Laura Bruno Lilly

The road ends, but the journey continues...

Page 9 of 40

Bye, Bye, MMXX

vonnegut quote

It’s been a hard year.

To borrow the March proverb and apply it to our domestic and worldwide on-going state of affairs, I like to think that as 2021 ‘comes in like a lion’ it will ‘go out like a lamb.’

In the meantime –

I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.

Mary Oliver

This 2020 virtual choir video edition of How Can I Keep from Singing makes me feel less alone – its message, its virtual human presence. It seems just what the doctor ordered to usher in a dose of courage, strength and continued commitment to stay the course during these unrelenting times.

Being raised Catholic, and then doing the Jesus People street theatre scene in the 70s, my knowledge of purely Protestant Hymns is limited. Yet, here in the midst of a 21st century Pandemic, it took a Unitarian quilter blogger buddy to introduce me to this encouraging and joyful Hymn (thank-you, Zippy).

My life flows on in endless song above earth’s lamentation.
I hear the real, though far-off hymn that hails a new creation.
No storm can shake my inmost calm, while to that rock, I’m clinging. Since love prevails in heaven and earth,
How can I keep from singing?

– Keep singing –

Thoughts Thought on The Longest Night MMXX

Can a 66 year-old woman begin her own designated Hero’s Journey? Again? Is it too late? Rather, is there time left in her life to dive into yet another Path that would surely reveal itself during that Journey?

In many ways, 2020 has been the dead-end to end the multiple dead-ends I’ve hit over the past few years in my creative life. One could say it has been the ending of an unconscious Hero’s Journey.

My generation has always championed the idea of jumping over one’s shadow. Elements of a traditional “Hero’s Journey” are hardwired into my everyday life. In fact, they were supported and modeled by my folks even as my life took shape. So, facing more adventures, twisty, turny changes, and making do are all just part of the mix. Mostly, knowing that in the midst of it all, surviving & thriving are not mutually exclusive and is a precious insight.

Somewhere along my (he)artist’s way, product and validation overtook process and creation. As such, the muse all but disappeared, the gift all but withered.

The focus to finish and get my project(s) ‘out there’ became so strong it obscured seedlings of exploration, experimentation and self-expression. And in the end, with little to show for that absorbing focus.

The good part to all of this is that the stubborn ruts I’d traveled were more easily seen for what they were – not an obstacle to the Path, but proof that I’d wandered from the Path.

So I have corrected my focus. I am firmly ensconced in choosing repertoire based upon pure desire to play/perfect what I want to play – not based upon some audience type or proficiency parameter. And the composing! Instead of keeping it in check so as not to overshadow my practice time and/or exploration of tangential instruments, I am fully leaning into those juicy sessions.

Yes, I have project(s) that are screaming to be ‘out there’. Many are in fact 99.9% ready to go…but I gave myself permission to just not angst over all the odds and ends I’m clearly not knowledgeable enough to do right now to finish them*.

In other words, I gave myself permission to do what I was meant to do: create music – play around with sound – and commune with the Giver of the Gift in doing so.


Meanwhile, this year marked the entry into one of my favorite type of birthdays – one of duplicate double digits. It’s just one of my things.

The last such marker was 5-5 Revive.

Surprisingly, this year’s spontaneously spoke forth as Route 6-6.

What? Taking to the road again, in this time of lock downs, life threatening environmental obstacles and lack of connection?

Yep. Maybe not literally, but certainly in allowing the muse, my music, to lead the way…instead of my dragging it along with me. Be the conduit, serve the Gift and enjoy the process.

If I am the only one to hear or see or understand what comes forth, then so be it.

But I’m willing to bet this ‘Hero’s Journey’ change in attitude might alter that solo scenario come 2021.


*That’s the extreme down side of all this DIY stuff that goes along with being an Indie (he)artist – having to do all the business stuff, packaging, marketing, registering, licensing, publishing, etc; and finding/hiring qualified people to do the production side of things. It simply is not as easily available as one would think. Not whining, just sayin’…

We all need more Christmas

(this year especially)

The fresh-cut tree stand down the road from us always sets up shop around November 11th and sells out of ‘fresh’ stock (highly contestable IMHO) around Thanksgiving. This has always confused me as the thought of needle drop before Christmas proper and indoor dry tree syndrome does make for a huge holiday fire hazard, if not messy house.

After living in the deep south for almost a decade, I’ve learned it’s common to start with the tree-in-the-house aspect of Christmas decorating to begin not the day after Thanksgiving – which has always seemed strange to me, too – but instead often several days before Thanksgiving. I’ve gotten used to this and kept my thoughts about this seemingly local quirkiness to myself – to each his own, right?

This year, that same stand began displaying its wares around the 17th of November. A tad later than usual. And, those trees did indeed sell out several days before Thanksgiving – after two full tree-lot re-stocking of product!

Meanwhile, I found myself spontaneously delighted to see the emergence of such local ‘normalcy’.

Perhaps it’s just me grasping at snippets of Joy. But why not lean into Joy – however seemingly small or passing?

If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it . . .

. . . Joy is not made to be a crumb.

from: don’t hesitate, by Mary oliver

Hubby and I agreed that maybe this year we’d get going with Christmas decos earlier than usual for us.

Almost two weeks ago, as I tidied the house up for our Thanksgiving ZOOM family feast, I also cleared away the place where our new 4ft, pre-lit, artificial tree would be set up for this year’s Christmas.

Why?

It felt good.

It made me happy and expectant.

Because:

We all need more Christmas.

This year, especially.

Go and enjoy choice food and sweet drinks, and send some to those who have nothing prepared. This day is holy to our Lord. Do not grieve, for the joy of the Lord is your strength.

Nehemiah 8:10 niv

Snowman table topper pictured in the featured image made by quilt-buddy Roseanne. (Flash wanted his picture taken, too!)

60/40 in favor of…

The tally’s in: 60/40 in favor of ‘expanding’.

Thank you, readers, for your well-thought out input on the matter.

Real numbers? 12 (60%) – ‘expanding’ and 8 (40%) – ‘ballooning’.

I admit, I leaned heavily in favor of ‘expanding’ from the get-go. The word just rolls off the tongue better. But the visual evoked with ‘ballooning’ is what had me teetering between the two. Alas, in my mind, the other – ahem – gasses associated in those images nixed its usage – plus it was a cumbersome word to intone within the context of the poem itself.

Well, that’s all there is to this post! I wanted to officially announce that the word ‘expanding’ beat out the word ‘ballooning’.

                  Making Bread - poem WIP
                         (LBL - MMXX)

Making bread
I become a Builder.

                   Hands kneading.
                   Yeasty gases expanding.

Making bread.
I watch as it shapes a story.

Pandemic Potpourri V


Mariss' Kantha
October’s Kantha Piece by Mariss Stevens

First and foremost, I just had to show off this piece by my friend, Mariss. I’ve long admired her fiber art – and her curiosity about trying new techniques. After attending a course given at the South African National Quilt Festival in 2019 on Kantha stitching (pre-COVID – remember when?), she decided to experiment with the stitch form by making monthly samplers. As she says, “What has caught my imagination is how the simple running stitch can be used to produce such varied patterns and effects.”

Coincidentally, she began her samplers in January 2020 and they have since become a form of meditative creation for her as this year of the Pandemic has persisted & progressed. (click here and here for photos of each month’s sampler thus far)


Changing gears: How about a little help with my poem WIP? Below are two versions of Making Bread. If you feel so inclined, please read through both and then in the comments below let me know which word you prefer. I waffle between the two of them. Oh and, anybody notice the relationship between the Kantha piece above and something else on this blog post? If so, let me know about your discoveries in the comments.

Making Bread – poem WIP version #1:

                  Making Bread - poem WIP
                         (LBL - MMXX)

Making bread
I become a Builder.

                   Hands kneading.
                   Yeasty gases expanding.

Making bread.
I watch as it shapes a story.

Making Bread – poem WIP version #2:

                  Making Bread - poem WIP
                         (LBL - MMXX)

Making bread
I become a Builder.

                   Hands kneading.
                   Yeasty gases ballooning.

Making bread.
I watch as it shapes a story.

And last, but not least, just because this is how I’m feeling right now…

Neighborly Meals

A little over two weeks ago, our neighbor across the street tested positive for you-know-what.

Most are renters on this block* – us in tiny houses, others in an apartment complex, one door down from both of our houses. There is much coming and going noted as there are no garages to hide the ins and outs of any vehicle activity.

Or lack thereof.

Hubby’s the one who realized these neighbors, who both work and have a family of two young children, had become strangely silent. Their two vehicles hadn’t twitched a tire for quite awhile.

We quickly conferred and decided a neighborly check-in was more than appropriate.

Kireem is a special education teacher – close contact with students is just part of the very nature of his job – hence the inevitable occurred. He was thus in quarantine with the rest of the household placed in self-isolation.

Speaking through our masks, a decent distance from their doorway, we offered our services as neighbors – asking Michele if we could do errands for them but especially offering our specialty of making meals. When asked if she wanted a meal that evening or the next, Michele piped up and said, “Yes, please, tonight!”

Aside from the seriousness of the reasons why I got to make a meal for them, it felt good to be ‘hands on’ helping out others in these isolating times. This is what I do best in such circumstances.

That night’s quickly thrown together dinner menu?

My basic Rigatoni with Spicy-Sweet Meat Sauce**, my normal ‘house salad’ and a batch of my Loaded Brownies (minus one ingredient).

Next week when we delivered another meal, 4 year old Aminah was by her mom’s side. What a delight to see Aminah’s excitement over what was for dinner that evening!

That night’s menu?

Our family’s version of Cassoulet** (Cassoulet Italiene) with a loaf of Ma’s Hardcrust Bread, a Mandarin Orange salad, and plenty of freshly grated cheeses, Italian peppers, a stick of butter and other condiments to make it extra special. Oh and a huge loaf of my middle daughter’s Choco-nut Banana Bread for either dessert, breakfast the next morning or both.

And this story has a happy ending: as of a few days ago, I’m relieved to report that Kireem and family are out and about – completely COVID- free.


Give thanks to the Lord, for he is good; his love endures forever.

Psalm 118:1

*Our block is the dividing line between renters and homeowners – on the fringe of the ‘true’ neighborhood.

** Every family has their own versions of these basic, hearty dishes – cooked with (he)art and by (he)art!

October’s Almost Over

But before it slips away, I have two things to say...

coffeebean birthstone

#1 – October is my birth month, I hereby claim a dual birthstone – the traditional, beloved opal alongside the lowly, but highly charged coffee bean!

#2 – Boo! From me to you…

…and with a little help from my neighbors.

Working with Metallic Threads 2

As promised, what follows is part two in this set of blog posts featuring info I found on machine stitching with specialty threads as applied during the creation of “Bright Delight”.

Now that we’re armed with the knowledge of the characteristics of specialty threads and have rule #1* firmly in mind, we’re ready to get on with the business of sewing with metallics.


Regardless of how the specialty thread is wound on the spool (cross wound or stacked), both types feed best from the vertical spindle**.

Modifying the thread path from spindle to the first thread guide of the sewing machine is a key factor in controlling the natural curl of specialty threads.

Instead of purchasing a specialty thread stand attachment for my Bernina***, this is what I came up with after much consideration, research and trial & error. It works beautifully and didn’t cost me a cent.

With the specialty thread now safely and gently guided through the machine, here are a few more tips, tools and settings to further facilitate successful stitching:

  1. Reduce upper thread tension (lower number) and increase stitch length – sew on sample fabric and adjust as needed. (suggested settings – #2 tension and #3 stitch length)
  2. Suggested foot – wide toed embroidery foot as it will accommodate both straight and decorative stitches. (#20 Bernina foot)
  3. Use only a Metallic or Topstitch needle as both have larger eyes and accommodate the special needs of these threads. (I prefer a Schmetz 90/14 Metallic needle as it has a polished eye which prevents snags specific to metallic thread)
  4. Use a fine, light weight ‘bobbin’ thread or plain, smooth polyester thread (not cotton!), or even a metallic thread in the bobbin. (I used the ‘bad’ skinny spool metallic thread as mentioned in part 1 in the bobbin which added an extra sparkle to the back of the quilt)
  5. Practice settings on sample fabric, adjust as needed and Sew Slow! (I used the ‘half-speed’ setting for starters to get the hand of it)

Now, go forth and work with those metallic threads!


(for general reference: here and here)

*Rule #1 is to Sew Slow.

**Yes, this goes against the norm of pairing cross wound spools with the horizontal spindle and stacked spools with the vertical spindle.

*** While there are a variety of specialty thread stand attachments available for most sewing machines, I opted to forgo the investment of one for the time being. 

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