“Mounted over canvas”
As per recent quilt-blogger discussions about how to mount certain fiber art pieces: Mary over at Zippy Quilts posted a callout for suggestions on how best to display a ‘map’ quilt she recently completed. The overriding consensus suggested mounting it over canvas.
About two years ago, I experimented with this technique.
During the Pandemic, while noodling around with the idea of floating a design utilizing negative space as part of the composition, my Homage à Ma’s Uncle Tran Mawicke came into being. Pleased with the result, I wanted an equally unique way of displaying it.
Ma’s Uncle Tran* was a prolific commercial & fine artist, illustrating numerous magazine articles, sci-fi books, fashion magazines & catalogues, calendars, advertisements, creating art by commission, for both private/personal and public purposes, etc.
My Homage features a common color palette used in many of his works, but does not reflect his style of art.
As a true ‘working artist’, I’ve no doubt he experimented with different modern techniques and emerging schools of art-thought during his lifelong career. I’d like to think he might have explored a sort of “abstract expressionism meets graphic art” approach to his own work. In that way, my Homage title makes sense.
That’s the cerebral narrative. Truth be told, at some point during my immersion in Homage, something about it ‘felt’ like the Great Uncle I never knew – connecting me to both him and my (he)artist Ma.
*Mini bio: Tran Mawicke was born in Chicago on September 20, 1911 and died November 28, 1988. He’s best known for his commercial illustration, landscapes, and portraits. A graduate of the American Academy of Fine Arts and Art Institute of Chicago, his work spanned from 1935-1988. A prolific storybook illustrator, he also has credits such as film posters, covers of magazines such as Collier’s, Reader’s Digest, Good Housekeeping, and BusinessWeek. Tran served as president of the Society of Illustrators from 1959-1961. He traveled extensively and called Bronxville, NY home-base for most of his life.
“Bonus Day”
Last Thursday was February 29th. A whole day inserted into 2024’s leap year to correct time discrepancies in our calendar related to Earth’s orbit around the sun. Think of it as an expanded version of the ‘extra’ hour received when we in most states of the US set clocks back in the Fall thus ending Daylight Saving Time.
This added date – an extra day tacked onto February – felt like a Bonus Day to me, hence the name. In fact, I planned for this Bonus Day in advance in order to take full advantage of my perceived ‘extra’ time!
Right before lunchtime, after a morning of unabashed glee pursuing indulgent (he)artistic endeavors, I got a text notice that my shingles shot was available & waiting for me at the CVS. Since this prescription had been ‘out of stock’ since December** I decided the unscheduled task took priority, so I got jabbed ASAP.
I am thinking you know what comes next…Yes, you’re correct in thinking my extra hours were then consumed by an overpowering fatigue – which for myself is a normal reaction to any vaccine.
And yes, you’d think I’d remember that – but no.
Overall I felt okay about that interruption, and I did indeed make up for that ‘lost extra’ time in the days that followed – gaining traction (and new insights) on a few music projects and progressing on a surprise gift I’m making for that new Papa cousin’s baby girl I mentioned in an earlier post. All of which I hope to reveal in the near future!
**What can I say? We live in an underserved area and that’s part of how life is for us. Case in point: a regular rhythmic cycle of empty shelves at stores has been a fact of life since moving here in 2012 – way before the Pandemic put that Reality front and center for many formerly unaccustomed to those sorts of issues.
How did you spend your Bonus Day this Leap Year?
