Prior to my first face-to-face meeting with K (Fall of Freedom presentation piece collaborator), I quickly changed out strings on the Prisloe.
My thinking being: if we are going to live-perform our evolving ensemble presentation piece in 3 weeks, I need to have freshly broken in strings for the momentous occasion.
Weeks of private student lessons and daily personal practice sessions take their toll on any set of strings. However, I will mention that the plus side of old strings is that I feel freer to work on my prepared guitar pieces. 😊
That said, I made the switch from the old, dull, thuddy, non-resonant set to a fresh new, crystal clear, deeply resonant set.
It’s amazing what a new set of strings will do for one’s sense of well being.
“The thing of it is, regardless of the strings used, music is played, compositions are created, techniques are explored, expanded and maintained. For myself as a musician, each time I re-string one of my instruments, there is a sense of expectation. A moment in time where everything seems possible, opening up a wide world of sonic possibilities, hopes, dreams and deep expressions of my (he)art flowing through my fingers into the outer realm.
me, Laura Bruno Lilly
And when the right strings are strung, those aural rewards inspire and invigorate…
The thing of it is, regardless of the strings used, music is played.
Life is lived.
And when the right strings are strung, life is magical.”
Due to time constraints, we both agreed a ‘fast production’ of our Fall of Freedom presentation to be the #1 priority. To that end, our collaborative performance piece will be using elements of electronic manipulation of my composition (classical guitar) and his instrumental inflections (trumpet), as a background base for the performance of voice-over adlib spoken word phrases, poems, etc taken from the 641 wc list.
It’s a start. And I’ll keep you updated on it’s progress.














