, I am a scrap-lover and enjoy sewing up the bits & odd shapes leftover from on-going projects on a regular basis. Heck, I even pull out old scraps from my scrap stash to fiddle with as a tension reliever! In this instance, I decided to use only the scraps generated from these two fabrics in the construction of the wall-hanging top.
I think they look quite artistic for such minimal effort on my part – yet with great therapeutic payback in the doing of it!
Speaking of therapy, on a whim, I picked up one of my made-from-scraps quilt sandwich samples to practice my free-motion quilting skills. This has been a frustrating technique for me to feel comfortable with, but it calls to me often to keep at it!
Well, to my surprise and delight, this impromptu session yielded a break through! My hand direction/foot pedal co-ordination/stitching speed miraculously fell into sync where the whirls of design took on a life of its own…what a thrill!
That’s it for now!

~~~
ToDo for the weeks following February 25^th:

Continue on-going goals

Thank you Roseanne for this opportunity to share and reflect

And thank you Zippy for showing off my completed top on your blog

*Geesh, almost sounds like a confession…Bless me Father for I have sinned. It’s been X weeks since my last confession…Just sayin’.
**This link leads to the YouTube of the song (give it a listen, it’s only about 2 minutes long) – which Zippy will no doubt recall listening to back in the day 🙂

Snowin' on Raton

February 14, 2020 / laura bruno lilly

One of the things I do on a regular basis is search and discover ‘new’ (to me) music via a myriad of ways…all part of being a working musician – seeking, learning, creating.
A fine example of this occurred recently. As noted in a prior post, CNN’s short video in tribute to David Olney lead me to seek out more of his music. Which lead me to two other seemingly unrelated musicians/composers. I say ‘seemingly’ because I haven’t a clue as to how I arrived at their respective websites/youtube channels/streaming stations but some invisible google-ly algorithm guided me based upon something related to its way of calculating.
I know standard streaming sites routinely offer up an ‘if you like X, then try Y’ approach to new music seekers. However, my pokes and prods seem more organic, focused, personal – with a touch of human (mine) direction in the seeking. In addition, it is not limited to a particular platform.
Anyway, David Olney lead to Gregory Alan Isakov * who lead to Gavin Luke.*
And then I discovered an unexpected related theme – that of home.
David Olney was an itinerant wanderer, Gregory Alan Isakov is a transplanted Boulderite (my hometown) and Gavin Luke is a composer whose style draws deep home yearnings front and center.
Olney’s cover of Snowin’ on Raton** reminds me of all the traveling back and forth between hubby’s and my family homes…driving over Raton Pass in all types of weather from Colorado to New Mexico and back again from New Mexico to Colorado.
Specifically, two significant snow times come to mind.

1977 Cutlass Supreme w T-Tops, image from google

January 1979. Just a little over 6 months into our newlywed-ness, we packed all our belongings in the smallest sized U-Haul trailer and hitched it onto hubby’s 1977 Burnt Orange Oldsmobile Cutlass Supreme Brougham (complete with T-tops and other extras). Moving in the winter was dicey but needful as hubby was set to resume studies at NMSU that semester requiring our move from Boulder, CO to Las Cruces, NM to begin our new married-student phase of life. He, as an older student to finish his CS degree on the last of his GI Bill (at that time, NMSU was on the cutting edge as one of the few Universities to offer a Bachelor of Science Degree in Computer Science Program). And me, to forge a more direct relationship with my in-laws in hubby’s hometown while exploring our own new surroundings filled with endless possibilities. On the day of our move, we expertly navigated the increasingly dense low visibility January snow storm conditions. We even managed to slip (pun intended) into the climbing lane as we began the long steep grade over the pass…before CDOT closed I25 behind us. Yep, we were the last vehicle allowed on the road to mount up and over Raton Pass into NM. Suffice it to say, we jackknifed only once on the steady upward climb and managed a controlled descent on the other side of the pass into Raton, NM.
January 1982. After hubby graduated in December and with our firstborn less than 4 weeks old, we packed up that same Cutlass – with more precious cargo this time around. The plan was to move back temporarily to CO to stay with my folks while waiting for more details concerning hubby’s new job at HP in the Silicon Valley to determine exactly where we’d be relocating. Again, a January snowstorm. Again, slipping past the road closure signs as the last vehicle going up and over the pass. Safely strapped into her rear facing car seat, our newborn baby girl who’d been sound asleep for most of the trip opened her eyes with a start and immediately began her screaming cries as we began our ascent. She sensed the tension of our situation – and added to it – all the way up & over Raton Pass. This newborn Mother could not – dared not – pick her up to nurse her back to calm – and was thusly initiated into the lifelong Sturm und Drang slice of what it means to be a Mom.

And those are the snowy times when we drove Raton Pass and where listening to Snowin’ on Raton many years hence intersect – hitting squarely through my heart –
Missing home. Missing our baby daughter.

*will discuss these two in a later post
**composer/lyricist: Townes Van Zandt

Re-stringing a Life

January 3, 2020 / laura bruno lilly

A few weeks ago, I finally changed strings on the Prisloe (my classical guitar). After a couple of months trying out another brand, some Augustine Regal/Blue High Tensions as recommended by Segovia himself, I’m back to my standard Blue Pack (Savarez Alliance High Tension 540 J’s).
In addition to his pioneering role in elevating the classical guitar to the concert stage around the turn of the 20th century, Segovia partnered with Augustine Strings in the 1940s to develop a revolutionary (at the time) non-gut string option for classical guitars. For many years since, Augustine Strings were one of very few quality options out there for classical guitarists.
All told, those Augustine’s just didn’t agree with me. My style, my fingers; maybe even my guitar. That’s part of being a working musician, trying different things to see how they enhance or detract from one’s playing. When I know I don’t need to depend upon reliability in sound/tone due to a lack of gigs, or recording dates, I often slap on different strings – brands, tensions, material composition – just to test drive the newest innovations, those recommended by colleagues and/or those with the best reviews by other players.
The Augustine strings offered up a strong rich sound in the basses with less buzzes but were harder to coax out tone colors. Plus, the trebles took several days of consistent playing to settle them into a decent tone – albeit with a plastic-y feel and muddled sound. Yes, they lasted longer and handled my hard-driven playing well, but they just didn’t offer up the variety of subtle tone colors I use in my playing or feel good under my fingers.
They also were harder on my hands. Segovia had huge hands with sausage-like fingers and probably really needed the thicker, plastic-y feeling of the strings to accommodate that physical factor. And as far as the relationship between instrument and strings goes, remember: Segovia played a huge Ramirez with 664 fret scale and larger, 54 mm nut width.
For those of you not in-the-know about the great Segovia, I found a quality, yet un-retouched video of him playing sometime in the 1960s when he was actually in his sixties. I chose this one because it’s representative of his tone/style – his signature technique of finding just the right sweet spot on the fretboard for each note, delivering a rich deep vibrancy – all while showcasing his effortless command of the instrument.

The thing of it is, regardless of the strings used, music is played, compositions are created, techniques are explored, expanded and maintained. For myself as a musician, each time I re-string one of my instruments, there is a sense of expectation. A moment in time where everything seems possible, opening up a wide world of sonic possibilities, hopes, dreams and deep expressions of my (he)art flowing through my fingers into the outer realm.
And when the right strings are strung, those aural rewards inspire and invigorate…
The thing of it is, regardless of the strings used, music is played.
Life is lived.
And when the right strings are strung, life is magical.

I have come that they may have life, and may have it more abundantly.
John 10:10b NKJV

SwS project status & my basic music score editing process

November 4, 2019 / laura bruno lilly

4/6 ‘Final Finals’ music scores 100% finished!

First off, I’m thrilled to announce that 4 of the 6 ‘Final Finals’ music scores mentioned in the previous post are 100% finished. Nestled in their respective PDFs, each are ready to be distributed in multiple media formats when the time comes. Their timing is intertwined with the release of both the vignette and recorded music parts of related content from the overall SwS project.
That said, the Goat Suite (Saga) scores are not even ‘Final Finals’ yet even though the music has been recorded and ready for mastering since 2017 and the related vignettes are now nearing the formatting stage for publication. The original scores are still scruffy with scribbles from the recording sessions.
Given that Swimming with Swans: Goat Suite (Saga) will be the first section of the project to be released, those scores are now top priority for beginning the Final editing process. For a sense of what’s involved, my Goat Suite (Saga) is written for 2 classical guitars, mandolin, 12-string acoustic guitar and rain stick. I have the Master Score pretty much done, but the details specific to each individual part need to be entered onto each of the extracted part scores.
Here then, is an overview of my basic music score editing process, as promised.

Enter original hand scored piece in NOTION – just the notes, no dynamics, interpretive suggestions, fingerings, etc.
Fix weird quirks that NOTION places in score regardless of how info is entered (ie-stem direction, rests, location of text info, etc.)
Print it out and play from that score to approach fingerings with a fresh eye and jot down
Add fingerings, and simple dynamics in NOTION, print out for spacing/alignments and jot down by hand extra needs for score as play through it.
Continue with edits (#2, #3 & #4) with an eye for keeping the score uncluttered and easy to read for the player yet filled with the needed information.
Add title, composer, dedication, copyright, etc. info and arrange text nicely on score, sometimes defying NOTION conventions.
If composition has more than one instrument, extract each part from Master Score for individual print out.
Print Master Score and any extracted parts scores to PDF and print out to proof.
Proof as needed.
Repeat #5, #8 and #9 until becomes a true FINAL, then print to PDF.

Using my arrangement of Mo Giolla Mear as an example, here are photo’s of the process continuing from its mention in a previous post.

The following two score photos correspond to steps #1, #2 and #3 of the basic process overview:

My hand scored copies alongside newly entered NOTION scored parts of Mo Giolla Mear

My hand scored copies alongside (then) newly entered NOTION scored parts of Mo Giolla Mear

The next score excerpt photo corresponds to steps #5 & #6 – check out measure 8 for an easy to see example of a stem direction fix in addition to the overall inclusions of fingerings, dynamics, etc.

This last score excerpt photo corresponds to step #10 and is from the final PDF:

Whew! I hope this answers some of the questions you my readers have asked about what it means when I mention ‘doing score edits.’ Much like literary edits, it can be tedious but the end result is the pot of gold at the base of a very beautiful rainbow.

ToDoTuesdayFive

October 15, 2019 / laura bruno lilly

It’s been three weeks since my last ToDoTuesday post. Here’s the latest.

(A Reminder of) My goals for the week of September 24^th through October 1^th:

Add sequin detail to PF eye √ done, sign/sew quilt label √ done
Work on post about music score edit process in progress
Get ready for out-of-town trip! √ done and back!

My PFWHK handmade label amidst a flock of PF’s.

All things must come to an end. In this case it is all things Pink Flamingo. The PFWHK is done and done! I am very tempted to hang her up facing the wall to show off the backing fabric and my snazzy label. But she has her eye on me…no can do. HA!

PF sequin eye detail

Our out-of-town trip was action packed. Not so much sight seeing as visiting family and investigating areas for us to relocate. More on that in a later post. Meanwhile, here are some family photos.

The Guys: my cousin Kayden (Gail’s son), my hubby Terry, Uncle Dennis (my Dad’s younger brother)

The Gals: Aunt Adua, me, my cousin Gail

As for that music score edit process post? It’s definitely ~~in the works~~ DONE. To catch a glimpse of the beginning of the process involved, take a look at this post I wrote in 2015. Yikes, has it really been that long ago I started entering my hand scored compositions onto NOTION?
While not mentioned on the goals listed above, the number of actual score edits becoming “Final Finals” now total 6 pieces. Including the Mo Giolla Mear piece featured in the 2015 blog post. This is a big leap in the completion of that portion of my Swimming with Swans:the music project and is worth noting.

~~~

My creativity trinity* is as follows: fiber art – MUSIC – writing. Each is intertwined with the other, offering needful respites between projects which in turn aid in the completion of various Works-In-Progress as new perspectives appear from such respites. Ultimately, it’s all about the music but tracking fiber art Works-In-Progress is lots easier to communicate in such a setting as this – hence the linky-party connection.

* a term I recently invented

ToDoTuesdayFour

September 24, 2019 / laura bruno lilly

I’m thinking 2 weeks between ToDoTuesday posts reflects the beat of my creative biorhythm. Thanks again to Roseanne for sponsoring this opportunity to share and reflect.

~~~

Add sequin detail to eye on PFWHK Ø and apply binding √
Get ready for out-of-town trip N/A – rescheduled for next week

I enjoy the process involved with binding a quilt. The construction & ironing of the binding strips, to the attaching of the strips to the neatly squared raw edges of the quilt with the best product to hit this quilter’s tool bag: binding clips; to machine sewing the binding onto the quilt – mitering corners with finesse, then turning it all in position to clip in place for the final stage of hand sewing with a blind stitch.
Yes, I do enjoy the process, but I always forget how much time such a ‘simple’ task stated as ‘bind the quilt’ takes. Added to that this time around, I had to be extra diligent in squaring the quilted, finished pre-printed fabric panel before beginning with the actual binding process. My, what a lot of fuss and fidgeting was involved with all of that!
In such circumstances, it becomes glaringly obvious how I am so not a patient person – but I am a person who wants stuff done as close to perfection as is humanly possible.
Not the most enabling and/or compatible combo of character traits.
Now all that’s left is to sign and sew a label on the back, figure out how to hang it, and oh yes, get after that sequin detail on the Pink Flamingo’s eye.

The PFWHK and Maddy

Because our trip was rescheduled, I was left with some unexpected and unstructured but welcome time available to use as I chose. I ended up blazing through some immensely satisfying and productive times on the practice stool with Maddy. Proving once again the profound effect each slice of my creativity trinity has on the other.

~~~

ToDo for the week of September 24th – October 1st:

Add sequin detail to PF eye, sign/sew quilt label
Work on post about music score edit process
Get ready for out-of-town trip!

*a term I invented recently

Insights into the creative life…Quotes

September 13, 2019 / laura bruno lilly

Couldn’t have said it better myself…the following quotes by J. Michael Dolan

Uptight, Worked Up & Edgy!

Every single day, a plan, a plot, a project, a scheme or a great idea screams to be on the front burner: A song that needs to be recorded. A video that needs to be shot. A business deal that needs a push. A website that needs to be built or updated. A relationship that needs to be dealt with.

Important because sometimes our best-laid plans work out, far beyond our expectations. Other times they fall apart and fade away. That’s the nature of a creative, independent lifestyle. However, truth be told, it’s all those big plans, worthy projects and bright ideas that we’re NOT doing that continue to keep us uptight, worked up and edgy.

Two Fisted Advantage
(italics mine)

If you’re a regular reader of my blogs & stories you already know that I’m a huge advocate for artists & entrepreneurs. That’s because I’ve been both all my life and in my world there’s no difference between the two. They both dwell in the land of uncertainty and risk and they both have to use creativity and innovation to negotiate their way through it. That’s not all…

A songwriter (composer) composes the music he hears in his head.
An entrepreneur creates a vision for the future that she sees in her mind’s eye.

A painter prepares a canvas for her next artistic expression.
An entrepreneur prepares a Powerpoint presentation for his next keynote.

A writer processes words that stimulate and entertain.
An entrepreneur processes words that motivate and inspire.

A singer (instrumentalist) nervously stands in front of his audience and shares his soul.
An entrepreneur nervously stands in front of her shareholders and shares her vision.

Neither one would last long in a regular 9-5 job because both have a relentless muse and an untamable creative spirit which they simply MUST follow. And unlike others, A&E’s have an advantage: the unique ability to devise, create, invent, fabricate, formulate, manifest and cook-up ways to make a buck.

Important because if our world ever crashes, it will be the crazy, genius artists and risk-taking entrepreneurs who will survive to inspire us and point the way out of the rubble and into the light.

ToDoTuesday

August 20, 2019 / laura bruno lilly

This is my first time to do a ‘linky’ post. It may be the first of a sporadic few or the first and last of just this one. Since I covered my bases with Roseanne of Home Sewn by Us, the sponsor of this linky-party, I was assured no one will be offended one way or the other.

This also counts as day two of my 6 years on WP.org posts. My, how serendipitous.
Here goes!
My creativity trinity* is as follows: fiber art – MUSIC – writing. Each is intertwined with the other, offering needful respites between projects which in turn aid in the completion of various Works-In-Progress as new perspectives appear from such respites. Ultimately, it’s all about the music but tracking fiber art Works-In-Progress is lots easier to communicate in such a setting as this.
My goals for the week from August 13^th through August 19^th:

Edit “Christmas Medley” NOTION score √ (hey, like this creative use of the square root symbol?)
Start ‘Pink Flamingo Wall Hanging Kit’ √

I’m planning on writing up a special post on the process of editing music scores into a Final copy, so I’ll just let that square root symbol ‘check’ linger to show I’m on track with that goal.

Pink Flamingo Wall Hanging Kit

As for the Pink Flamingo Wall Hanging Kit (PFWHK)? Lots of tangibles to share with you new ToDoTuesday readers and my dear usual suspects (little listers/followers).
I don’t usually do kits, but this one was on sale and I thought I’d use it to perfect my machine walking foot quilting skills and try out a few sewing experiments.
First thing I noticed right out of the box was the quality of the pre-printed fabric. The fabric itself has a great hand and feels like a high thread count cotton. It in fact glides smoothly under the needle and is a joy to sew/quilt. The printed aspect of it, though, is quite poor.
Everything except batting and thread is included –

Pink Flamingo Wall Hanging Backing Fabric & Battings

PFWHK backing fabric, 80/20 batt, low loft batt and tip of top fabric panel

which plays well with my intention to try a ‘double’ batting application and exploring lighter weight/finer thread in the bobbin.
My last two projects involving batting yielded a sense of incompleteness. I used an 80/20 cotton/poly batt for the Project4Now quilt which handled & quilted nicely, but feels flat and heavy. On my Proud2Bee an honorary Manc wall hanging I used a low loft poly batt which handled & quilted nicely but hangs flimsily.
For the PFWHK I decided to combine the two – with the 80/20 cotton/poly against the backing fabric and the low loft poly against the top fabric. I spray basted the two together then spray basted the outer layer of the 80/20 to the backing and then the outer layer of the low loft to the top. After smoothing everything out, I needle basted the new quilt sandwich for an extra measure of security.
I chose thread I already had on hand: a Gutterman 100% cotton Pink thread for the outline stitching required around the PF’s body and a Mettler Metrocene poly White thread for the vertical quilting lines. Both had The Finishing Touch Bobbin Thread 100% poly White 60 weight thread in the bobbin.

Pretty pink stitches

Using the walking foot for all stitching applications, I used ¼ in. Quilter’s Tape for the first two vertical quilt lines then added the left-sided quilting attachment spacer bar to continue the vertical line quilting on the PFWHK.
I learned two cautions with the walking foot:

The ¼ in. QT peels back under the walking foot, sticks & acts as a stitch-shortening ‘brake’
The presser foot glides under basting thread, catches & acts as a stitch-shortening ‘brake’, too

~~~~~~~~

ToDo for the week of August 20^th through August 26^th:

Continue edits on various NOTION scores
Finish PFWHK
Maybe have something to post on next week’s ToDoTuesday linky party

Thanks, Roseanne for letting me try my hand at this linky-party!

*new term I just invented!

Giving Voice: Gaelynn Lea, Violinist

July 28, 2019 / laura bruno lilly

Friday, July 26^th was the 29^th anniversary of the signing of the ADA, the Americans with Disabilities Act. It was also the day I first learned of a remarkable musician on the PBS Newshour – Gaelynn Lea, Violinist.

Notable quotes from her interview:

“Adaptive music is not as common (as adaptive sports) but I hope that it becomes more common.”

on playing the violin:

“I realize that you probably don’t know unless you have a disability that you spend every day modifying everything. I’m not concerned with doing it the way everyone does it, because I can’t really do anything the way other people do it. So, for me, finding a way to play violin was just a matter of time.”

The final set of lyrics to her newest release, “I Wait” written in defense of the Affordable Care Act, protecting those with preexisting conditions:

“We need a seat now at the table, so please invite us.
Or
Don’t pretend to care.”

Poetry Shoutout: “In Brigantia” by Andrew James Murray

June 26, 2019 / laura bruno lilly

Good poetry meets you wherever you are then draws you into its world. Seamlessly weaving place, perception; revelation, inspiration. Touching both the mind and soul.

The poetry of Andrew James Murray does just that and his second published poetry collection, In Brigantia does not disappoint.

~~~

I prefer reading poetry in the deep of night, the early recesses of morning. I like to take my time and linger, savoring each line and nuanced word choice within the context of the whole of the poem.
Yes, I flip through a new volume upon first receipt, even skim a few lines, but ultimately, the hunkering down with a new collection of poetry is an anticipated event – date – I make with myself for some dark day, quiet evening or womb-like twilight.

Phrases to savor

“From this soil,
seeded with the dead,
beautiful things will grow” (from: In Brigantia)

“Our country is too small
for road trips.

There is nothing epic
about these squeezed shores.
Where are we to go
to find ourselves?” (from: Motorway)

“A dog barks itself
into tomorrow,
clawing back the shade.” (from: Nocturnes)

Regarding process

“Some lines come to me when travelling, such as with Railway Platform.
We passed through a station (without stopping) which, due to rain sweeping in, appeared abandoned, except for a guitar case no doubt left by its owner who was seeking shelter while waiting for his/her train.
I was thinking about how platforms are normally busy places of greetings and farewells, and maybe some of those could, somehow, be held in the atmosphere and tapped into to work as inspiration to creative people. Like the owner of that guitar case.
Like seeds growing in darkness.
That’s how my mind works! And that’s how that poem was born before we’d reached the next station.” – Andrew James Murray

~~~

In Brigantia can be found at Amazon and Amazon UK

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Andrew James Murray is a writer and poet who is still firmly rooted in his childhood town in Manchester, England.
He has a wife who keeps him grounded, and four children who keep him young.
Among other things, he loves history and roots, books and writing, spirituality, landscape, music and the outdoors-all of which he can become a tad obsessive about.
He also tracks Great White sharks throughout the world over the internet, much to his wife’s consternation.
He can be found writing about anything and nothing over at City Jackdaw and at Coronets for Ghosts for all things poetry related.
Andrew is currently working on his first novel.