The road ends, but the journey continues...

Category: Musical Musings (Page 9 of 12)

UKE to the rescue

This coming Saturday morning, I leave for my third and quite possibly, last, scheduled trip to Colorado to visit with Dad (note-operative word here is scheduled). With it comes the usual deliberation on what to pack; most of which is rote routine. But those few variable items that require more thought on just how to pack along for the trip are often troublesome.
As a musician, it’s always about the music.
Yes, I have my NOTION software available to me on my laptop if the muse tickles my fancy, or I feel the need to work on compositional works-in-progress.  Heck, I’m so old-school I consider it a badge of honor to whip out my staff paper notebook and jot down ideas using archaic graphite dots.
But that’s not what I’m meaning. And I’m not talking about iPod, streaming or even radio station music, either.
I’m talking about how does one pack that part of your essential being that doesn’t fit into a suitcase, in the overhead bin on an airplane, or be safely transported as general baggage without risk or costing a fortune?  This common question faces all instrumentalists, yet there is no one-size-fits-all answer to it.
Coping with life – the good, the bad and the ugly (to borrow a phrase from a fav Spaghetti Western) – has always been reflected in my music. Prayers, supplications, questions, acceptance; hurts, healings and happy dances; all the dialogue, working through, pouring out – done with my instrument.

Rental 'beater guitar' placed across scrap quilt I made for Ma & Dad ~ 1983

Rental ‘beater guitar’ placed across scrap quilt I made for Ma & Dad ~ 1983


Borrowing or renting a classical guitar is not as easy as say, a violin. I won’t go into the technical details of why, but suffice it to say that the “beater guitar”* I scouted out to rent during my first extended visit, while hard to procure, did deliver as a sort-of security blanket instrument during that five week time span.
My second visit lasted two weeks, a doable length of time to go without direct instrumental contact so that counted as an easy fix.
But…those were solutions for then. What about now?
This time around, I’m slated for a three week stay. As much as those visits are a precious blessing, they are also very intense; filled with tender moments alongside heart wrenching end-of-life realities.
This time around, hubby booked my flight on another airline, one which allows 1 bag and 1 personal item for free as carry-ons.
This time around, I’ll stuff the computer bag with my wallet, snacks and paperback mystery novel as usual, and tote my UKE as the other carry on.
After all, George Harrison composed ‘While My Guitar Gently Weeps’ on his UKE when his primary instrument was unavailable for use.
*”beater guitar” is a term used by cgers and acoustic guitarists alike that refers to an instrument that can be taken anywhere without fear of ruining it…case in point: around the campfire during wilderness treks.

***

One of my fav renditions of this piece follows and indeed, inspired several of my students at the time to ask me to teach them the UKE…thus forcing me to pursue a certain level of mastery over this little gem of an instrument –

 

Collaged Times with Dad

I thought perhaps a little photo collage of my time spent with Dad would be kind of refreshing for anyone interested.  Usually I send off a few select photos to those on my ‘little list’, this time I’m sharing them with all of you – on my ‘little list’ and in the blog-o-sphere!

Me, Dad and Terry Colorado 2016

Me, Dad and Terry

So, to continue…

Joe & hubby goofing off after dinner

Joe & hubby goofing off after dinner

Terry got to visit with Dad two times before he had to leave. The night before Terry left, Joe came over and we had a great mini-family dinner.

 

Dad at 93 practising his clarinet 2016

Dad at 93 practicing his clarinet (2016)


 
One day I walked in on Dad tooting the ole liquorice stick…
 
 
 
 
Dick with his first side by side milkshake

Dick with his first side by side milkshake (mine is on the left for art’s sake)


After one of many ‘care conferences’ for Dad, I treated baby bro to his first ever Steak and Shake side-by-side milkshake…and as a dutiful sister, promptly got him addicted!
 
 
Dad listening to Joe play.

Dad listening to Joe play.


 

Later, when Joe and I visited Dad, he didn’t feel like playing. He offered both his sax and clarinet for Joe to play instead. While I held up the sheet music, Joe sight-read an assortment of Dad’s arrangements of Jazz-standards.

Joe, Dad and me

Joe, Dad and me


 
 
 
Joe with his granpa Jazzman

Hamming it up for the photo-op


Wondering why Dad is always wearing his cap and jacket? It’s just all part of the mix of getting older I guess since it was close to 90F outside!
 
Al Bruno at 93

Here’s lookin’ at ya!


 
One day, Dad did decide to shed all that baggage!
 
 
 
Michelle Solorio, Al Bruno, Laura Lilly

Michelle, Dad and me


 
Towards the end of my extended stay, Michelle came into town for a friend’s wedding.
We got to see Dad one last time before I left.
And, I got to cook for my two kiddos…
Brother & Sister Together 4ever

Brother & Sister Together 4ever

Mother's Day mp3 Greeting

Have you ever tried to sing along to a Led Zeppelin song?
Not the easiest thing in the world to do.
But that didn’t deter my kiddos from sending me an mp3 of their Mother’s Day wishes and gift in a verse composed by my Michelle and sung together with my Joe to the tune of Zep’s “Going to California”.
Let me put this in context for you: Joe is in Colorado, Michelle (and hubby David) are in Michigan; they did a speaker phone call to sing this into a little thumb drive recorder attached to Michelle’s computer that she uses for research interviews.
So, it’s the non-musician in the family who orchestrated this fun Mother’s Day greeting…(transcript follows) Continue reading

The Buena Vista Social Club, More Cowbell and Cinco de Mayo

I was digging through the More Cowbell Cult Playlist I compiled about 2 years ago looking for the song by The Buena Vista Social Club that featured cowbell. I thought maybe since it’s close to Cinco de Mayo, I’d feature it in a blog post and revive the call to contribute to the expansion of this fun playlist.
I know, I know, Cinco de Mayo isn’t a Cuban holiday…heck, it isn’t an American holiday either, so?
I confess to liking any festival that encompasses dancing, food, family, music, art and community involvement regardless of ethnic origin.

viva la raza

my former fiance was deeply involved in the early days of La Raza


I was first introduced to Cinco de Mayo in the early 1970’s, long before it mainstreamed into American culture.  At the time, I was engaged to a young man who was Chicano*.  We were both students at the University of Colorado, Boulder – then and now a hotbed of education, social activism and well yes, partying…Along with the normal Vietnam protests, we spent a lot of time not buying or eating grapes from Safeway…. !Viva La Raza!
Continue reading

Marching to the Studio: Gearing Up – Strings

The first recording session for Swimming with Swans: the music is scheduled to begin Wednesday, April 27th.


Now, back to our regularly scheduled blog post:
When prepping for actual recording, timing is everything.  Not just in the realm of musical readiness, but also in gear readiness. Booking this session date gave me approximately two weeks to break in fresh strings. So of course that meant changing out strings ASAP; which I did.

The Prisloe - ready for string change

All set and ready to go!


 
Changing out strings on the Prisloe is pretty routine.  Basic procedure for me involves laying down a blanket on the living room floor, arranging all the necessary tools on it (tuner, peg turner, string pack, dust rag, jewelers’ sandpaper, string clipper) and then sitting down with the instrument to my right. All set and ready to go.
 
The body as a natural luthier's bench

The body as a natural luthier’s bench


This is how I’ve done it for decades on both the classical and the 12-string, so even if I had access to a cool luthier’s repair bench, I’m not sure I’d use it for this task.
Gently sanding out burrs in the guitar nut

gently sanding out burrs in the nut


Doing related guitar maintenance is often easier done during string changes. Unfortunately the ‘new’ dead spot on the 4th fret 4th string is way beyond my mending capabilities. It will have to wait until I find someone in the area qualified to do repairs on my custom Prisloe.
First string shortened before winding on peg

1st string shortened before winding on peg


Until then, I also trick-out the 1st string to accommodate an oddly unbalanced string winding on the peg.
odd but workable 1st string winding

odd but workable 1st string winding


 
 
 
Squashed Palmetto Bug

Interrupted by a local intruder


 
 
Last week’s string changing routine was spooked up a bit by the need to crush a curious Palmetto Bug* (he looks tiny, but he shrank after being smashed, believe me!). Ugh – how I hate anything roach related.

Now, please excuse me as I continue to dig my fingers into these fresh strings…Gotta break ’em in. My three solo selections are ready and just itching to be recorded.

*nicknamed ‘the unofficial state bird of South Carolina’, here are some funny conversations about the local critter.

Swimming with Swans – March(ing) to the Studio

Southern Harmony Recording StudioLast Thursday marked the beginning of forward movement towards the recording of Swimming with Swans: the music.  I met with Ken*, the sound engineer and owner of Southern Harmony recording studio here in FloTown**.  I had a fantastic time sharing my project, discussing needs, working through technical details and listening to his expertise as applied to contexts unique to solo & ensemble classical guitar.
I am so glad I went with my gut on using this studio for my solo pieces.  The selection of quality recording studios nearby is limited.  I vetted several this past year covering a 3 hour driving radius and came up with a scattering of possibilities all over the state, but really, the best for my needs are located in Raleigh/Durham, NC.  Hubby being my #1 patron and supporter of my art is keeping those options open for me to use if I decide to go that route, regardless.

Original musical monkey in journal

A page from my journal…


I have to admit that until moving to and living in Florence, SC I took basic musician needs for granted.  This scarcity of a vibrant, well-rounded arts-scene will no doubt be a foreign concept/truth to grasp for many of my colleagues.  It certainly was for me, but – it is what it is and I’m thrilled to have cracked the code to a satisfying solution; enabling me to thus move forward and march*** to the studio.
There is one other semi-appropriate studio in Colombia that Joe and I toured during his Thanksgiving visit.  It was more attuned to the needs of classical/jazz musicians, but the space didn’t feel good.  It offers the use of a superior quality grand piano, but that’s not something I need. Also, the sound engineer didn’t have any project tracks to play for me to listen to that were relevant to my instruments.  The ones we gave a listen to were mostly of brass instruments, which sounded great…but.  After doing some of my own digging on the internet for sound samples from his client list, I found a few background tracks with acoustic guitar that sounded – well, let’s just say they were not to my liking.
As a musician, the bottom line is one’s tone, one’s sound. If that gets messed up, no amount of playing technique or flourish will save the day.  After listening to some of Ken’s current projects highlighting a variety of acoustic instruments, I believe I can trust his ear.  We certainly have a great rapport, which also counts as a keen element in the recording process/experience.
The Prisloe, Mo Giolla Mear, the ZOOM H4n & PillowMeanwhile, I’m doing time on the ole’ practice stool, fine tuning my solo pieces, getting ready for recording and keeping up my chops.  I hope to start sessions by mid-late March.
I am definitely psyched…
 
 
*If you visit Southern Harmony, you’ll find Ken is quite modest…his creds include an impressive resume of work in the LA scene for most of his 20 years of experience before moving to FloTown,  yet not listed on his website.
**Local name for Florence, South Carolina
***Yes, pun is intentional.

Celebrating a Singular Between-Time

 Today is bd Day.
A between-time of singular personal significance.
February 6th of any year is bd Day – Ma’s birthdeath Day.

February 5, 1929 Marylou Mawicke (married – Bruno) was born.
February 7, 2007 Ma passed away.

In those last two and a half years we had left living in our home in Colorado following her death, I spent countless days visiting her new cemetery home – talking to her, sitting against her head stone or laying down beside her. During those two years after losing her to COPD/emphysema I mostly sat cross-legged facing the grey-streaked white marble marker praying, crying, touching her name, cleaning the engraving, walking amongst her neighbors, sometimes bringing Dad along for his own face-to-face time(s)…always leaving gifts – tightly closed rosebuds from our climbing rose bush in the front of our home in Colorado or small rocks and Indian Paintbrush stems gathered from our family’s mountain property, or other tokens like ticket stubs to movies or concerts or Broncos stickers…Most of the more traditional offerings of floral bouquets consisted of blossoms cut from my own abundant garden(s) in our home in Colorado, especially when those Bruno Purple Giant Irises were in bloom that first Spring after her passing.
Once hubby and I sold our home in Colorado and began our between homes time, we’d return from time to time and I’d visit Ma, leaving bits of where we’d been – a perfectly flattened blue hued skipping rock from the shores of Lake Superior gathered in the Upper Peninsula my first birthday away from family and our home in Colorado; a sprinkling of white sand from the White Sands National Monument outside Las Cruces, NM gathered on respite outings after particularly hard days of elder-caring hubby’s mother; a half-opened milkweed pod found along a meadow path in North Webster, IN; a handful of Leggy Lady’s tail/mane hair from the grooming brush gathered during our time on the compound in the desert; a slice of Saguaro Cactus spine from Fountain Hills, AZ…
Each of the two Februarys we had left living in our home in Colorado, I spent February 6th as a Day for visiting her grave as a sort of ritualistic honoring of her life.
I distinctly remember the first of these two bd Days. 
That day in 2008 was unusually grey with a stiff wind signaling an impending snow storm. It didn’t deter me from my mission, though.  I needed to share something with Ma, alone, without family members who’d be gathering the next day marking the first anniversary of her death.
Driving through the Fort Logan National Cemetery on my way to her gravesite, I rehearsed what I had to say and how I was going to do what I needed to do. Coming upon the curb area closest to her headstone, I parked, opened the door wide and pressed play on the car’s cd player.  Walking towards my destination, I heard the beginnings of the music blasting forth from a few feet away…

“Ma, this is what I wanted to play for you the day before you passed away; I wanted you to be the first to hear it – finally finished and ready to record – I wanted you to know – to feel me there with you, to be a part of your leaving us. Me.
But I was too afraid…It’s taken me this long to understand why.  Somehow deep inside I thought if I could play it for you, it would work its musical magic and you’d awaken – and be back with all of us. I couldn’t face you awakening somewhere else, someplace I couldn’t go along with you.”

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