Postcard sent to Ma & Dad, Lakewood, CO May 2005:
Message on back:
“Remember that all music, in general, is a succession of rainbows.” Pablo Casals
Ma & Dad: I hope your day is filled with color and harmony. Love, Laura
The road ends, but the journey continues...
please, enjoy the music while you read the following, I promise it is related to the main thrust of this blog post…and since there are several guitar solos, well, you don’t really need to watch the lyrics up on the screen
Okay, so I’ve been starting and stopping in the writing of several blog posts.
I need to feed the blog, yes, but I gotta say my focus has been a bit wonky since returning from my five weeks visiting Dad. I started to write about that in a post entitled “Spider Webs, Jacob’s Ladder and Losing the Strand” but could only get so far when I’d lose the strand…(to be finished and posted at a later date).
Then on to a relatively easy Shoutout about the great Maestro Ricardo (and my friend) receiving a prestigious award at the annual GFA Convention in Denver, held just one week after I left. I wanted to attend, but those plans got trumped (don’t know if I like that term anymore…) with the Dad-card. No regrets at all, but it does leave the “Shoutout: In Honor of the Maestro Ricardo” in the queue to be sent sometime whenever I can do a final edit on it…again, the focus thing is the limiting factor here. It may never get finished and sent out since it’s more (out)dated news.
I discovered early on that I didn’t have the energy required to return to my current Swimming with Swans projects. This of course lead to frustration because I needed something to do in the realm of creating while navigating this new pattern of four weeks here and two weeks there; along with the emotional stuff that goes along with end-of-life and long distance elder care.
So I picked up the needle…that phrase is loaded, eh? I first mentioned this phrase in my post “The Rusty Quilter” that describes my history and re-introduction to quilting and fiber art.
The Sharp Dressed Man with his Heavy Medicine Bandmates playing the Oriental Theatre, Denver, CO 6/2016
Last Thursday marked the beginning of forward movement towards the recording of Swimming with Swans: the music. I met with Ken*, the sound engineer and owner of Southern Harmony recording studio here in FloTown**. I had a fantastic time sharing my project, discussing needs, working through technical details and listening to his expertise as applied to contexts unique to solo & ensemble classical guitar.
I am so glad I went with my gut on using this studio for my solo pieces. The selection of quality recording studios nearby is limited. I vetted several this past year covering a 3 hour driving radius and came up with a scattering of possibilities all over the state, but really, the best for my needs are located in Raleigh/Durham, NC. Hubby being my #1 patron and supporter of my art is keeping those options open for me to use if I decide to go that route, regardless.
When I was a teenager, I dug out my parents’ old 78s from the shelves in their walk-in cedar closet. Sorting through the stacks, I recognized most of the tunes and placed them in their respective piles – Ma’s stuff, Dad’s stuff and corny stuff. My baby brother and I grew up dancing in the living room listening to all of it, including the ever present live gig-prep practicing of Dad’s – From Leoncavallo’s Pagliacci (Ma’s stuff) to Charlie Parker’s Yardbird Suite (Dad’s stuff) to Jimmy Durante’s Bill Bailey (corny stuff).
Scattered among those records were some 33s pressed on yellow-vinyl. Intrigued, I noticed they were mostly classical (by genre, not era) recordings. Beethoven’s Symphonies were recorded in a huge boxed set of 33s. I decided to listen to all of them, going from last to first.
That 9th symphony – composed in 1824 – was new to my 1971 ears.
“It will be new whether you make it new or not”
I listened to it over and over alongside some of my favorite records at the time: The White Album, and Jesus Christ Superstar.
Beethoven, the Beatles and Andrew Lloyd Webber. A motley crew, all strangely powerful and new to me.
Now, I am no Beethoven, but that mini-Aha! moment became more of a major-Aha! moment for me recently.
Since last May, sales of music from my cd, unexpected, increased significantly. Why? This recording was released in 2007. In terms of musical output, it represents old stuff. I use it now more as a demo of sorts; an example of the breadth and quality of my playing for marketing, colleague introductions, resume point of reference and so on.
There have been many projects, performances and pieces learned since then till now. Immersed as I’ve been in my Swimming with Swans: the music project, striving to put out this new material, I’d forgotten that to those who’d never heard my stuff before:
“It will be new whether I (you) make it new or not”
Below is the single off of unexpected with the most digital listens since its release in 2007, Hatikvah.
I wish you peace.
Surrounded by Introducing Fractal Geometry and May Sarton’s Journal of a Solitude, Julia Cameron’s The Sound of Paper sits amongst an elite stash of books which grace the backside of my desk work surface. Picking it up, I opened its pages to where I last placed a 2004 Barnes & Noble bookmark and began reading.
Searching for words to cup a myriad of incoherent and vague thoughts swarming about my heat-wave induced spacey-brain, I came across practical encouragement in my current state of conundrum. That state of wild productivity amidst desperate isolation, struggling to finish projects that are taking on the shape of completion.
Oh – so – slow – ly.
I wouldn’t go so far as to say my ‘Mojo stopped Mojoing’ but I have come up wanting in the energy department of late. The constant drain of daily in-ing and out-ing in this humid triple digit heat has taken its toll. The term languid suggests more than a glamourous lady lounging alongside the pool with margarita in hand to weather the weather. It conjures up a wild-eyed mad-hatter creative, scurrying from instruments to computer to manuscript paper to WORD documents to notebooks to research to pacing to exercise machines to eating tons of watermelon to striving to keep cool to…ad infinitum.
Oh – so – slow – ly.
As hubby and I drove the last few yards towards our driveway coming home from an outing the other day, the soundless swoosh of a hawk made its dramatic landing by the side of the road. Just as suddenly, it took flight to who-knows-where.
In those few moments, the raw heft of this bird of prey left a palpable presence. Bringing to mind my friend Anna’s novel, The Hawk.
I’ve been reading it on Smashwords, where she has self-published many of her other novels. I respect the fact that as a creative (he)artist, she does the work necessary to get her work out there for others to enjoy.
She believes her novels are examples of faith in action. As she says: “And this is where faith comes into the process; it’s trusting your instincts as a creative force to just let the words, or whatever artistic tools you choose, go where they will.”
Thank you Anna for that reminder. Continue reading
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