The road ends, but the journey continues...

Tag: working musician (Page 6 of 8)

Music makes fireworks in your brain!

puffin foundation logoFor some reason, not everyone on my little list or followers of this blog heard my great news so I will make a formal announcement here and now  –

The Puffin Foundation gave me an extension on my grant!

For that, fireworks are in order – so excuse me while I go and make a few in my brain while you enjoy/learn from this animated video on the merits of making and listening to music.

The (Unwanted) Power of Three: Roland, Leonard and Leon

Whether superstition, or relative to some innate programming within the natural world, death often occurs in multiples of three. My own family has recently experienced two losses close together and I hold out hope that the power of three will not prevail in our case.
However, in the musical world, I have a tally of three personal favorites who have passed within weeks of each other. Like my taste, each one is different from the other in genre, temperament and level of public awareness.
The first to begin this trio was Roland Dyens. Continue reading

3rd year Blogiversary: 3 quotes, 3 categories, 3 past posts

Thank-you readers, from newest to first-to-follow, for marking this milestone with me. This year, I’m commemorating my third year blogiversary by offering the following quotes and links to past posts for you to peruse. Enjoy!

Quotes: 3 Very Different Men, All on the Same Page

original score - Goats in the Garden at Midnight by the Light of the Full Moon

my original hand-scored “Goats in the Garden at Midnight by the Light of the Full Moon”


 

I am in the world only for the purpose of composing. Franz Schubert


 

 
 
 
 

Al Bruno - promo photo circa 1940 - 1950

Dad (Al Bruno) ~circa 1945 (?)


 
 
Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out your horn. Charlie Parker

 
 
 
 
Cesar Chavez in Community Garden-photo by Cathy Murphy

Cesar Chavez in Community Garden-photo by Cathy Murphy


 
When we are really honest with ourselves we must admit our lives are all that really belong to us. So it is how we use our lives that determines the kind of [wo]men we are. Cesar Chavez
 
 

Continue reading

UKE to the rescue

This coming Saturday morning, I leave for my third and quite possibly, last, scheduled trip to Colorado to visit with Dad (note-operative word here is scheduled). With it comes the usual deliberation on what to pack; most of which is rote routine. But those few variable items that require more thought on just how to pack along for the trip are often troublesome.
As a musician, it’s always about the music.
Yes, I have my NOTION software available to me on my laptop if the muse tickles my fancy, or I feel the need to work on compositional works-in-progress.  Heck, I’m so old-school I consider it a badge of honor to whip out my staff paper notebook and jot down ideas using archaic graphite dots.
But that’s not what I’m meaning. And I’m not talking about iPod, streaming or even radio station music, either.
I’m talking about how does one pack that part of your essential being that doesn’t fit into a suitcase, in the overhead bin on an airplane, or be safely transported as general baggage without risk or costing a fortune?  This common question faces all instrumentalists, yet there is no one-size-fits-all answer to it.
Coping with life – the good, the bad and the ugly (to borrow a phrase from a fav Spaghetti Western) – has always been reflected in my music. Prayers, supplications, questions, acceptance; hurts, healings and happy dances; all the dialogue, working through, pouring out – done with my instrument.

Rental 'beater guitar' placed across scrap quilt I made for Ma & Dad ~ 1983

Rental ‘beater guitar’ placed across scrap quilt I made for Ma & Dad ~ 1983


Borrowing or renting a classical guitar is not as easy as say, a violin. I won’t go into the technical details of why, but suffice it to say that the “beater guitar”* I scouted out to rent during my first extended visit, while hard to procure, did deliver as a sort-of security blanket instrument during that five week time span.
My second visit lasted two weeks, a doable length of time to go without direct instrumental contact so that counted as an easy fix.
But…those were solutions for then. What about now?
This time around, I’m slated for a three week stay. As much as those visits are a precious blessing, they are also very intense; filled with tender moments alongside heart wrenching end-of-life realities.
This time around, hubby booked my flight on another airline, one which allows 1 bag and 1 personal item for free as carry-ons.
This time around, I’ll stuff the computer bag with my wallet, snacks and paperback mystery novel as usual, and tote my UKE as the other carry on.
After all, George Harrison composed ‘While My Guitar Gently Weeps’ on his UKE when his primary instrument was unavailable for use.
*”beater guitar” is a term used by cgers and acoustic guitarists alike that refers to an instrument that can be taken anywhere without fear of ruining it…case in point: around the campfire during wilderness treks.

***

One of my fav renditions of this piece follows and indeed, inspired several of my students at the time to ask me to teach them the UKE…thus forcing me to pursue a certain level of mastery over this little gem of an instrument –

 

Marching to the Studio: Gearing Up – Strings

The first recording session for Swimming with Swans: the music is scheduled to begin Wednesday, April 27th.


Now, back to our regularly scheduled blog post:
When prepping for actual recording, timing is everything.  Not just in the realm of musical readiness, but also in gear readiness. Booking this session date gave me approximately two weeks to break in fresh strings. So of course that meant changing out strings ASAP; which I did.

The Prisloe - ready for string change

All set and ready to go!


 
Changing out strings on the Prisloe is pretty routine.  Basic procedure for me involves laying down a blanket on the living room floor, arranging all the necessary tools on it (tuner, peg turner, string pack, dust rag, jewelers’ sandpaper, string clipper) and then sitting down with the instrument to my right. All set and ready to go.
 
The body as a natural luthier's bench

The body as a natural luthier’s bench


This is how I’ve done it for decades on both the classical and the 12-string, so even if I had access to a cool luthier’s repair bench, I’m not sure I’d use it for this task.
Gently sanding out burrs in the guitar nut

gently sanding out burrs in the nut


Doing related guitar maintenance is often easier done during string changes. Unfortunately the ‘new’ dead spot on the 4th fret 4th string is way beyond my mending capabilities. It will have to wait until I find someone in the area qualified to do repairs on my custom Prisloe.
First string shortened before winding on peg

1st string shortened before winding on peg


Until then, I also trick-out the 1st string to accommodate an oddly unbalanced string winding on the peg.
odd but workable 1st string winding

odd but workable 1st string winding


 
 
 
Squashed Palmetto Bug

Interrupted by a local intruder


 
 
Last week’s string changing routine was spooked up a bit by the need to crush a curious Palmetto Bug* (he looks tiny, but he shrank after being smashed, believe me!). Ugh – how I hate anything roach related.

Now, please excuse me as I continue to dig my fingers into these fresh strings…Gotta break ’em in. My three solo selections are ready and just itching to be recorded.

*nicknamed ‘the unofficial state bird of South Carolina’, here are some funny conversations about the local critter.

New Book Release: Home to Cedar Branch by Brenda Bevan Remmes

                                 Waiting for Brenda
Home-to-Cedar-Branch-Novel-by-Brenda-Remmes
Of course wouldn’t you know, the day’s dark grey skies decided to pour forth a drenching rain the moment I stepped out of the car. Brenda and I were meeting that morning at the FloTown Starbucks on Palmetto for a quasi-interview, so I wanted to get there a bit before the appointed time.
After my mad dash into the tiny building, I quickly scanned the area for an available table. As a veteran of numerous coffee shops, I know that claiming one’s territory is best done first.  I planted my book bag atop my find as evidence of ownership then proceeded to redeem my empty bean bag* for a free cup of coffee.
Returning to ‘our’ table with java in hand, I settled in to read a few pages of ‘Home to Cedar Branch’ while waiting for Brenda’s arrival…

Home to Cedar Branch is Brenda’s second novel in the ‘Quaker Café’ series.  While not intended to be a part of an actual series, this stand-alone book clamors to be part of something larger than itself. Writing has a way of making demands on its author and Brenda is accommodating those demands by crafting yet a third book in the ‘Quaker Café’ series as of this posting.
Both novels, along with an in-progress third, are centered around the fictional community of Cedar Branch.  I asked Brenda if she would like to live in Cedar Branch.  Surprisingly, she told me that she Continue reading

Swimming with Swans – March(ing) to the Studio

Southern Harmony Recording StudioLast Thursday marked the beginning of forward movement towards the recording of Swimming with Swans: the music.  I met with Ken*, the sound engineer and owner of Southern Harmony recording studio here in FloTown**.  I had a fantastic time sharing my project, discussing needs, working through technical details and listening to his expertise as applied to contexts unique to solo & ensemble classical guitar.
I am so glad I went with my gut on using this studio for my solo pieces.  The selection of quality recording studios nearby is limited.  I vetted several this past year covering a 3 hour driving radius and came up with a scattering of possibilities all over the state, but really, the best for my needs are located in Raleigh/Durham, NC.  Hubby being my #1 patron and supporter of my art is keeping those options open for me to use if I decide to go that route, regardless.

Original musical monkey in journal

A page from my journal…


I have to admit that until moving to and living in Florence, SC I took basic musician needs for granted.  This scarcity of a vibrant, well-rounded arts-scene will no doubt be a foreign concept/truth to grasp for many of my colleagues.  It certainly was for me, but – it is what it is and I’m thrilled to have cracked the code to a satisfying solution; enabling me to thus move forward and march*** to the studio.
There is one other semi-appropriate studio in Colombia that Joe and I toured during his Thanksgiving visit.  It was more attuned to the needs of classical/jazz musicians, but the space didn’t feel good.  It offers the use of a superior quality grand piano, but that’s not something I need. Also, the sound engineer didn’t have any project tracks to play for me to listen to that were relevant to my instruments.  The ones we gave a listen to were mostly of brass instruments, which sounded great…but.  After doing some of my own digging on the internet for sound samples from his client list, I found a few background tracks with acoustic guitar that sounded – well, let’s just say they were not to my liking.
As a musician, the bottom line is one’s tone, one’s sound. If that gets messed up, no amount of playing technique or flourish will save the day.  After listening to some of Ken’s current projects highlighting a variety of acoustic instruments, I believe I can trust his ear.  We certainly have a great rapport, which also counts as a keen element in the recording process/experience.
The Prisloe, Mo Giolla Mear, the ZOOM H4n & PillowMeanwhile, I’m doing time on the ole’ practice stool, fine tuning my solo pieces, getting ready for recording and keeping up my chops.  I hope to start sessions by mid-late March.
I am definitely psyched…
 
 
*If you visit Southern Harmony, you’ll find Ken is quite modest…his creds include an impressive resume of work in the LA scene for most of his 20 years of experience before moving to FloTown,  yet not listed on his website.
**Local name for Florence, South Carolina
***Yes, pun is intentional.

A Walk in the Swamp with Joe

Over these past three years of Thanksgivings, a tradition of sorts has evolved.  It seems our son Joe’s holiday of choice is Thanksgiving. Each Thanksgiving since landing here in South Carolina after our between homes journey, he has flown in to join us at the family feasting table. This fourth year was no different. He spent 10 days with us, kind of a combination re-group after his 2.5 month vacay in the DR and holiday time with the fam. This year we three took our walk in the Swamp the Saturday after Thanksgiving as usual only at a new-to-us spot: Woods Hole. To date, that is hands down our fav Swamp-place. But this post is about last year’s Swamp walk…

The Saturday after Thanksgiving 2014, I took a walk in the swamp with my son.

My Jo-Jo at the Lynches River Swamp, SC (2014)

My Jo-Jo at the Lynches River Swamp, SC (2014)


Turns out, he has become more of a walker since his youthful accident a few years back which requires him to keep his ankle supple and stretched.  Because my hubby was in the throes of knee problems, we took our walk without him.  It made for a long-overdue Mother-Son time together.  Yes, we communicate via texting, phoning and e-mailing, but there’s nothing like actually spending physical time with those you are in relationship with.  There may not be much spoken, but just the living, breathing and, in this case, walking presence of another produces a deep communication that can only be transmitted in such a manner.
Me finding a prime stump at the Lynches River Swamp (2014)

Me finding a prime stump at the Lynches River Swamp (2014)


Getting into each other’s head and space, without pretense is very freeing.  It also helps me to sort through stuff.
That November, I was blessed to be able to focus on my Musical Non-fiction project, via my Nano Rebellion. It progressed nicely and I was pleased with my output as well as organization of said output.  It also served to re-connect me with myself.  A self that has by circumstances of ‘place’ not been easily allowed to come out and play.
South Carolina Swamp Cypress Trees

South Carolina Swamp Cypress Trees


The Monday following our Swamp walk I took Joe with me to be a part of my regular Wounded Warrior Horse Therapy volunteer time. I was excited to show him off to the gang as most of those there have family nearby 24/7 – warriors, therapists and volunteers alike. He got along with most everyone as he always seems to do wherever he goes, especially with Jason.  Funny, that, since they remind me of each other. Joe’s interest in the horses wasn’t all that much, but he did like seeing his Ma doing her horse thing anyway.
What happened there was something I didn’t expect. Doing what he always does, talk music with me comparing notes on gigging and crazy audiences; drawing others into our conversation cuz you know, everyone loves music. Between talking up his own bands and the Denver music scene, somehow it came out about my being a working musician, my dad being a pro-jazzman and that that was how he was brought up – surrounded by rehearsing musicians, learning to help set up gear for Ma’s gigs/concerts… No one there knew of my status as a musician prior to moving to South Carolina. I was just one of the horse handlers.  Mostly due to the fact it wasn’t something relevant to horse handling chores or in bonding with the warriors.  And also due in part to my own healing process related to the last months of our between homes experience…But that day, that ordinary Monday during horse handling chores and bonding with the warriors around the picnic table after therapy sessions, my son bridged the real me with the current me.
Lion King Quote

Remember Who You Are – Lion King

« Older posts Newer posts »

© 2025 Laura Bruno Lilly

Theme by Anders NorenUp ↑