The road ends, but the journey continues...

Tag: in the studio (Page 1 of 2)

Snowin' on Raton


One of the things I do on a regular basis is search and discover ‘new’ (to me) music via a myriad of ways…all part of being a working musician – seeking, learning, creating.
A fine example of this occurred recently. As noted in a prior post, CNN’s short video in tribute to David Olney lead me to seek out more of his music. Which lead me to two other seemingly unrelated musicians/composers. I say ‘seemingly’ because I haven’t a clue as to how I arrived at their respective websites/youtube channels/streaming stations but some invisible google-ly algorithm guided me based upon something related to its way of calculating.
I know standard streaming sites routinely offer up an ‘if you like X, then try Y’ approach to new music seekers. However, my pokes and prods seem more organic, focused, personal – with a touch of human (mine) direction in the seeking. In addition, it is not limited to a particular platform.
Anyway, David Olney lead to Gregory Alan Isakov * who lead to Gavin Luke.*
And then I discovered an unexpected related theme – that of home.
David Olney was an itinerant wanderer, Gregory Alan Isakov is a transplanted Boulderite (my hometown) and Gavin Luke is a composer whose style draws deep home yearnings front and center.
Olney’s cover of Snowin’ on Raton** reminds me of all the traveling back and forth between hubby’s and my family homes…driving over Raton Pass in all types of weather from Colorado to New Mexico and back again from New Mexico to Colorado.
Specifically, two significant snow times come to mind.

1977 Cutlass Supreme w T-Tops

1977 Cutlass Supreme w T-Tops, image from google

  1. January 1979. Just a little over 6 months into our newlywed-ness, we packed all our belongings in the smallest sized U-Haul trailer and hitched it onto hubby’s 1977 Burnt Orange Oldsmobile Cutlass Supreme Brougham (complete with T-tops and other extras). Moving in the winter was dicey but needful as hubby was set to resume studies at NMSU that semester requiring our move from Boulder, CO to Las Cruces, NM to begin our new married-student phase of life. He, as an older student to finish his CS degree on the last of his GI Bill (at that time, NMSU was on the cutting edge as one of the few Universities to offer a Bachelor of Science Degree in Computer Science Program). And me, to forge a more direct relationship with my in-laws in hubby’s hometown while exploring our own new surroundings filled with endless possibilities. On the day of our move, we expertly navigated the increasingly dense low visibility January snow storm conditions. We even managed to slip (pun intended) into the climbing lane as we began the long steep grade over the pass…before CDOT closed I25 behind us. Yep, we were the last vehicle allowed on the road to mount up and over Raton Pass into NM. Suffice it to say, we jackknifed only once on the steady upward climb and managed a controlled descent on the other side of the pass into Raton, NM.
  2. January 1982. After hubby graduated in December and with our firstborn less than 4 weeks old, we packed up that same Cutlass – with more precious cargo this time around. The plan was to move back temporarily to CO to stay with my folks while waiting for more details concerning hubby’s new job at HP in the Silicon Valley to determine exactly where we’d be relocating. Again, a January snowstorm. Again, slipping past the road closure signs as the last vehicle going up and over the pass. Safely strapped into her rear facing car seat, our newborn baby girl who’d been sound asleep for most of the trip opened her eyes with a start and immediately began her screaming cries as we began our ascent. She sensed the tension of our situation – and added to it – all the way up & over Raton Pass. This newborn Mother could not – dared not – pick her up to nurse her back to calm – and was thusly initiated into the lifelong Sturm und Drang slice of what it means to be a Mom.

And those are the snowy times when we drove Raton Pass and where listening to Snowin’ on Raton many years hence intersect – hitting squarely through my heart –
Missing home. Missing our baby daughter.

*will discuss these two in a later post
**composer/lyricist: Townes Van Zandt

SwS project status & my basic music score editing process

4/6 'Final Finals' music scores 100% finished!

4/6 ‘Final Finals’ music scores 100% finished!


First off, I’m thrilled to announce that 4 of the 6 ‘Final Finals’ music scores mentioned in the previous post are 100% finished. Nestled in their respective PDFs, each are ready to be distributed in multiple media formats when the time comes. Their timing is intertwined with the release of both the vignette and recorded music parts of related content from the overall SwS project.
That said, the Goat Suite (Saga) scores are not even ‘Final Finals’ yet even though the music has been recorded and ready for mastering since 2017 and the related vignettes are now nearing the formatting stage for publication. The original scores are still scruffy with scribbles from the recording sessions.
Given that Swimming with Swans: Goat Suite (Saga) will be the first section of the project to be released, those scores are now top priority for beginning the Final editing process. For a sense of what’s involved, my Goat Suite (Saga) is written for 2 classical guitars, mandolin, 12-string acoustic guitar and rain stick. I have the Master Score pretty much done, but the details specific to each individual part need to be entered onto each of the extracted part scores.
Here then, is an overview of my basic music score editing process, as promised.

  1. Enter original hand scored piece in NOTION – just the notes, no dynamics, interpretive suggestions, fingerings, etc.
  2. Fix weird quirks that NOTION places in score regardless of how info is entered (ie-stem direction, rests, location of text info, etc.)
  3. Print it out and play from that score to approach fingerings with a fresh eye and jot down
  4. Add fingerings, and simple dynamics in NOTION, print out for spacing/alignments and jot down by hand extra needs for score as play through it.
  5. Continue with edits (#2, #3 & #4) with an eye for keeping the score uncluttered and easy to read for the player yet filled with the needed information.
  6. Add title, composer, dedication, copyright, etc. info and arrange text nicely on score, sometimes defying NOTION conventions.
  7. If composition has more than one instrument, extract each part from Master Score for individual print out.
  8. Print Master Score and any extracted parts scores to PDF and print out to proof.
  9. Proof as needed.
  10. Repeat #5, #8 and #9 until becomes a true FINAL, then print to PDF.

Using my arrangement of Mo Giolla Mear as an example, here are photo’s of the process continuing from its mention in a previous post.

The following two score photos correspond to steps #1, #2 and #3 of the basic process overview:

My hand scored copies alongside newly entered NOTION scored parts of Mo Giolla Mear

My hand scored copies alongside (then) newly entered NOTION scored parts of Mo Giolla Mear


Mo Giolla Mear excerpt

The next score excerpt photo corresponds to steps #5 & #6 – check out measure 8 for an easy to see example of a stem direction fix in addition to the overall inclusions of fingerings, dynamics, etc.

Mo Giolla Mear edited excerpt

 This last score excerpt photo corresponds to step #10 and is from the final PDF:

3 Mo Giolla Mear Final Excerpt

 Whew! I hope this answers some of the questions you my readers have asked about what it means when I mention ‘doing score edits.’ Much like literary edits, it can be tedious but the end result is the pot of gold at the base of a very beautiful rainbow.

Insights into the creative life…Quotes

Couldn’t have said it  better myself…the following quotes by J. Michael Dolan

Uptight, Worked Up & Edgy!

Every single day, a plan, a plot, a project, a scheme or a great idea screams to be on the front burner: A song that needs to be recorded. A video that needs to be shot. A business deal that needs a push. A website that needs to be built or updated. A relationship that needs to be dealt with.

Important because sometimes our best-laid plans work out, far beyond our expectations. Other times they fall apart and fade away. That’s the nature of a creative, independent lifestyle. However, truth be told, it’s all those big plans, worthy projects and bright ideas that we’re NOT doing that continue to keep us uptight, worked up and edgy.

Two Fisted Advantage
(italics mine)

If you’re a regular reader of my blogs & stories you already know that I’m a huge advocate for artists & entrepreneurs. That’s because I’ve been both all my life and in my world there’s no difference between the two. They both dwell in the land of uncertainty and risk and they both have to use creativity and innovation to negotiate their way through it. That’s not all…

A songwriter (composer) composes the music he hears in his head.
An entrepreneur creates a vision for the future that she sees in her mind’s eye.

A painter prepares a canvas for her next artistic expression.
An entrepreneur prepares a Powerpoint presentation for his next keynote.

A writer processes words that stimulate and entertain.
An entrepreneur processes words that motivate and inspire.

A singer (instrumentalist) nervously stands in front of his audience and shares his soul.
An entrepreneur nervously stands in front of her shareholders and shares her vision.

Neither one would last long in a regular 9-5 job because both have a relentless muse and an untamable creative spirit which they simply MUST follow. And unlike others, A&E’s have an advantage: the unique ability to devise, create, invent, fabricate, formulate, manifest and cook-up ways to make a buck.

Important because if our world ever crashes, it will be the crazy, genius artists and risk-taking entrepreneurs who will survive to inspire us and point the way out of the rubble and into the light.

(He)art at its best

Just finished a fantastic time on the practice stool with the Prisloe.

Again.

(He)art at its best.

I’ve had a long string of days blissfully playing and practicing, composing and creating, with a focus on deep working through pieces yet to be recorded.
And all profoundly satisfying with more in store tomorrow and the next day and the next…

(He)art at its best.

Jude, their polydactyl cat

Jude, their polydactyl cat


Mon Ami #? (family name handed down throughout the budgies)

Mon Ami #? (family name handed down throughout the budgies)


Since settling in our daughter Michelle and son-in-law David’s home – house and pet sitting during their reunion vacation in Cote d’Ivoire* – my music has been asserting itself from deep within, taking center stage.

(He)art at its best.

Before leaving FloTown, I worked through fingerings, adding dynamics and interpretive notation to my scores for use in the Swimming with Swans Music Folio part of the total SwS project. I focused entirely on the task of getting those scores closer to publishing perfection. Often with the Prisloe in one hand and the other on the computer keyboard entering it all on the NOTION score program. Then taking that needed info and tweaking it on the page so it looks nice and uncluttered**.
This is the grunt work that occurs after the ‘fun’ part of creation. Kind of like the next-to-final, another next-to-final and yet another next-to-final edit before the truly-final edit of an author’s WIP***.

(He)art at its best.

I promised myself I’d get back into the delights of daily practice focusing on technique, exercises, etudes, sight reading, exploratory composition and learning new repertoire once we left FloTown and arrived at our destination.
I promised my music (and the Prisloe) this same reward for waiting patiently even though her cries for attention were persistent and enticing.

(He)art at its best.

And you know what? The music is rewarding me! Unleashing continuous waves of inspiration, direction and ‘living water****’ spilling forth from my (he)art through my fingers and into being.

Shelby their whippet-mutt, a WIP by Michelle

Shelby their whippet-mutt, a WIP by Michelle

~~~~~

END NOTES:

* Michelle has been gathering her last batch of data/research for her PhD thesis these past months in Cote d’Ivoire and David is joining her for a final week vacation before their return to the States.
** click here for a great article on how much notation is enough notation, if you’re a composer/musician this will be interesting for sure.

*** click here for a similar process as applied towards visual artists
**** “(S)He who believes in Me, as the Scripture said, ‘From his/her innermost being will flow rivers of living water.’” John 7:38
Yes, He is my source…

Giving Voice: Spirit of God

Seen on a billboard in the Denver Metro area between Wadsworth & Kipling on I-70W.
Summer, 2018:

“Fear is contagious…so is hope.” 

1977 spring break, hardin montana, laura bruno

Me (Laura Bruno) Spring Break, 1977, Hardin, Montana – photo Terry Friedlander (Griffin)

The above ‘quote’ prompted me to dig out this piece* I had a hand in creating back in the day. Yes, there’s a story behind its creation and yes, it’s a few decades old and yes, the recording is kinda funky…but the point is, it just seems like it’s time to share it with you my readers and little listers…perhaps its message will speak peace & hope to you this day.

Spirit of God (circa 1977)
Bill & Jim Griffin – instrumentals & vocals
Laura Bruno (Lilly)- lyrics & melody

When the Spirit of Truth comes
He will guide you
Can you hear Him calling?

No one knows where the Spirit goes
or how He moves
Can you hear Him calling?

When you’re lonely
and cold inside
Let Him woo you.

Spirit of God
Fall down
Let Your love surround
Show us Your way

Behold the Spirit shall dwell within you
and He will comfort you
Can you hear Him calling?

He now leads into all righteousness
He now convicts the world
Can you hear Him calling?

When you’re walking
and standing tall
Let Him woo you.

Spirit of God
Fall down
Let Your love surround
Show us Your way

When the Spirit of Truth comes
He will guide you
Can you hear Him calling?

No one know where the Spirit goes
or how He moves
Can you hear Him calling?

When you’re lonely
and cold inside
Let Him woo you

Spirit of God
Fall down
Let Your love surround

Show us Your way

Spirit of God

Fall Down

Holy Spirit DoveJohn 16:13

* Thank you, Bill & Jim, for your agreement & support in the posting of our ‘shared’ piece.

Played Well with Orange

'proud 2bee an honorary Manc' quilt top wip

‘proud 2bee an honorary Manc’ quilt top wip


As mentioned in a previous post, I needed a diversion from my Goat Suite (Saga) and Puffin Grant related tasks. I pulled out my stash of 2½ x ? fabric strips leftover from decades of previous projects and delved into piecing a scrap version of the Dora Quilt.
Happily sewing together strips into blocks I discovered the fabric scraps ordered themselves into a cohesive quilt top based upon print design rather than color.
calico type scraps

a sampling of calico type scraps – oranges galore!


design-print fabric scraps, with bee print in middle

design-print fabric scrap blocks, with bee print in middle


While I got to play around with color possibilities using the color orange, most of the oranges occurred in the calico/flower type scrap fabrics. No matter how I arranged the blocks, those calico/flower prints just didn’t ‘play well’ with the more abstract, thematic and graphic scrap fabric prints.
 
I preferred the non-calico blocks and focused on the bee print fabric scrap. Placing it in the center block of the quilt top, it will be the perfect resting place for my precious Manchester Worker Bee Badge*  pinned in the middle once completed.  A humble gesture by this everyday American standing in solidarity with those affected by that horrific terrorist attack – on children.
madison park quilt kohls

Kohl’s stock photo, not our bedroom!


 
Meanwhile, my taste for something orange had been awakened and needed to be satisfied ASAP. Instead of me creating something orange, I searched for something in a ready-made quilted coverlet. I found a luscious well-constructed one from Kohl’s. On sale, I also used coupons and Kohl’s cash and purchased it for a song…Extra bonus? It looks better than the marketing picture!
 
 
Through it all, the edits on the Goat Suite Saga vignettes are almost completed, the actual musical recording of my Goat Suite is ready to send on to be mastered, and the Final Report for my Puffin Grant got written and in the snail mail.

I am so ready for the New Year – how about you?

Note: Gonna be off-line for a while, so responses to comments might be delayed.
Will see ya in 2018!

* sent to me by my Manc buddy…for basic info on the Manchester Worker Bee as symbolic of the city and as honoring those killed go here

Me as Composer

About 6 weeks ago, while planning our extended stay in Colorado to continue the hands-on process of getting Dad’s estate settled, I contacted a longtime colleague about collaborating with me on the recording of my Goat Suite (Saga).
Her willingness to work with me under challenging circumstances – finding snippets of time to rehearse, then laying down tracks at the recording studio – was refreshing.
So, tucked in between sorting files upon files of papers, packing up shelves of books, trips to drop off never ending donations at ARC, lining up realtor interviews, meeting with tradesmen for quotes on needed repairs on Dad’s house, working around my brother’s schedule to get certain estate things done; as well as working around my colleague’s own teaching and wedding gig schedule, we did indeed get started on the recording of my Goat Suite (Saga).
Sometime during our only rehearsal on a Sunday afternoon before our Wednesday recording session, my colleague tossed out a casual comment about ‘working with the composer’.
Say, what? Are you talking about me? Continue reading

Cleaning the Closet Reveals a Clever Classical Guitar Recording Tip

Laura Bruno Lilly with Prisloe classical guitar - practise selfie

Hello, hello from inside the mirror!


Hello, hello from inside the mirror! This is my attempt at a practice session selfie – using a dinosaur of a camera, no less. Notice the placement of the pillow, the height of the footstool and yes, indeed, those comfy tennies. This is my normal performance set up; albeit with a change of clothes and shoes.
It works.
However, in the recording studio, my beloved Dynarette pillow makes plastic-y squeaks during my playing as I tend to move a bit from time to time while I’m ‘in the moment’.
This is not a good thing.
Hardly noticeable by anyone on stage or off during a live performance, those squeaks wreak havoc to one’s ears while listening to playbacks of pieces played to perfection in the recording studio.
In my early attempts to silence those squeaks, Continue reading

Music makes fireworks in your brain!

puffin foundation logoFor some reason, not everyone on my little list or followers of this blog heard my great news so I will make a formal announcement here and now  –

The Puffin Foundation gave me an extension on my grant!

For that, fireworks are in order – so excuse me while I go and make a few in my brain while you enjoy/learn from this animated video on the merits of making and listening to music.

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