Last Thursday marked the beginning of forward movement towards the recording of Swimming with Swans: the music. I met with Ken*, the sound engineer and owner of Southern Harmony recording studio here in FloTown**. I had a fantastic time sharing my project, discussing needs, working through technical details and listening to his expertise as applied to contexts unique to solo & ensemble classical guitar.
I am so glad I went with my gut on using this studio for my solo pieces. The selection of quality recording studios nearby is limited. I vetted several this past year covering a 3 hour driving radius and came up with a scattering of possibilities all over the state, but really, the best for my needs are located in Raleigh/Durham, NC. Hubby being my #1 patron and supporter of my art is keeping those options open for me to use if I decide to go that route, regardless.
I have to admit that until moving to and living in Florence, SC I took basic musician needs for granted. This scarcity of a vibrant, well-rounded arts-scene will no doubt be a foreign concept/truth to grasp for many of my colleagues. It certainly was for me, but – it is what it is and I’m thrilled to have cracked the code to a satisfying solution; enabling me to thus move forward and march*** to the studio.
There is one other semi-appropriate studio in Colombia that Joe and I toured during his Thanksgiving visit. It was more attuned to the needs of classical/jazz musicians, but the space didn’t feel good. It offers the use of a superior quality grand piano, but that’s not something I need. Also, the sound engineer didn’t have any project tracks to play for me to listen to that were relevant to my instruments. The ones we gave a listen to were mostly of brass instruments, which sounded great…but. After doing some of my own digging on the internet for sound samples from his client list, I found a few background tracks with acoustic guitar that sounded – well, let’s just say they were not to my liking.
As a musician, the bottom line is one’s tone, one’s sound. If that gets messed up, no amount of playing technique or flourish will save the day. After listening to some of Ken’s current projects highlighting a variety of acoustic instruments, I believe I can trust his ear. We certainly have a great rapport, which also counts as a keen element in the recording process/experience.
Meanwhile, I’m doing time on the ole’ practice stool, fine tuning my solo pieces, getting ready for recording and keeping up my chops. I hope to start sessions by mid-late March.
I am definitely psyched…
*If you visit Southern Harmony, you’ll find Ken is quite modest…his creds include an impressive resume of work in the LA scene for most of his 20 years of experience before moving to FloTown, yet not listed on his website.
**Local name for Florence, South Carolina
***Yes, pun is intentional.