The road ends, but the journey continues...

Category: From the Practice Stool (Page 1 of 2)

SwS project status & my basic music score editing process

4/6 'Final Finals' music scores 100% finished!

4/6 ‘Final Finals’ music scores 100% finished!


First off, I’m thrilled to announce that 4 of the 6 ‘Final Finals’ music scores mentioned in the previous post are 100% finished. Nestled in their respective PDFs, each are ready to be distributed in multiple media formats when the time comes. Their timing is intertwined with the release of both the vignette and recorded music parts of related content from the overall SwS project.
That said, the Goat Suite (Saga) scores are not even ‘Final Finals’ yet even though the music has been recorded and ready for mastering since 2017 and the related vignettes are now nearing the formatting stage for publication. The original scores are still scruffy with scribbles from the recording sessions.
Given that Swimming with Swans: Goat Suite (Saga) will be the first section of the project to be released, those scores are now top priority for beginning the Final editing process. For a sense of what’s involved, my Goat Suite (Saga) is written for 2 classical guitars, mandolin, 12-string acoustic guitar and rain stick. I have the Master Score pretty much done, but the details specific to each individual part need to be entered onto each of the extracted part scores.
Here then, is an overview of my basic music score editing process, as promised.

  1. Enter original hand scored piece in NOTION – just the notes, no dynamics, interpretive suggestions, fingerings, etc.
  2. Fix weird quirks that NOTION places in score regardless of how info is entered (ie-stem direction, rests, location of text info, etc.)
  3. Print it out and play from that score to approach fingerings with a fresh eye and jot down
  4. Add fingerings, and simple dynamics in NOTION, print out for spacing/alignments and jot down by hand extra needs for score as play through it.
  5. Continue with edits (#2, #3 & #4) with an eye for keeping the score uncluttered and easy to read for the player yet filled with the needed information.
  6. Add title, composer, dedication, copyright, etc. info and arrange text nicely on score, sometimes defying NOTION conventions.
  7. If composition has more than one instrument, extract each part from Master Score for individual print out.
  8. Print Master Score and any extracted parts scores to PDF and print out to proof.
  9. Proof as needed.
  10. Repeat #5, #8 and #9 until becomes a true FINAL, then print to PDF.

Using my arrangement of Mo Giolla Mear as an example, here are photo’s of the process continuing from its mention in a previous post.

The following two score photos correspond to steps #1, #2 and #3 of the basic process overview:

My hand scored copies alongside newly entered NOTION scored parts of Mo Giolla Mear

My hand scored copies alongside (then) newly entered NOTION scored parts of Mo Giolla Mear


Mo Giolla Mear excerpt

The next score excerpt photo corresponds to steps #5 & #6 – check out measure 8 for an easy to see example of a stem direction fix in addition to the overall inclusions of fingerings, dynamics, etc.

Mo Giolla Mear edited excerpt

 This last score excerpt photo corresponds to step #10 and is from the final PDF:

3 Mo Giolla Mear Final Excerpt

 Whew! I hope this answers some of the questions you my readers have asked about what it means when I mention ‘doing score edits.’ Much like literary edits, it can be tedious but the end result is the pot of gold at the base of a very beautiful rainbow.

(He)art at its best

Just finished a fantastic time on the practice stool with the Prisloe.

Again.

(He)art at its best.

I’ve had a long string of days blissfully playing and practicing, composing and creating, with a focus on deep working through pieces yet to be recorded.
And all profoundly satisfying with more in store tomorrow and the next day and the next…

(He)art at its best.

Jude, their polydactyl cat

Jude, their polydactyl cat


Mon Ami #? (family name handed down throughout the budgies)

Mon Ami #? (family name handed down throughout the budgies)


Since settling in our daughter Michelle and son-in-law David’s home – house and pet sitting during their reunion vacation in Cote d’Ivoire* – my music has been asserting itself from deep within, taking center stage.

(He)art at its best.

Before leaving FloTown, I worked through fingerings, adding dynamics and interpretive notation to my scores for use in the Swimming with Swans Music Folio part of the total SwS project. I focused entirely on the task of getting those scores closer to publishing perfection. Often with the Prisloe in one hand and the other on the computer keyboard entering it all on the NOTION score program. Then taking that needed info and tweaking it on the page so it looks nice and uncluttered**.
This is the grunt work that occurs after the ‘fun’ part of creation. Kind of like the next-to-final, another next-to-final and yet another next-to-final edit before the truly-final edit of an author’s WIP***.

(He)art at its best.

I promised myself I’d get back into the delights of daily practice focusing on technique, exercises, etudes, sight reading, exploratory composition and learning new repertoire once we left FloTown and arrived at our destination.
I promised my music (and the Prisloe) this same reward for waiting patiently even though her cries for attention were persistent and enticing.

(He)art at its best.

And you know what? The music is rewarding me! Unleashing continuous waves of inspiration, direction and ‘living water****’ spilling forth from my (he)art through my fingers and into being.

Shelby their whippet-mutt, a WIP by Michelle

Shelby their whippet-mutt, a WIP by Michelle

~~~~~

END NOTES:

* Michelle has been gathering her last batch of data/research for her PhD thesis these past months in Cote d’Ivoire and David is joining her for a final week vacation before their return to the States.
** click here for a great article on how much notation is enough notation, if you’re a composer/musician this will be interesting for sure.

*** click here for a similar process as applied towards visual artists
**** “(S)He who believes in Me, as the Scripture said, ‘From his/her innermost being will flow rivers of living water.’” John 7:38
Yes, He is my source…

Cleaning the Closet Reveals a Clever Classical Guitar Recording Tip

Laura Bruno Lilly with Prisloe classical guitar - practise selfie

Hello, hello from inside the mirror!


Hello, hello from inside the mirror! This is my attempt at a practice session selfie – using a dinosaur of a camera, no less. Notice the placement of the pillow, the height of the footstool and yes, indeed, those comfy tennies. This is my normal performance set up; albeit with a change of clothes and shoes.
It works.
However, in the recording studio, my beloved Dynarette pillow makes plastic-y squeaks during my playing as I tend to move a bit from time to time while I’m ‘in the moment’.
This is not a good thing.
Hardly noticeable by anyone on stage or off during a live performance, those squeaks wreak havoc to one’s ears while listening to playbacks of pieces played to perfection in the recording studio.
In my early attempts to silence those squeaks, Continue reading

Music makes fireworks in your brain!

puffin foundation logoFor some reason, not everyone on my little list or followers of this blog heard my great news so I will make a formal announcement here and now  –

The Puffin Foundation gave me an extension on my grant!

For that, fireworks are in order – so excuse me while I go and make a few in my brain while you enjoy/learn from this animated video on the merits of making and listening to music.

3rd year Blogiversary: 3 quotes, 3 categories, 3 past posts

Thank-you readers, from newest to first-to-follow, for marking this milestone with me. This year, I’m commemorating my third year blogiversary by offering the following quotes and links to past posts for you to peruse. Enjoy!

Quotes: 3 Very Different Men, All on the Same Page

original score - Goats in the Garden at Midnight by the Light of the Full Moon

my original hand-scored “Goats in the Garden at Midnight by the Light of the Full Moon”


 

I am in the world only for the purpose of composing. Franz Schubert


 

 
 
 
 

Al Bruno - promo photo circa 1940 - 1950

Dad (Al Bruno) ~circa 1945 (?)


 
 
Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out your horn. Charlie Parker

 
 
 
 
Cesar Chavez in Community Garden-photo by Cathy Murphy

Cesar Chavez in Community Garden-photo by Cathy Murphy


 
When we are really honest with ourselves we must admit our lives are all that really belong to us. So it is how we use our lives that determines the kind of [wo]men we are. Cesar Chavez
 
 

Continue reading

Marching to the Studio: Gearing Up – Strings

The first recording session for Swimming with Swans: the music is scheduled to begin Wednesday, April 27th.


Now, back to our regularly scheduled blog post:
When prepping for actual recording, timing is everything.  Not just in the realm of musical readiness, but also in gear readiness. Booking this session date gave me approximately two weeks to break in fresh strings. So of course that meant changing out strings ASAP; which I did.

The Prisloe - ready for string change

All set and ready to go!


 
Changing out strings on the Prisloe is pretty routine.  Basic procedure for me involves laying down a blanket on the living room floor, arranging all the necessary tools on it (tuner, peg turner, string pack, dust rag, jewelers’ sandpaper, string clipper) and then sitting down with the instrument to my right. All set and ready to go.
 
The body as a natural luthier's bench

The body as a natural luthier’s bench


This is how I’ve done it for decades on both the classical and the 12-string, so even if I had access to a cool luthier’s repair bench, I’m not sure I’d use it for this task.
Gently sanding out burrs in the guitar nut

gently sanding out burrs in the nut


Doing related guitar maintenance is often easier done during string changes. Unfortunately the ‘new’ dead spot on the 4th fret 4th string is way beyond my mending capabilities. It will have to wait until I find someone in the area qualified to do repairs on my custom Prisloe.
First string shortened before winding on peg

1st string shortened before winding on peg


Until then, I also trick-out the 1st string to accommodate an oddly unbalanced string winding on the peg.
odd but workable 1st string winding

odd but workable 1st string winding


 
 
 
Squashed Palmetto Bug

Interrupted by a local intruder


 
 
Last week’s string changing routine was spooked up a bit by the need to crush a curious Palmetto Bug* (he looks tiny, but he shrank after being smashed, believe me!). Ugh – how I hate anything roach related.

Now, please excuse me as I continue to dig my fingers into these fresh strings…Gotta break ’em in. My three solo selections are ready and just itching to be recorded.

*nicknamed ‘the unofficial state bird of South Carolina’, here are some funny conversations about the local critter.

Swimming with Swans – March(ing) to the Studio

Southern Harmony Recording StudioLast Thursday marked the beginning of forward movement towards the recording of Swimming with Swans: the music.  I met with Ken*, the sound engineer and owner of Southern Harmony recording studio here in FloTown**.  I had a fantastic time sharing my project, discussing needs, working through technical details and listening to his expertise as applied to contexts unique to solo & ensemble classical guitar.
I am so glad I went with my gut on using this studio for my solo pieces.  The selection of quality recording studios nearby is limited.  I vetted several this past year covering a 3 hour driving radius and came up with a scattering of possibilities all over the state, but really, the best for my needs are located in Raleigh/Durham, NC.  Hubby being my #1 patron and supporter of my art is keeping those options open for me to use if I decide to go that route, regardless.

Original musical monkey in journal

A page from my journal…


I have to admit that until moving to and living in Florence, SC I took basic musician needs for granted.  This scarcity of a vibrant, well-rounded arts-scene will no doubt be a foreign concept/truth to grasp for many of my colleagues.  It certainly was for me, but – it is what it is and I’m thrilled to have cracked the code to a satisfying solution; enabling me to thus move forward and march*** to the studio.
There is one other semi-appropriate studio in Colombia that Joe and I toured during his Thanksgiving visit.  It was more attuned to the needs of classical/jazz musicians, but the space didn’t feel good.  It offers the use of a superior quality grand piano, but that’s not something I need. Also, the sound engineer didn’t have any project tracks to play for me to listen to that were relevant to my instruments.  The ones we gave a listen to were mostly of brass instruments, which sounded great…but.  After doing some of my own digging on the internet for sound samples from his client list, I found a few background tracks with acoustic guitar that sounded – well, let’s just say they were not to my liking.
As a musician, the bottom line is one’s tone, one’s sound. If that gets messed up, no amount of playing technique or flourish will save the day.  After listening to some of Ken’s current projects highlighting a variety of acoustic instruments, I believe I can trust his ear.  We certainly have a great rapport, which also counts as a keen element in the recording process/experience.
The Prisloe, Mo Giolla Mear, the ZOOM H4n & PillowMeanwhile, I’m doing time on the ole’ practice stool, fine tuning my solo pieces, getting ready for recording and keeping up my chops.  I hope to start sessions by mid-late March.
I am definitely psyched…
 
 
*If you visit Southern Harmony, you’ll find Ken is quite modest…his creds include an impressive resume of work in the LA scene for most of his 20 years of experience before moving to FloTown,  yet not listed on his website.
**Local name for Florence, South Carolina
***Yes, pun is intentional.

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