The road ends, but the journey continues...

M³ – Ma’s & My Medallion pt1

Once upon a time, there was a mother and daughter who liked doing things together. One year, shortly after the daughter’s parents moved into another house, the daughter thought it’d be cool to make a housewarming quilt for them. After all, she’d made at least 10 bed-sized quilts over the years, including a scrap quilt for her folks’ mountain cabin early on, way back in 1982.

When the daughter talked to her mother about preferences regarding design and color scheme, the two of them realized this would be a fun project to take on together…


And so, we did.


Ma offered up design ideas for the King size quilt-to-be, and I found a pattern idea for the medallion section.

Ma's design ideas with measurement notes
Ma’s design ideas with measurement notes*
My medallion pattern idea
My medallion pattern idea**

We decided to position the medallion en pointe and square it up with to-be-determined related corner designs. The resulting center square would then be surrounded with alternating pieced & solid fabric borders until it reached the required length and width for a King size quilt.

The Color Works pattern used the traditional method for creating HSTs (half-square triangles). That is where each triangle is cut individually then sewn with another to make one HST block unit. Not only is that a time-consuming method, but manipulation of the bias in the process of further construction causes inaccuracies in the completed HST block unit.

Ocean Waves cover

A few years earlier, I was introduced to a groundbreaking new method of HST block construction based upon rotary cutting from the quilt book, Ocean Waves by Nancy J. Martin & Marsha McCloskey. Shortly after its 1989 publication date, I plowed full steam ahead and made a Queen size scrap version of that quilt***, relying heavily on my knowledge of using value as a means to make sense of multi-colored scrappy scraps.

Using this new-at-the-time bias strip piecing method solved the bias distortion problem. The bias strips are cut, sewn together on the bias edge, then cut into individual HST block units. That leaves the outer edges on the stable grain of the fabric with the bias contained and safe from excessive manipulation. A demo of this method can be viewed here.

Design and method determined, now came the fun part. Gathering fabrics. And…teaching Ma how to use the rotary cutter! A quick learner, we spent snippets of time together and separately dutifully cutting out hordes of bias strips.


Here then, is where part 1 ends. I’m wondering: did any of you, my dear readers, discover when this project began? If so, then did anyone further notice the length of time it took to complete? Hint: clues can be found in the featured image.

Let me know in the comments below and stay tuned for part 2!


*Sales advert from some department store – 1990s pricing on poorly stitched imported handmade quilt sets made with cheap quality fabrics, all sizes.

**The VIP Color Works Collection Triangle Quilt/Wallhanging by Janet Page for VIP. Pattern instructions such as these were displayed alongside bolts of new fabric collections and free for the taking. None of the fabrics from this specific collection were used in M³.

*** Photos of it are buried deep in a box somewhere. 🙁

12 Comments

  1. I always obsess my comment didn’t take because I can’t see it until it is approved, lol. I will try to remain calm this time, ha!

    • laura bruno lilly

      Never fear – it will appear! 🙂

  2. Tierney Davis Hogan

    1992 – 2026 – now THAT is a “UFO” finish of epic proportions! (UFO = unfinished object in quilters lingo for the non quilters)! I am just catching up so I assume there is a complete photos of this amazing quilt we will see 🙂

    • laura bruno lilly

      Yep – part 2 will be more photo heavy.

  3. merrildsmith

    I have no idea when or how long, but it sounds like you enjoyed the project! I don’t know anything about quilting.

    • laura bruno lilly

      It certainly has been a singular journey!

  4. L. Marie

    Once I commented and the post closed, I could see the other photo. For some reason, when I clicked on the post the first time, the book cover didn’t show up. I saw the note on The Color Works photo. Thirty years! Wow!!

    • laura bruno lilly

      You’re a super sleuth, L.Marie! Yeah…I thought it’d get finished in 2022…but here we are 2026 (featured image clue). As a non-quilter, you might not get that it is a photo of the quilt label in the process of being sewn into the finished piece. More photos to come later in pt2. Happy Friday!

      • merrildsmith

        I didn’t see the featured image until after I commented.

        • laura bruno lilly

          Thanks for letting me know. It appears WP updates don’t like how my specific WP theme works with featured images…yet another to-do to fix. Yikes!

  5. L. Marie

    Laura, the pattern looks very intricate!
    I’m wondering if some photos are missing in the post? I see two photos and one caption about a cover.

    • laura bruno lilly

      I’m having problems with the featured image tool…I think it’s more theme related than a literal WP issue. Geesh.

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