Laura Bruno Lilly

The road ends, but the journey continues...

Page 13 of 40

Re-stringing a Life

Andres Segovia & Augustine StringsA few weeks ago, I finally changed strings on the Prisloe (my classical guitar). After a couple of months trying out another brand, some Augustine Regal/Blue High Tensions as recommended by Segovia himself, I’m back to my standard Blue Pack (Savarez Alliance High Tension 540 J’s).
In addition to his pioneering role in elevating the classical guitar to the concert stage around the turn of the 20th century, Segovia partnered with Augustine Strings in the 1940s to develop a revolutionary (at the time) non-gut string option for classical guitars. For many years since, Augustine Strings were one of very few quality options out there for classical guitarists.
All told, those Augustine’s just didn’t agree with me. My style, my fingers; maybe even my guitar. That’s part of being a working musician, trying different things to see how they enhance or detract from one’s playing. When I know I don’t need to depend upon reliability in sound/tone due to a lack of gigs, or recording dates, I often slap on different strings – brands, tensions, material composition – just to test drive the newest innovations, those recommended by colleagues and/or those with the best reviews by other players.
The Augustine strings offered up a strong rich sound in the basses with less buzzes but were harder to coax out tone colors. Plus, the trebles took several days of consistent playing to settle them into a decent tone – albeit with a plastic-y feel and muddled sound. Yes, they lasted longer and handled my hard-driven playing well, but they just didn’t offer up the variety of subtle tone colors I use in my playing or feel good under my fingers.
They also were harder on my hands. Segovia had huge hands with sausage-like fingers and probably really needed the thicker, plastic-y feeling of the strings to accommodate that physical factor. And as far as the relationship between instrument and strings goes, remember: Segovia played a huge Ramirez with 664 fret scale and larger, 54 mm nut width.
For those of you not in-the-know about the great Segovia, I found a quality, yet un-retouched video of him playing sometime in the 1960s when he was actually in his sixties. I chose this one because it’s representative of his tone/style – his signature technique of finding just the right sweet spot on the fretboard for each note, delivering a rich deep vibrancy – all while showcasing his effortless command of the instrument.

The thing of it is, regardless of the strings used, music is played, compositions are created, techniques are explored, expanded and maintained. For myself as a musician, each time I re-string one of my instruments, there is a sense of expectation. A moment in time where everything seems possible, opening up a wide world of sonic possibilities, hopes, dreams and deep expressions of my (he)art flowing through my fingers into the outer realm.
And when the right strings are strung, those aural rewards inspire and invigorate…
The thing of it is, regardless of the strings used, music is played.
Life is lived.
And when the right strings are strung, life is magical.

I have come that they may have life, and may have it more abundantly.
John 10:10b NKJV

I Truly Do Confess

Edwards Spiced Pumpkin Creme PieA mere seven days ago – a full week ago – I innocently took my first bite of an Edwards Special Limited Edition Pumpkin Spice Crème Pie.
I am not one for Pumpkin Pie, but I do take that obligatory bite on Thanksgiving for tradition’s sake.
However. This year?
Let’s just say I finished it off Wednesday, December 4th, 2019. Slice-by-single-slice.
…all except one slice that hubby ate and liked that fateful Thanksgiving Day last week but which left me with six leftover slices because it didn’t agree with him.
Leaving me to fend for myself against over consumption temptation.
Oh, but like the advert says:

“Seize the holidays with a decadent new tradition – velvety layers of real cream cheese and pumpkin spice crowned with a double layer of whipped crème rosettes on a fresh-from-the-oven vanilla cookie crumb crust. Oh. My. Gourd.”

So. I did. Seize the (holi)days.  Slice-by-single-slice.
…except on Wednesday – I had two slices. The second-to-the-last in the AM and the last in the PM.
So glad it’s a Limited Edition – I truly do confess.

Thanksgiving 2019

– A mini spur of the moment gratitude list –

T – Terry, the love of my life.
H – Home. Wherever we alight if we’re together, it’s home.
A – All Creatures Great and Small, the Lord God Loves Them All.
N – (Finding) Neverland – childhood is precious.
K – Kindness. A little goes a long way but why be chintzy?
S – Snow. On Thanksgiving. The best.
G – Grumpy family. It’s okay to get grumpy sometimes, that’s when the Family gets to show you (me) love when you’re (I’m) the grump.
I – Interest/engagement in the world outside (y)our personal realm makes for a fuller life.
V – Vistas. The views from the peak of our Family’s mountain are the ultimate 360-degree surround sound/visual. Thank you Ma & Dad for preserving its wildness.
I – Inspiration. Found in such vistas and meant to be shared via our (he)art.
N – (Mister Rogers’) Neighborhood – childhood is precious.
G – Greater love has no one than this: to lay down one’s life for one’s friends.

— How about you? Please feel free to add to this mini gratitude list below —

Snips, Snaps and Soggy Bottom Pie

Catchy title, eh? It’s been rolling around in my head as a title for a poem since 2015.
The alliteration, associated visuals, meanings and rhythmic feel just lends itself to something more creative than yet another blog post. I mean, speak this out loud: snips, snaps and soggy bottom pie.
Like I said, the perfect set-up for something more to follow than just another blog post. I think four years of this title sitting in a Word file of ideas for poems is long enough. It needs to see the light of day.
Which brings us to this day.
Notice that what follows is not a poem – more like a framework of thoughts prompted by said title. Which is handy as I’ve come against a brick wall lately trying to sort through the myriad current events and life events crowding my mind all screaming for first place in being presented in ‘yet another blog post’.
I’m sure most bloggers squash up against that brick wall every once and awhile. It’s one of the commonalities we bloggers share.
I therefore choose to start with Soggy Bottom Pie as the first smack down of that formidable barricade.

Soggy Bottom Pie

My current favorite PBS series, The Great British Baking Show aka The Great British Bake Off in the UK, is rich in such ‘show stopping’ images. (Yep, pun intended, for those of you familiar with the show).
Can’t you just hear Mary Berry intone, “It mustn’t have a soggy bottom,” as she pokes and prods a contestant’s pastry crust in the pie baking ‘Technical Challenge’?

cherry pie a la mode

I like mine with 2 scoops of the creamiest French Vanilla Bean ice cream available!


Truth be told, I am partial to a good homemade pie with, yes, a slightly soggy bottom. Sensuously luscious when the à la mode melts deep underneath the crust, bathing the jammy juices within.
My favorite pie is cherry. My extra favorite is a cherry pie made with Montmorency cherries picked from our own backyard tree*…seems like centuries ago when our kids and the neighborhood kids all helped pick once the harvest was in full swing.

What’s your favorite soggy bottom pie?
What’s your favorite reason why?

Snaps

“Contrary to popular belief, I am a snapdragon…” snapdragonsThus began a post I wrote in 2014. Based upon a now defunct ‘What Kind of Flower Are You?’ internet quiz, it was a fun foray into matching flower personalities with us humans. Or should that be human personalities with flowers?
I came out a snapdragon 8 takes in a row – even though I’m more partial to giant purple irises, deep red orange poppies, daisies and milkweed blossoms. I learned that my cousin Marybeth and blogger friend Deborah (christened ‘flower-sister’) both came up snaps in the quiz. We three are also October babies. Connection?

Snappy, flappy, flower laughing lips.
Caring, sharing, dreamy dew-drop drips.

Snips

Come a Stranger by Cynthia Voigt coverI do relish reading books and finding passages float up from the page past my eyes and into my (he)art. When that happens, I often mark it with a sticky note, reread it later, then if it still resonates, hand copy it into my book of quotes – or snip(pet)s if you will.
I often find lovely prose in young adult novels. Here’s one from Come a Stranger I jotted down 4/15/07.

“Even after everyone had gone home, the house was filled with the good time they’d had, as if it could linger in the air like the voices and music lingered in memory. Mina wrapped the memory up and put it in her heart; there was a quiet gladness, deep like a tree and tall in her.” Cynthia Voigt

 

 A tisket, a snip(pet)
A green and yellow kismet.
~~~

 Snips, Snaps and Soggy Bottom Pie

What comes to your mind as this phrase echoes about?

*we’ve since moved from our ‘growing-a-family-and-garden’ home…sigh.

SwS project status & my basic music score editing process

4/6 'Final Finals' music scores 100% finished!

4/6 ‘Final Finals’ music scores 100% finished!


First off, I’m thrilled to announce that 4 of the 6 ‘Final Finals’ music scores mentioned in the previous post are 100% finished. Nestled in their respective PDFs, each are ready to be distributed in multiple media formats when the time comes. Their timing is intertwined with the release of both the vignette and recorded music parts of related content from the overall SwS project.
That said, the Goat Suite (Saga) scores are not even ‘Final Finals’ yet even though the music has been recorded and ready for mastering since 2017 and the related vignettes are now nearing the formatting stage for publication. The original scores are still scruffy with scribbles from the recording sessions.
Given that Swimming with Swans: Goat Suite (Saga) will be the first section of the project to be released, those scores are now top priority for beginning the Final editing process. For a sense of what’s involved, my Goat Suite (Saga) is written for 2 classical guitars, mandolin, 12-string acoustic guitar and rain stick. I have the Master Score pretty much done, but the details specific to each individual part need to be entered onto each of the extracted part scores.
Here then, is an overview of my basic music score editing process, as promised.

  1. Enter original hand scored piece in NOTION – just the notes, no dynamics, interpretive suggestions, fingerings, etc.
  2. Fix weird quirks that NOTION places in score regardless of how info is entered (ie-stem direction, rests, location of text info, etc.)
  3. Print it out and play from that score to approach fingerings with a fresh eye and jot down
  4. Add fingerings, and simple dynamics in NOTION, print out for spacing/alignments and jot down by hand extra needs for score as play through it.
  5. Continue with edits (#2, #3 & #4) with an eye for keeping the score uncluttered and easy to read for the player yet filled with the needed information.
  6. Add title, composer, dedication, copyright, etc. info and arrange text nicely on score, sometimes defying NOTION conventions.
  7. If composition has more than one instrument, extract each part from Master Score for individual print out.
  8. Print Master Score and any extracted parts scores to PDF and print out to proof.
  9. Proof as needed.
  10. Repeat #5, #8 and #9 until becomes a true FINAL, then print to PDF.

Using my arrangement of Mo Giolla Mear as an example, here are photo’s of the process continuing from its mention in a previous post.

The following two score photos correspond to steps #1, #2 and #3 of the basic process overview:

My hand scored copies alongside newly entered NOTION scored parts of Mo Giolla Mear

My hand scored copies alongside (then) newly entered NOTION scored parts of Mo Giolla Mear


Mo Giolla Mear excerpt

The next score excerpt photo corresponds to steps #5 & #6 – check out measure 8 for an easy to see example of a stem direction fix in addition to the overall inclusions of fingerings, dynamics, etc.

Mo Giolla Mear edited excerpt

 This last score excerpt photo corresponds to step #10 and is from the final PDF:

3 Mo Giolla Mear Final Excerpt

 Whew! I hope this answers some of the questions you my readers have asked about what it means when I mention ‘doing score edits.’ Much like literary edits, it can be tedious but the end result is the pot of gold at the base of a very beautiful rainbow.

ToDoTuesdayFive

It’s been three weeks since my last ToDoTuesday post. Here’s the latest.

(A Reminder of) My goals for the week of September 24th through October 1th:

  • Add sequin detail to PF eye done, sign/sew quilt label done
  • Work on post about music score edit process in progress
  • Get ready for out-of-town trip! done and back!

My PFWHK handmade label amidst a flock of PF's.

My PFWHK handmade label amidst a flock of PF’s.


All things must come to an end. In this case it is all things Pink Flamingo. The PFWHK is done and done! I am very tempted to hang her up facing the wall to show off the backing fabric and my snazzy label. But she has her eye on me…no can do. HA!
PF sequin eye detail

PF sequin eye detail


Our out-of-town trip was action packed. Not so much sight seeing as visiting family and investigating areas for us to relocate. More on that in a later post. Meanwhile, here are some family photos.
The Guys: my cousin Kayden (Gail's son), my hubby Terry, Uncle Dennis (my Dad's younger brother)

The Guys: my cousin Kayden (Gail’s son), my hubby Terry, Uncle Dennis (my Dad’s younger brother)


The Gals: Aunt Adua, me, my cousin Gail

The Gals: Aunt Adua, me, my cousin Gail


As for that music score edit process post? It’s definitely in the works  DONE. To catch a glimpse of the beginning of the process involved, take a look at this post I wrote in 2015. Yikes, has it really been that long ago I started entering my hand scored compositions onto NOTION?
While not mentioned on the goals listed above, the number of actual score edits becoming “Final Finals” now total 6 pieces. Including the Mo Giolla Mear piece featured in the 2015 blog post. This is a big leap in the completion of that portion of my Swimming with Swans:the music project and is worth noting.

~~~

My creativity trinity* is as follows: fiber artMUSICwriting. Each is intertwined with the other, offering needful respites between projects which in turn aid in the completion of various Works-In-Progress as new perspectives appear from such respites. Ultimately, it’s all about the music but tracking fiber art Works-In-Progress is lots easier to communicate in such a setting as this – hence the linky-party connection.

’Home
* a term I recently invented

Giving Voice: Shelter

Quote symbol
Shelter. That’s maybe all man has ever wanted. Shelter; warmth; food.
from: Andrew James Murray
 

Lately the term, “desperately displaced” has been bandied about. As if living ‘between homes – displaced’ is not desperate in and of itself…

Giving Voice to those seeking safe places to live and hunker down; where surviving IS thriving. God Bless and have Mercy on us all.


from: Playing for Change

ToDoTuesdayFour

I’m thinking 2 weeks between ToDoTuesday posts reflects the beat of my creative biorhythm. Thanks again to Roseanne for sponsoring this opportunity to share and reflect.

~~~

My creativity trinity* is as follows: fiber artMUSICwriting. Each is intertwined with the other, offering needful respites between projects which in turn aid in the completion of various Works-In-Progress as new perspectives appear from such respites. Ultimately, it’s all about the music but tracking fiber art Works-In-Progress is lots easier to communicate in such a setting as this – hence the linky-party connection.
(A Reminder of) My goals for the week of September 10th through September 16th:

  • Add sequin detail to eye on PFWHK Ø and apply binding
  • Get ready for out-of-town trip N/A – rescheduled for next week

IMG_1239I enjoy the process involved with binding a quilt. The construction & ironing of the binding strips, to the attaching of the strips to the neatly squared raw edges of the quilt with the best product to hit this quilter’s tool bag: binding clips; to machine sewing the binding onto the quilt – mitering corners with finesse, then turning it all in position to clip in place for the final stage of hand sewing with a blind stitch.
Yes, I do enjoy the process, but I always forget how much time such a ‘simple’ task stated as ‘bind the quilt’ takes. Added to that this time around, I had to be extra diligent in squaring the quilted, finished pre-printed fabric panel before beginning with the actual binding process. My, what a lot of fuss and fidgeting was involved with all of that!
In such circumstances, it becomes glaringly obvious how I am so not a patient person – but I am a person who wants stuff done as close to perfection as is humanly possible.
Not the most enabling and/or compatible combo of character traits.
Now all that’s left is to sign and sew a label on the back, figure out how to hang it, and oh yes, get after that sequin detail on the Pink Flamingo’s eye.

The PFWHK and Maddy

The PFWHK and Maddy


Because our trip was rescheduled, I was left with some unexpected and unstructured but welcome time available to use as I chose. I ended up blazing through some immensely satisfying and productive times on the practice stool with Maddy. Proving once again the profound effect each slice of my creativity trinity has on the other.

~~~

ToDo for the week of September 24th – October 1st:

  • Add sequin detail to PF eye, sign/sew quilt label
  • Work on post about music score edit process
  • Get ready for out-of-town trip!

 
*a term I invented recently

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